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Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

Exhibition view: Wrong Earth (3025), Taliesin Gilkes-Bower, Goldsmiths, University of London, London.

December 7, 2025

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

Exhibition view: Leaving the house with an open fire, but briefly, Martins Kohout, curated by Ján Gajdušek, MeetFactory, Prague.

December 7, 2025

Martins Kohout, Leaving the house with an open fire, but briefly at MeetFactory, Prague

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Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

Exhibition view: Wrong Earth (3025), Taliesin Gilkes-Bower, Goldsmiths, University of London, London.

December 7, 2025

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

Exhibition view: Leaving the house with an open fire, but briefly, Martins Kohout, curated by Ján Gajdušek, MeetFactory, Prague.

December 7, 2025

Martins Kohout, Leaving the house with an open fire, but briefly at MeetFactory, Prague

Exhibition view: Pain of Pleasure, Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, curated by Domenico de Chirico, Tempesta gallery, Milan.

December 6, 2025

Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, Pain of Pleasure at Tempesta gallery, Milan

The screen is a muscle, Artissima 2025. Curated by Luca Lo Pinto. Gallerie d’Italia – Torino, 31 October – 2 November 2025. Photo: © Perottino-Piva-Castellano-Bergadano/Artissima.

December 2, 2025

Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli

Latest Posts

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Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

Exhibition view: Wrong Earth (3025), Taliesin Gilkes-Bower, Goldsmiths, University of London, London.

December 7, 2025

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

Exhibition view: Leaving the house with an open fire, but briefly, Martins Kohout, curated by Ján Gajdušek, MeetFactory, Prague.

December 7, 2025

Martins Kohout, Leaving the house with an open fire, but briefly at MeetFactory, Prague

Exhibition view: Pain of Pleasure, Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, curated by Domenico de Chirico, Tempesta gallery, Milan.

December 6, 2025

Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, Pain of Pleasure at Tempesta gallery, Milan

The screen is a muscle, Artissima 2025. Curated by Luca Lo Pinto. Gallerie d’Italia – Torino, 31 October – 2 November 2025. Photo: © Perottino-Piva-Castellano-Bergadano/Artissima.

December 2, 2025

Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli

EXPLORE ↓

DIALOGUES

DIALOGUES JESSE DRAXLER

In conversation with Von Doyle

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Andrin Winteler, Das Kartenhaus, 2021, 80 x 80 x 65 cm, 15-channel video, 8:30 min looped, LCDs, Raspberry Pis, mirrors, switch, power supplies, Exhibition view at Art Museum Winterthur.

Andrin Winteler in conversation with Fakewhale

Adam Cruces, Column, Mixed Media, Swiss Institute Milan, 2013

Fakewhale in Dialogue with Adam Cruces

STREICHELEINHEIT (CARESS) – 2018, Kinetic sound object

Fakewhale in Dialogue with Pfeifer & Kreutzer

Digital Studio, Desktop Screenshot Photo by Fabian Lehmann

Fakewhale in Dialogue with Fabian Lehmann: Exploring the Intersection of Materials, Media, and Digital Duality

Wonder Valley WYSIWYG (Plaster, Resin, Video Projection, Custom Software). SVA Sculpture Center, 2019

October 22, 2024

Fakewhale in dialogue with Dev Harlan

Digital Studio, Desktop Screenshot Photo by Fabian Lehmann

Fakewhale in Dialogue with Fabian Lehmann: Exploring the Intersection of Materials, Media, and Digital Duality

Installation view: Skygolpe, “EMPATIA DIGITALE” (DIGITAL EMPATHY) Viale Bodio 17, Milano, BLACKOUT, Public installation, 2025

Language as Urban Short Circuit — Fakewhale in Conversation with Skygolpe: Exploring the Public Billboards of BLACKOUT

Exhibition detail: SPRING CHAIR ONE, 2024, Courtesy the artist

February 26, 2025

Jean-Baptiste Durand in conversation with Fakewhale

DIALOGUES

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The screen is a muscle, Artissima 2025. Curated by Luca Lo Pinto. Gallerie d’Italia – Torino, 31 October – 2 November 2025. Photo: © Perottino-Piva-Castellano-Bergadano/Artissima.

December 2, 2025

Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli

SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

REVIEWS | Selected Exhibitions

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Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

Exhibition view: Wrong Earth (3025), Taliesin Gilkes-Bower, Goldsmiths, University of London, London.

December 7, 2025

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

Exhibition view: Leaving the house with an open fire, but briefly, Martins Kohout, curated by Ján Gajdušek, MeetFactory, Prague.

December 7, 2025

Martins Kohout, Leaving the house with an open fire, but briefly at MeetFactory, Prague

Exhibition view: Pain of Pleasure, Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, curated by Domenico de Chirico, Tempesta gallery, Milan.

December 6, 2025

Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, Pain of Pleasure at Tempesta gallery, Milan

Exhibition view: Weaving Back to Common Grounds, Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, curated by otc collective, ACUD Galerie, Berlin.

November 26, 2025

Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, Weaving Back to Common Grounds at ACUD Galerie, Berlin.

Exhibition view: When I take a hint, I take it pretty hard, Ryan Gander, Emily Cooper Gallery, London.

November 26, 2025

Ryan Gander, When I take a hint, I take it pretty hard at Emily Cooper Gallery, London

REVIEWS

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Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

Exhibition view: Wrong Earth (3025), Taliesin Gilkes-Bower, Goldsmiths, University of London, London.

December 7, 2025

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

Exhibition view: Leaving the house with an open fire, but briefly, Martins Kohout, curated by Ján Gajdušek, MeetFactory, Prague.

December 7, 2025

Martins Kohout, Leaving the house with an open fire, but briefly at MeetFactory, Prague

Exhibition view: Pain of Pleasure, Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, curated by Domenico de Chirico, Tempesta gallery, Milan.

December 6, 2025

Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, Pain of Pleasure at Tempesta gallery, Milan

Exhibition view: Weaving Back to Common Grounds, Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, curated by otc collective, ACUD Galerie, Berlin.

November 26, 2025

Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, Weaving Back to Common Grounds at ACUD Galerie, Berlin.

Exhibition view: When I take a hint, I take it pretty hard, Ryan Gander, Emily Cooper Gallery, London.

November 26, 2025

Ryan Gander, When I take a hint, I take it pretty hard at Emily Cooper Gallery, London

GALLERY

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Bengt Tibert, Video still from "straight lines"

October 9, 2025

DIALOGUES GALLERY

Bengt Tibert, BODIES OF WORK

‘Half Cheetah’ by James Bloom (2025)

September 25, 2025

DIALOGUES GALLERY

Fakewhale in dialogue with James Bloom

Ian Margo, d/wb project, installation view, 2025

September 22, 2025

DIALOGUES GALLERY

Ian Margo: d/wb project Abstraction, Mediation, and the Spiral of Technoculture

Metronomes - 2025-05-25T204242.413

Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture

Jan Robert Leegte, (image by Galya Feierman)

FAKEWHALE in conversation with Jan Robert Leegte

C2ASH (selected outputs), Jesse Draxler, Fakewhale Gallery x Verse, May 2025

Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse

Insights

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AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer

September 15, 2025

Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art

A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025.

September 2, 2025

From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art

Fakewhale Studio, Untitled, 2025, Digital image

August 25, 2025

When Nothing Weighs More Than Stone

https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/

August 15, 2025

Post-Referential Space: A New Paradigm for Exhibition and Experience

https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg

Crafted for Your Attention: As Predictable as Art

Artwork by White Solitude

February 5, 2024

ART MARKET INSIGHTS

Introducing Fakewhale Gallery: Exclusive Collaboration with Objkt.com

Crosslucid - For Data You Are, And To Data You Shall Return - The Wrong Biennale 2023/24

November 20, 2023

The Wrong Biennale is Reshaping the Experience of Art

Exhibition view:"Live Stream" by Patricia L. Boyd, Jason Hirata, Nina Könnemann, Michael E. Smith, and Matt Welch, Fluentum, Berlin

August 23, 2024

A Sophisticated Dialogue Between Form and Historical Memory at Fluentum

Baxter, MoodBook, 2024

October 14, 2024

Baxter and Fakewhale Studio: Synergy between Digital Art and Design in the 2024 Mood Book

Insights

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AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer

September 15, 2025

Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art

A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025.

September 2, 2025

From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art

Fakewhale Studio, Untitled, 2025, Digital image

August 25, 2025

When Nothing Weighs More Than Stone

https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/

August 15, 2025

Post-Referential Space: A New Paradigm for Exhibition and Experience

https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg

Crafted for Your Attention: As Predictable as Art

EXPLORE ↓

ICONS

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AUTHORS

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Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

AUTHORS

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Installation view “blood thinner, low-dose aspirin, best painkillers for kids” at The Address Gallery, Brescia, 2024. Photo by Alberto Favara. Courtesy The Address Gallery, Brescia.

February 4, 2025

Vladislav Markov, ’blood thinner, low-dose aspirin, best painkillers for kids’

Lu Yang, DOKU The Flow, 2024, HD Video, 50min 15 sec

AUTHORS DIALOGUES

Gods, Games, and Ghosts: Giuseppe Moscatello and Linda Shen In Dialogue with Lu Yang

Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art

AUTHORS INSIGHTS

Curator Spotlight #5: Cao Shu

January 29, 2025

Towards a New Critical Perspective: Fakewhale Presents “Authors’ Insights”

Installation view: Piotr Niepsuj’s Showroom exhibition at C41 Gallery. © Marcello Maranzan via C41 Magazine

February 20, 2025

Zombie Curating in the Infrathin of the Now. Beyond the ‘Curatorial’

The curators Wade Guyton and Beatrix Ruf with the Collector Michael Ringier (from left to right). Photo: Susanne Diesner

Wade Guyton and Beatrix Ruf in Conversation with Matteo Giovanelli Following the opening of Michael Ringier’s Collection at the Langen Foundation, Düsseldorf

But Can It Run Doom, 2025, Janne Schimmel, Between Modder and Mud, Photo Credit : Adriaan Hauwaerts

Tech That Won’t Die, No Matter How Hard Capitalism Tries

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

The Hypermediated State and Fakewhale’s Practice in Spotlight

YOSHIROTTEN’s solo show FUTURE NATURE II at Kirishima Open-Air Museum, Kagoshima (2024). Photograph by Yasuyuki Takaki.

YOSHIROTTEN: Overflow and Motion in a Hyper-Optimized World

AUTHORS

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FAKEWHALE STUDIO

February 19, 2025

Fakewhale STUDIO

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