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INSIGHTS Uncategorized

From the Era of the Social Graph to the Interest Graph: The End of Relation, the Beginning of Relevance

Exhibition view: “17 metres, 46 seconds, 800 frames”, Georgina Hill, Schleuse, Vienna.

Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Vienna

Exhibition view: “Containers Love Disorder”, Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz and La Bibliothèque des Ready-Mades, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

Groupshow, Containers Love Disorder at Kunst Halle Sankt Gallen, St.Gallen

AI Image by Fakewhale

When Cinema Meets the Dataset: Hollywood Draws a Line Around AI

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AI image by Fakewhale

INSIGHTS Uncategorized

From the Era of the Social Graph to the Interest Graph: The End of Relation, the Beginning of Relevance

Exhibition view: “17 metres, 46 seconds, 800 frames”, Georgina Hill, Schleuse, Vienna.

Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Vienna

Exhibition view: “Containers Love Disorder”, Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz and La Bibliothèque des Ready-Mades, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

Groupshow, Containers Love Disorder at Kunst Halle Sankt Gallen, St.Gallen

AI Image by Fakewhale

When Cinema Meets the Dataset: Hollywood Draws a Line Around AI

AI Image by Fakewhale

INSIGHTS Uncategorized

Materials In Contemporary Sculpture From Burri To Today

AI Image by Fakewhale

Perception in Flux. From matter to code, rethinking the conditions of experience

Latest Posts

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AI image by Fakewhale

INSIGHTS Uncategorized

From the Era of the Social Graph to the Interest Graph: The End of Relation, the Beginning of Relevance

Exhibition view: “17 metres, 46 seconds, 800 frames”, Georgina Hill, Schleuse, Vienna.

Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Vienna

Exhibition view: “Containers Love Disorder”, Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz and La Bibliothèque des Ready-Mades, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

Groupshow, Containers Love Disorder at Kunst Halle Sankt Gallen, St.Gallen

AI Image by Fakewhale

When Cinema Meets the Dataset: Hollywood Draws a Line Around AI

AI Image by Fakewhale

INSIGHTS Uncategorized

Materials In Contemporary Sculpture From Burri To Today

AI Image by Fakewhale

Perception in Flux. From matter to code, rethinking the conditions of experience

EXPLORE ↓

Cibarius Sodlab Studio — Cibarius x Sodlab, RENCONTRE, 2024 Edition, 3d modeling, rendering, photo editing

Cibarius and SodlabStudio In Conversation with Fakewhale

Exhibition view:Jacopo Benassi, Salvati Salvàti, 2024 Francesca Minini, Milan, Ph. Andrea Rossetti

Fakewhale in Dialogue with Jacopo Benassi: The Visceral Tension of an Uncompromising Vision

Tim Plamper, portrait by Nicolas Blanchadell, 2024

November 14, 2024

Fakewhale in dialogue with Tim Plamper

MOCA 2023 FUNDRAISER

October 2, 2023

MOCA 2023 Fundraiser: In Conversation with Colborn

DIALOGUES

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The screen is a muscle, Artissima 2025. Curated by Luca Lo Pinto. Gallerie d’Italia – Torino, 31 October – 2 November 2025. Photo: © Perottino-Piva-Castellano-Bergadano/Artissima.

December 2, 2025

Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli

SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

REVIEWS | Selected Exhibitions

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Exhibition view: “17 metres, 46 seconds, 800 frames”, Georgina Hill, Schleuse, Vienna.

Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Vienna

Exhibition view: “Containers Love Disorder”, Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz and La Bibliothèque des Ready-Mades, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

Groupshow, Containers Love Disorder at Kunst Halle Sankt Gallen, St.Gallen

Exhibition view: Tales from Fractured Minds: Dissociation as Refuge and Rupture, Alexander Adamau, Ant Łakomsk, Bartosz Kowal, Hanna Antonsson, Linda Lach, Polina Sokolova, and Tatjana Danneberg, curated by Matteo Giovanelli, The Address Gallery, Brescia.

February 26, 2026

Tales from Fractured Minds: Dissociation as Refuge and Rupture

Exhibition view: Silver Bunny, Dummy, Joe Bartram, curated by Ilaria Monti, DISPLAY, Parma.

February 17, 2026

Martin Galle, All About Nothing at Suburbia Contemporary Leipzig Spinnerei, Leipzig

Exhibition view: Silver Bunny, Dummy, Joe Bartram, curated by Ilaria Monti, DISPLAY, Parma.

February 17, 2026

Joe Bartram, Silver Bunny, Dummy at DISPLAY, Parma

Exhibition view: In Plain Sight: Photography, Power and Public Space in Britain, Anna Fox, Jermaine Francis, Sunil Gupta, Karen Knorr, MacDonaldStrand, Sarah Pickering, John Stezaker, Bettina von Zwehl, curated by Matèria and Christiane Monarchi, Matèria, Rome.

February 5, 2026

Photography, Power and Public Space in Britain at Matèria, Rome

REVIEWS

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Exhibition view: “17 metres, 46 seconds, 800 frames”, Georgina Hill, Schleuse, Vienna.

Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Vienna

Exhibition view: “Containers Love Disorder”, Michèle Graf & Selina Grüter, Dominic Michel, Mathis Pfäffli, Matthias Sohr, Kelly Tissot, Paulo Wirz and La Bibliothèque des Ready-Mades, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

Groupshow, Containers Love Disorder at Kunst Halle Sankt Gallen, St.Gallen

Exhibition view: Tales from Fractured Minds: Dissociation as Refuge and Rupture, Alexander Adamau, Ant Łakomsk, Bartosz Kowal, Hanna Antonsson, Linda Lach, Polina Sokolova, and Tatjana Danneberg, curated by Matteo Giovanelli, The Address Gallery, Brescia.

February 26, 2026

Tales from Fractured Minds: Dissociation as Refuge and Rupture

Exhibition view: Silver Bunny, Dummy, Joe Bartram, curated by Ilaria Monti, DISPLAY, Parma.

February 17, 2026

Martin Galle, All About Nothing at Suburbia Contemporary Leipzig Spinnerei, Leipzig

Exhibition view: Silver Bunny, Dummy, Joe Bartram, curated by Ilaria Monti, DISPLAY, Parma.

February 17, 2026

Joe Bartram, Silver Bunny, Dummy at DISPLAY, Parma

Exhibition view: In Plain Sight: Photography, Power and Public Space in Britain, Anna Fox, Jermaine Francis, Sunil Gupta, Karen Knorr, MacDonaldStrand, Sarah Pickering, John Stezaker, Bettina von Zwehl, curated by Matèria and Christiane Monarchi, Matèria, Rome.

February 5, 2026

Photography, Power and Public Space in Britain at Matèria, Rome

GALLERY

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Insights

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AI image by Fakewhale

INSIGHTS Uncategorized

From the Era of the Social Graph to the Interest Graph: The End of Relation, the Beginning of Relevance

AI Image by Fakewhale

When Cinema Meets the Dataset: Hollywood Draws a Line Around AI

AI Image by Fakewhale

INSIGHTS Uncategorized

Materials In Contemporary Sculpture From Burri To Today

AI Image by Fakewhale

Perception in Flux. From matter to code, rethinking the conditions of experience

AI Image by Fakewhale

CIRCLE and LOG as One: Fakewhale and Convergence as an Artistic Act

AI image by Fakewhale.

February 27, 2026

Circle INSIGHTS

The Viewer After Scarcity: New literacies for an art that grows without asking for consent

AI image by fakewhale.

February 26, 2026

Architectures of Trust in the Age of Delegated Cognition

AI Image by Fakewhale.

February 23, 2026

Circle INSIGHTS

Voltage Aesthetics: The Invisible Authority of the Apparatus

AI image by Fakewhale.

February 18, 2026

Circle INSIGHTS

Beyond the Unicum: The Image-Flux in the Age of Artificial Intelligence

Ai Image by fakewhale.

February 12, 2026

How to Lie to a Language Model: The Rhetoric of the Bypass

AI image by Fakewhale.

February 12, 2026

On Images That Remember Without History

Barthes and Debord — AI image by Fakewhale.

February 9, 2026

Barthes and Debord: The Cultural Work of Images in Late Modernity

https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg

Crafted for Your Attention: As Predictable as Art

Ryan Gander, Life’s a bite, Installation view Basement Roma, Photo: Daniele Molajoli, Courtesy: the artist and Basement Roma

What Remains of the Gesture: Fables, Algorithms, and the Melancholy of the Mechanical. Ryan Gander at Basament, Roma

Artwork by White Solitude

February 5, 2024

ART MARKET INSIGHTS

Introducing Fakewhale Gallery: Exclusive Collaboration with Objkt.com

August 27, 2024

“Loose Canon” by Estefanie Rodríguez Corleone, Jasmine Gregory at A MAIOR, Viseu

Insights

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AI image by Fakewhale

INSIGHTS Uncategorized

From the Era of the Social Graph to the Interest Graph: The End of Relation, the Beginning of Relevance

AI Image by Fakewhale

When Cinema Meets the Dataset: Hollywood Draws a Line Around AI

AI Image by Fakewhale

INSIGHTS Uncategorized

Materials In Contemporary Sculpture From Burri To Today

AI Image by Fakewhale

Perception in Flux. From matter to code, rethinking the conditions of experience

AI Image by Fakewhale

CIRCLE and LOG as One: Fakewhale and Convergence as an Artistic Act

AI image by Fakewhale.

February 27, 2026

Circle INSIGHTS

The Viewer After Scarcity: New literacies for an art that grows without asking for consent

AI image by fakewhale.

February 26, 2026

Architectures of Trust in the Age of Delegated Cognition

AI Image by Fakewhale.

February 23, 2026

Circle INSIGHTS

Voltage Aesthetics: The Invisible Authority of the Apparatus

AI image by Fakewhale.

February 18, 2026

Circle INSIGHTS

Beyond the Unicum: The Image-Flux in the Age of Artificial Intelligence

Ai Image by fakewhale.

February 12, 2026

How to Lie to a Language Model: The Rhetoric of the Bypass

AI image by Fakewhale.

February 12, 2026

On Images That Remember Without History

Barthes and Debord — AI image by Fakewhale.

February 9, 2026

Barthes and Debord: The Cultural Work of Images in Late Modernity

EXPLORE ↓

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Photo courtesy of the artists

December 30, 2025

AUTHORS FAKEWHALE

Tram0 and the Craft of Infrastructure in Hong Kong

Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

AUTHORS

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Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art

AUTHORS INSIGHTS

Curator Spotlight #5: Cao Shu

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Lu Yang, DOKU The Flow, 2024, HD Video, 50min 15 sec

AUTHORS DIALOGUES

Gods, Games, and Ghosts: Giuseppe Moscatello and Linda Shen In Dialogue with Lu Yang

The Hypermediated State and Fakewhale’s Practice in Spotlight

Installation view “blood thinner, low-dose aspirin, best painkillers for kids” at The Address Gallery, Brescia, 2024. Photo by Alberto Favara. Courtesy The Address Gallery, Brescia.

February 4, 2025

Vladislav Markov, ’blood thinner, low-dose aspirin, best painkillers for kids’

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

Franco e Eva Mattes, Human-in-the-loop, Nassauischer Kunstverein

CTRL+Z: From 1910s to 2010s, and Beyond. A Brief History of LOWTECH

Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

Lu Yang, DOKU The Flow, 2024, HD Video, 50min 15 sec

AUTHORS DIALOGUES

Gods, Games, and Ghosts: Giuseppe Moscatello and Linda Shen In Dialogue with Lu Yang

Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art

AUTHORS INSIGHTS

Curator Spotlight #5: Cao Shu

AUTHORS

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FAKEWHALE STUDIO

February 19, 2025

Fakewhale STUDIO

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