CORE March 20, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
DIALOGUESJune 14, 2025Digital Shadows and Natural Forces: Rune Bering in Dialogue with Fakewhalebyfakewhale
INSIGHTSApril 23, 2026In Minor Keys: The Subtle Tonalities Set to Redefine the 2026 Art Biennalebyfakewhale
INSIGHTSApril 14, 2026Light Beyond Illumination: Radiation and Presence in Contemporary Artbyfakewhale
AUTHORSApril 14, 2026Rirkrit Tiravanija, The House That Jack Built. A re-enactment retrospective at Pirelli Hangar BicoccabyMatteo Giovanelli
EXHIBITIONSApril 11, 2026Karlo Štefanek, Cheers! So she goes at Galerija Miroslav Kraljević, Zagrebbyfakewhale
EXHIBITIONSMarch 31, 202660th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
EXHIBITIONSMarch 31, 2026Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, Londonbyfakewhale
INSIGHTSApril 23, 2026In Minor Keys: The Subtle Tonalities Set to Redefine the 2026 Art Biennalebyfakewhale
INSIGHTSApril 14, 2026Light Beyond Illumination: Radiation and Presence in Contemporary Artbyfakewhale
AUTHORSApril 14, 2026Rirkrit Tiravanija, The House That Jack Built. A re-enactment retrospective at Pirelli Hangar BicoccabyMatteo Giovanelli
EXHIBITIONSApril 11, 2026Karlo Štefanek, Cheers! So she goes at Galerija Miroslav Kraljević, Zagrebbyfakewhale
EXHIBITIONSMarch 31, 202660th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
EXHIBITIONSMarch 31, 2026Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, Londonbyfakewhale
