1 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
1 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
CORE March 5, 2026Perception in Flux. From matter to code, rethinking the conditions of experiencebyfakewhale
CORE February 27, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
CORE February 18, 2026Beyond the Unicum: The Image-Flux in the Age of Artificial Intelligencebyfakewhale
CORE February 5, 2026Post-Trial. Reputation, Consensus, and Low-Resolution Truth in the Age of Distributed Trustbyfakewhale
DIALOGUESMarch 27, 2026Fakewhale in Dialogue with Ana María Caballero: Poetry, Infrastructure, and the Politics of Custodybyfakewhale
DIALOGUESDecember 2, 2025Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo GiovanellibyMatteo Giovanelli
DIALOGUESNovember 24, 2025Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journeybyfakewhale
EXHIBITIONSMarch 31, 202660th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
EXHIBITIONSMarch 31, 2026Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, Londonbyfakewhale
DIALOGUESMarch 27, 2026Fakewhale in Dialogue with Ana María Caballero: Poetry, Infrastructure, and the Politics of Custodybyfakewhale
EXHIBITIONSMarch 17, 2026Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Viennabyfakewhale
COREMarch 5, 2026Perception in Flux. From matter to code, rethinking the conditions of experiencebyfakewhale
COREFebruary 27, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
EXHIBITIONSFebruary 26, 2026Tales from Fractured Minds: Dissociation as Refuge and Rupturebyfakewhale
COREFebruary 18, 2026Beyond the Unicum: The Image-Flux in the Age of Artificial Intelligencebyfakewhale
EXHIBITIONSFebruary 17, 2026Martin Galle, All About Nothing at Suburbia Contemporary Leipzig Spinnerei, Leipzigbyfakewhale
EXHIBITIONSMarch 31, 202660th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
EXHIBITIONSMarch 31, 2026Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, Londonbyfakewhale
DIALOGUESMarch 27, 2026Fakewhale in Dialogue with Ana María Caballero: Poetry, Infrastructure, and the Politics of Custodybyfakewhale
EXHIBITIONSMarch 17, 2026Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Viennabyfakewhale
COREMarch 5, 2026Perception in Flux. From matter to code, rethinking the conditions of experiencebyfakewhale
COREFebruary 27, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
EXHIBITIONSFebruary 26, 2026Tales from Fractured Minds: Dissociation as Refuge and Rupturebyfakewhale
COREFebruary 18, 2026Beyond the Unicum: The Image-Flux in the Age of Artificial Intelligencebyfakewhale
EXHIBITIONSFebruary 17, 2026Martin Galle, All About Nothing at Suburbia Contemporary Leipzig Spinnerei, Leipzigbyfakewhale
