2 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
2 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
CORE March 20, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
CORE December 17, 2025Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Usbyfakewhale
CORE March 20, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
CORE March 20, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
CORE December 17, 2025Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Usbyfakewhale
DIALOGUESJune 14, 2025Digital Shadows and Natural Forces: Rune Bering in Dialogue with Fakewhalebyfakewhale
EXHIBITIONSMarch 31, 202660th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
EXHIBITIONSMarch 31, 2026Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, Londonbyfakewhale
DIALOGUESMarch 27, 2026Fakewhale in Dialogue with Ana María Caballero: Poetry, Infrastructure, and the Politics of Custodybyfakewhale
COREMarch 20, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
EXHIBITIONSMarch 17, 2026Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Viennabyfakewhale
COREMarch 5, 2026Perception in Flux. From matter to code, rethinking the conditions of experiencebyfakewhale
EXHIBITIONSFebruary 26, 2026Tales from Fractured Minds: Dissociation as Refuge and Rupturebyfakewhale
DIALOGUESFebruary 24, 2026Falling With the Unbodied: Herwig Scherabon’s Work Beyond the Humanbyfakewhale
EXHIBITIONSMarch 31, 202660th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagrebbyfakewhale
EXHIBITIONSMarch 31, 2026Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, Londonbyfakewhale
DIALOGUESMarch 27, 2026Fakewhale in Dialogue with Ana María Caballero: Poetry, Infrastructure, and the Politics of Custodybyfakewhale
COREMarch 20, 2026The Viewer After Scarcity: New literacies for an art that grows without asking for consentbyfakewhale
EXHIBITIONSMarch 17, 2026Georgina Hill, 17 metres, 46 seconds, 800 frames at Schleuse, Viennabyfakewhale
COREMarch 5, 2026Perception in Flux. From matter to code, rethinking the conditions of experiencebyfakewhale
EXHIBITIONSFebruary 26, 2026Tales from Fractured Minds: Dissociation as Refuge and Rupturebyfakewhale
DIALOGUESFebruary 24, 2026Falling With the Unbodied: Herwig Scherabon’s Work Beyond the Humanbyfakewhale
