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A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

Exhibition view: Ancient AI, Ran Slavin, curated by Sivan Sebbag Zelensky, Hamivne, Tel Aviv. Ph: Harel Gilboa

January 10, 2026

Ran Slavin, Ancient AI, at Hamivne, Tel Aviv

Exhibition view: companion, Bogna Luiza Wisniewska, SIC, Helsinki

January 10, 2026

Bogna Luiza Wisniewska, companion, at SIC, Helsinki

Latest Posts

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A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

Exhibition view: Ancient AI, Ran Slavin, curated by Sivan Sebbag Zelensky, Hamivne, Tel Aviv. Ph: Harel Gilboa

January 10, 2026

Ran Slavin, Ancient AI, at Hamivne, Tel Aviv

Exhibition view: companion, Bogna Luiza Wisniewska, SIC, Helsinki

January 10, 2026

Bogna Luiza Wisniewska, companion, at SIC, Helsinki

Erris Huigens, Anti Monuments, at FORM, Wageningen / Amsterdam, 5–30 January 2026, video still, courtesy of the artist and FORM, Wageningen / Amsterdam.

January 9, 2026

Erris Huigens, Anti-Monuments at FORM, Wageningen / Amsterdam

January 1, 2026

The Artist as Channel

Latest Posts

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A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

Exhibition view: Ancient AI, Ran Slavin, curated by Sivan Sebbag Zelensky, Hamivne, Tel Aviv. Ph: Harel Gilboa

January 10, 2026

Ran Slavin, Ancient AI, at Hamivne, Tel Aviv

Exhibition view: companion, Bogna Luiza Wisniewska, SIC, Helsinki

January 10, 2026

Bogna Luiza Wisniewska, companion, at SIC, Helsinki

Erris Huigens, Anti Monuments, at FORM, Wageningen / Amsterdam, 5–30 January 2026, video still, courtesy of the artist and FORM, Wageningen / Amsterdam.

January 9, 2026

Erris Huigens, Anti-Monuments at FORM, Wageningen / Amsterdam

January 1, 2026

The Artist as Channel

EXPLORE ↓

DIALOGUES

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

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Exhibition view:Jacopo Benassi, Salvati Salvàti, 2024 Francesca Minini, Milan, Ph. Andrea Rossetti

Fakewhale in Dialogue with Jacopo Benassi: The Visceral Tension of an Uncompromising Vision

Scrollbar Composition, 2000 website collection Stedelijk Museum Amsterdam

Jan Robert Leegte in Conversation with Fakewhale

LCD 1, Device for realtime ASCII art, 2022. Custom electronics and software. Edition of 32, 1 se (special edition), 8 ap (artist proofs)

Andreas Gysin’s Digital-Physical Continuum

‘Half Cheetah’ by James Bloom (2025)

DIALOGUES GALLERY

Fakewhale in dialogue with James Bloom

Ganbrood-Cover

DIALOGUES JESSE DRAXLER

In conversation with Ganbrood

October 14, 2022

DIALOGUES JESSE DRAXLER

In conversation with Colborn

Harm van den Dorpel, Struggle for Pleasure installation view, presented by Verse x SOLOS, January 2024

December 3, 2024

Curating Tomorrow: Verse’s Vision for the Future of Contemporary Art

Kay Yoon, Shu Da, Karu Miyoshi, Gilly Ghim, «間 Interstice», 2025, Caption Seoul, Photography by Bokyoung Han, 1

November 9, 2025

Fakewhale in Dialogue with Caption, Seoul

DIALOGUES

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The screen is a muscle, Artissima 2025. Curated by Luca Lo Pinto. Gallerie d’Italia – Torino, 31 October – 2 November 2025. Photo: © Perottino-Piva-Castellano-Bergadano/Artissima.

December 2, 2025

Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli

SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

REVIEWS | Selected Exhibitions

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Exhibition view: Ancient AI, Ran Slavin, curated by Sivan Sebbag Zelensky, Hamivne, Tel Aviv. Ph: Harel Gilboa

January 10, 2026

Ran Slavin, Ancient AI, at Hamivne, Tel Aviv

Exhibition view: companion, Bogna Luiza Wisniewska, SIC, Helsinki

January 10, 2026

Bogna Luiza Wisniewska, companion, at SIC, Helsinki

Erris Huigens, Anti Monuments, at FORM, Wageningen / Amsterdam, 5–30 January 2026, video still, courtesy of the artist and FORM, Wageningen / Amsterdam.

January 9, 2026

Erris Huigens, Anti-Monuments at FORM, Wageningen / Amsterdam

Exhibition view: Everest Life, Charlotte Thrane, curated by Ilaria Monti, DISPLAY, Parma.

December 26, 2025

Charlotte Thrane, Everest Life at DISPLAY, Parma

Exhibition view: SUCK MY CODE!, Anna Ehrenstein & House of Tupamaras, Anan Fries, Anja Lekavski & Rosanna Marie Pondorf, Christiane Peschek, Patrícia J. Reis, Sophie Thun, RA Walden, VNS Matrix, curated by Rosanna Marie Pondorf and Mareike Schwarz, Exhibit Galerie, Vienna. PH: ©VincentEntekhabi

December 23, 2025

SUCK MY CODE! at Exhibit Galerie, Vienna

Exhibition view: One Thing After Another (Drawings 2005–2025), Sam Porritt, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

December 18, 2025

Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen

REVIEWS

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Exhibition view: Ancient AI, Ran Slavin, curated by Sivan Sebbag Zelensky, Hamivne, Tel Aviv. Ph: Harel Gilboa

January 10, 2026

Ran Slavin, Ancient AI, at Hamivne, Tel Aviv

Exhibition view: companion, Bogna Luiza Wisniewska, SIC, Helsinki

January 10, 2026

Bogna Luiza Wisniewska, companion, at SIC, Helsinki

Erris Huigens, Anti Monuments, at FORM, Wageningen / Amsterdam, 5–30 January 2026, video still, courtesy of the artist and FORM, Wageningen / Amsterdam.

January 9, 2026

Erris Huigens, Anti-Monuments at FORM, Wageningen / Amsterdam

Exhibition view: Everest Life, Charlotte Thrane, curated by Ilaria Monti, DISPLAY, Parma.

December 26, 2025

Charlotte Thrane, Everest Life at DISPLAY, Parma

Exhibition view: SUCK MY CODE!, Anna Ehrenstein & House of Tupamaras, Anan Fries, Anja Lekavski & Rosanna Marie Pondorf, Christiane Peschek, Patrícia J. Reis, Sophie Thun, RA Walden, VNS Matrix, curated by Rosanna Marie Pondorf and Mareike Schwarz, Exhibit Galerie, Vienna. PH: ©VincentEntekhabi

December 23, 2025

SUCK MY CODE! at Exhibit Galerie, Vienna

Exhibition view: One Thing After Another (Drawings 2005–2025), Sam Porritt, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

December 18, 2025

Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen

GALLERY

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Bengt Tibert, Video still from "straight lines"

October 9, 2025

DIALOGUES GALLERY

Bengt Tibert, BODIES OF WORK

‘Half Cheetah’ by James Bloom (2025)

September 25, 2025

DIALOGUES GALLERY

Fakewhale in dialogue with James Bloom

Ian Margo, d/wb project, installation view, 2025

September 22, 2025

DIALOGUES GALLERY

Ian Margo: d/wb project Abstraction, Mediation, and the Spiral of Technoculture

Metronomes - 2025-05-25T204242.413

Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture

Jan Robert Leegte, (image by Galya Feierman)

FAKEWHALE in conversation with Jan Robert Leegte

C2ASH (selected outputs), Jesse Draxler, Fakewhale Gallery x Verse, May 2025

Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse

Insights

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A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

January 1, 2026

The Artist as Channel

Fakewhale Studio, AI-generated image, 2025

December 23, 2025

When AI Stops Assisting and Starts Defining Reality

AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

Mind - Andrea Bonaceto

Andrea Bonaceto: Reimagining Art in the Digital Age

Kazuhiro Aihara cover

Kazuhiro Aihara: Uncharted Pixels

qubibi -cover

Qubibi: Transcending Boundaries Through Abstract Notions

Installation view. ‘Anne Imhof–Youth’. Stedelijk Museum Amsterdam co-presented with Hartwig Art Foundation. / Photo: Peter Tijhuis.

Collecting the Digital: the Gesture, the Container, the Era

Insights

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A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 16, 2026

Omniscience on Demand: AI and the Collapse of the Learning Process

A hand scrolling through Instagram Reels pauses to watch an AI creator speaking on screen. AI image by Fakewhale.

January 14, 2026

After Evidence: Trust, Images, and the End of Visual Certainty

January 1, 2026

The Artist as Channel

Fakewhale Studio, AI-generated image, 2025

December 23, 2025

When AI Stops Assisting and Starts Defining Reality

AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

EXPLORE ↓

ICONS

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AUTHORS

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Photo courtesy of the artists

December 30, 2025

AUTHORS FAKEWHALE

Tram0 and the Craft of Infrastructure in Hong Kong

Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

AUTHORS

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YOSHIROTTEN’s solo show FUTURE NATURE II at Kirishima Open-Air Museum, Kagoshima (2024). Photograph by Yasuyuki Takaki.

YOSHIROTTEN: Overflow and Motion in a Hyper-Optimized World

Installation view “blood thinner, low-dose aspirin, best painkillers for kids” at The Address Gallery, Brescia, 2024. Photo by Alberto Favara. Courtesy The Address Gallery, Brescia.

February 4, 2025

Vladislav Markov, ’blood thinner, low-dose aspirin, best painkillers for kids’

Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky.

August 20, 2025

Curating Otherwise: Interdependence as a Tool to Practice

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Franco e Eva Mattes, Human-in-the-loop, Nassauischer Kunstverein

CTRL+Z: From 1910s to 2010s, and Beyond. A Brief History of LOWTECH

Photo courtesy of the artists

December 30, 2025

AUTHORS FAKEWHALE

Tram0 and the Craft of Infrastructure in Hong Kong

AI Nüshu (Women's scripts), 2023, Interactive installation

Curator Spotlight #4: Yuqian Sun

But Can It Run Doom, 2025, Janne Schimmel, Between Modder and Mud, Photo Credit : Adriaan Hauwaerts

Tech That Won’t Die, No Matter How Hard Capitalism Tries

Klara Lidén, Disco, 2020. Stedelijk Museum Amsterdam, gift of Sadie Coles HQ, London; Matias Faldbakken, TILE ESCALATION, 2025. Courtesy of the artist and Galerie Neu, Berlin.

Graffiti. From the Spray Paintings & Underground to the Museion

AUTHORS

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FAKEWHALE STUDIO

February 19, 2025

Fakewhale STUDIO

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