Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
:mentalKLINIK MICA, 2025 (PROFILE SERIES) SOFTCORE RADICAL, BACKROOM BABY, SELF-BANNED, AUTO-GLAM, POLITELY PARANOID, LOW-EFFORT ICON, HYPER EMPATH, SHAMELESS November 14, 2025 DIALOGUES Fakewhale in Dialogue with :mentalKLINIK
Marina Abramovic / Ulay , "Here is a sphere of change, Change, change, Through change consume change.", 1985, Offset printed post card, text on front: ,,Here is a sphere of change, / Change, change, / Through change consume change." - new address printed verso, hand written date 19-1-85, addressed to Peter v. Beveren, postmarked Amsterdam, Netherlands 12-85-20 [12-20-85] November 11, 2025 DIALOGUES Fakewhale in Dialogue with Michael Lowe
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Kay Yoon, Shu Da, Karu Miyoshi, Gilly Ghim, «間 Interstice», 2025, Caption Seoul, Photography by Bokyoung Han, 1 November 9, 2025 DIALOGUES Fakewhale in Dialogue with Caption, Seoul
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
:mentalKLINIK MICA, 2025 (PROFILE SERIES) SOFTCORE RADICAL, BACKROOM BABY, SELF-BANNED, AUTO-GLAM, POLITELY PARANOID, LOW-EFFORT ICON, HYPER EMPATH, SHAMELESS November 14, 2025 DIALOGUES Fakewhale in Dialogue with :mentalKLINIK
Marina Abramovic / Ulay , "Here is a sphere of change, Change, change, Through change consume change.", 1985, Offset printed post card, text on front: ,,Here is a sphere of change, / Change, change, / Through change consume change." - new address printed verso, hand written date 19-1-85, addressed to Peter v. Beveren, postmarked Amsterdam, Netherlands 12-85-20 [12-20-85] November 11, 2025 DIALOGUES Fakewhale in Dialogue with Michael Lowe
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Kay Yoon, Shu Da, Karu Miyoshi, Gilly Ghim, «間 Interstice», 2025, Caption Seoul, Photography by Bokyoung Han, 1 November 9, 2025 DIALOGUES Fakewhale in Dialogue with Caption, Seoul
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
STREICHELEINHEIT (CARESS) – 2018, Kinetic sound object June 9, 2025 DIALOGUES Fakewhale in Dialogue with Pfeifer & Kreutzer
Still frame from PXL DEX by Kim Asendorf, 2025 DIALOGUES Inside PXL DEX: How Kim Asendorf Tokenized the Building Blocks of Digital Imagery
Exhibition view: When Form Becomes Attitude, 01.09.2024-05.10.2024, SUNSET, Scheveningen, curated by FORM. DIALOGUES Fakewhale in Dialogue with FORM Space: A New Curatorial Syntax for Generative Visuality
Martin Dörr, Body without Narrator, saasfee*pavillon, 2025. Exterior view. Photo: Studio replica. DIALOGUES Fakewhale in Conversation with Martin Dörr: Sleepwalking Systems
Lan Party (AI visual), Donald Gjoka, 2024 April 1, 2025 DIALOGUES Donald Gjoka in Dialogue with Fakewhale: COEVAL Magazine, Creativity, and the New Underground
Installation view: Huber Huber, Exhibition of works 2017, work contributions fine arts of the Canton of Zurich, Museum Haus Konstruktiv. July 4, 2024 DIALOGUES Fakewhale in Dialogue with Huber Huber
Installation View: Overlooked Horizons. Ewa and Jacek Doroszenko at Pragovka Gallery, Prague, 2023. March 22, 2024 DIALOGUES In Dialogue with Ewa and Jacek Doroszenko
YimingYang, Spore Dispersal Machine, metal, motorcycle body shell, motors, 2025 July 15, 2025 DIALOGUES Blurring Boundaries: Yiming on Machines, Organisms, and the Future of Hybrid Art
:mentalKLINIK MICA, 2025 (PROFILE SERIES) SOFTCORE RADICAL, BACKROOM BABY, SELF-BANNED, AUTO-GLAM, POLITELY PARANOID, LOW-EFFORT ICON, HYPER EMPATH, SHAMELESS November 14, 2025 DIALOGUES Fakewhale in Dialogue with :mentalKLINIK
Marina Abramovic / Ulay , "Here is a sphere of change, Change, change, Through change consume change.", 1985, Offset printed post card, text on front: ,,Here is a sphere of change, / Change, change, / Through change consume change." - new address printed verso, hand written date 19-1-85, addressed to Peter v. Beveren, postmarked Amsterdam, Netherlands 12-85-20 [12-20-85] November 11, 2025 DIALOGUES Fakewhale in Dialogue with Michael Lowe
Kay Yoon, Shu Da, Karu Miyoshi, Gilly Ghim, «間 Interstice», 2025, Caption Seoul, Photography by Bokyoung Han, 1 November 9, 2025 DIALOGUES Fakewhale in Dialogue with Caption, Seoul
Uncharted Zone, video projection installation view, , GregJager at Studio Drang, curated by Ilaria Goglia, Rome 2025 / Ph: Eleonora Cerri Pecorella October 27, 2025 DIALOGUES Fakewhale in Dialogue with: Greg Jager
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
Installation view: 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb October 27, 2025 REVIEWS 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb
Armando Andrade Tudela, Lost Labour at FORM, Amsterdam October 24, 2025 REVIEWS Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
Installation view: 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb October 27, 2025 REVIEWS 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb
Armando Andrade Tudela, Lost Labour at FORM, Amsterdam October 24, 2025 REVIEWS Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Bengt Tibert, Video still from "straight lines" October 9, 2025 DIALOGUESGALLERY Bengt Tibert, BODIES OF WORK
‘Half Cheetah’ by James Bloom (2025) September 25, 2025 DIALOGUESGALLERY Fakewhale in dialogue with James Bloom
Ian Margo, d/wb project, installation view, 2025 September 22, 2025 DIALOGUESGALLERY Ian Margo: d/wb project Abstraction, Mediation, and the Spiral of Technoculture
Metronomes - 2025-05-25T204242.413 June 19, 2025 GALLERY Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture
Jan Robert Leegte, (image by Galya Feierman) May 27, 2025 GALLERY FAKEWHALE in conversation with Jan Robert Leegte
C2ASH (selected outputs), Jesse Draxler, Fakewhale Gallery x Verse, May 2025 May 5, 2025 GALLERY Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse
Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025). October 30, 2025 INSIGHTS The Illusion of Thinking: On the Comfort of Stereotypes
AI Image, Fakewhale. October 27, 2025 INSIGHTS The Art of Confusion: How Markets Transformed Exclusion into Value
Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights. October 24, 2025 INSIGHTS The Digital Frontier of a New Artistic Underground
The stainless-steel “Rabbit” created by Jeff Koons in 1986 was sold by Christie’s in New York for $91.1 million October 10, 2025 INSIGHTS The Collapse of the Contemporary Art Market: When Value Loses Its Narrative
October 3, 2025 INSIGHTS Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility
PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer September 15, 2025 INSIGHTS Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art
A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025. September 2, 2025 INSIGHTS From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art
Fakewhale Studio, Untitled, 2025, Digital image August 25, 2025 INSIGHTS When Nothing Weighs More Than Stone
https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/ August 15, 2025 INSIGHTS Post-Referential Space: A New Paradigm for Exhibition and Experience
https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg August 5, 2025 INSIGHTS Crafted for Your Attention: As Predictable as Art
Graph A (Line Chart): While human thought embraces failure as a structural path to complexity, artificial systems tend to simulate stability, collapsing precisely where true reasoning should begin. August 5, 2025 INSIGHTS “The Illusion of Thinking”: Learning to Fail
C0044: London's Whitest Walls by Luca Bosani - one of the 2024 Adobe x Museums residents May 2, 2024 INSIGHTS Adobe x Museums: How Adobe is Empowering Creators Worldwide
exhibition view: June Crespo,SOLAR, Galería Ehrhardt Flórez, Madrid May 8, 2025 INSIGHTS June Crespo – SOLAR: Galería Ehrhardt Flórez
Crosslucid - For Data You Are, And To Data You Shall Return - The Wrong Biennale 2023/24 November 20, 2023 INSIGHTS The Wrong Biennale is Reshaping the Experience of Art
Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025). October 30, 2025 INSIGHTS The Illusion of Thinking: On the Comfort of Stereotypes
AI Image, Fakewhale. October 27, 2025 INSIGHTS The Art of Confusion: How Markets Transformed Exclusion into Value
Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights. October 24, 2025 INSIGHTS The Digital Frontier of a New Artistic Underground
The stainless-steel “Rabbit” created by Jeff Koons in 1986 was sold by Christie’s in New York for $91.1 million October 10, 2025 INSIGHTS The Collapse of the Contemporary Art Market: When Value Loses Its Narrative
October 3, 2025 INSIGHTS Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility
PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer September 15, 2025 INSIGHTS Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art
A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025. September 2, 2025 INSIGHTS From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art
Fakewhale Studio, Untitled, 2025, Digital image August 25, 2025 INSIGHTS When Nothing Weighs More Than Stone
https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/ August 15, 2025 INSIGHTS Post-Referential Space: A New Paradigm for Exhibition and Experience
https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg August 5, 2025 INSIGHTS Crafted for Your Attention: As Predictable as Art
Graph A (Line Chart): While human thought embraces failure as a structural path to complexity, artificial systems tend to simulate stability, collapsing precisely where true reasoning should begin. August 5, 2025 INSIGHTS “The Illusion of Thinking”: Learning to Fail
View of Roni Horn_s exhibition, at Centro Botin March 4, 2024 ICONS Roni Horn: A Journey Through the Elements
Installation view: Shifting the Stars, Centre Pompidou, Metz, 2024, photo: Jens Ziehe, courtesy of Centre Pompidou – Metz, Gagosian, Galerie Max Hetzler, Galerie nächst St. Stephan Rosemarie Schwarzwälder ICONS Painting as Environment: Katharina Grosse and the Phenomenology of Color
Mark Manders Room with Broken Sentence Dutch Pavilion, Venice, 2013 ICONS Mark Manders: The Architecture of Identity
Sung Tieu, exhibition view, Hamburger Bahnhof - Museum für Gegenwart - Berlin 2021. © Staatliche Museen zu Berlin, Nationalgalerie / Mathias Völzke ICONS Unveiling the Unseen: Sung Tieu’s Multidisciplinary Exploration of Power, Control, and Perception
Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo October 28, 2025 AUTHORS The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi
Exhibition’s view, Offline Gallery, NYC, 2025 October 13, 2025 AUTHORS Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell
Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis September 26, 2025 AUTHORS Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli
Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke September 8, 2025 AUTHORS The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi
Morestalgia, a "modernized" nostalgia for the Internet age, a saturation of memories not from the past but from immersive web navigation. 1- Riccardo Benassi, 'Morestalgia', Fondazione ICA, Milan, 2023. March 26, 2025 AUTHORS Losing the Backup Fragments of a Fading Digital Memory
Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky. August 20, 2025 AUTHORS Curating Otherwise: Interdependence as a Tool to Practice
But Can It Run Doom, 2025, Janne Schimmel, Between Modder and Mud, Photo Credit : Adriaan Hauwaerts March 11, 2025 AUTHORS Tech That Won’t Die, No Matter How Hard Capitalism Tries
YOSHIROTTEN’s solo show FUTURE NATURE II at Kirishima Open-Air Museum, Kagoshima (2024). Photograph by Yasuyuki Takaki. May 13, 2025 AUTHORS YOSHIROTTEN: Overflow and Motion in a Hyper-Optimized World
Installation view: Piotr Niepsuj’s Showroom exhibition at C41 Gallery. © Marcello Maranzan via C41 Magazine February 20, 2025 AUTHORS Zombie Curating in the Infrathin of the Now. Beyond the ‘Curatorial’
Franco e Eva Mattes, Human-in-the-loop, Nassauischer Kunstverein April 14, 2025 AUTHORS CTRL+Z: From 1910s to 2010s, and Beyond. A Brief History of LOWTECH
Rehearsal for Maria Hassabi’s "PLASTIC" (2015), The Museum of Modern Art, October 30, 2015. Photograph © 2015 The Museum of Modern Art, New York. Photo: Julieta Cervantes April 29, 2025 AUTHORS Programmed Bodies: Contemporary Performance Between Aesthetics and Technological Embodiment
Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo October 28, 2025 AUTHORS The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi
Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art May 13, 2025 AUTHORSINSIGHTS Curator Spotlight #5: Cao Shu
Joan Jonas: Mirror Piece I & II (rehearsal), photographed June 24, 2024, held in conjunction with the exhibition Joan Jonas: Good Night Good Morning. The Museum of Modern Art, New York. Performers (left to right): Anna Adams Stark, Martita Abril (Pichu), Jin Ju Song- Begin, Kehari Hutchinson, Mickey Mahar, Joyce Edwards, Jennifer Kjos, Hristoula Harakas. Photo: Maria Baranova. Digital Image © 2024 The Museum of Modern Art, New York October 29, 2025 ICONS Joan Jonas: The Mirror Was the First Screen
Jason Dodge, exhibition view. Franco Noero, Turin (two locations). Photos by Sebastiano Pellion di Persano. Images courtesy of the artist and Franco Noero, Turin, 2018. September 16, 2025 ICONS Jason Dodge: From Minimal Gestures to Narrative Conditions, Where Objects Become Thresholds of Meaning
Urs Fischer – You, 2007, excavation, gallery space, 1:3 scale replica of main gallery space, dimensions variable, Gavin Brown’s Enterprise, New York August 29, 2025 ICONS The Sculptural Unmaking: Urs Fischer and the Poetics of Disintegration
Perfect. Exhibition view at Jan Mot, Brussels, 2020. Photograph by Philippe De Gobert. Courtesy of Jan Mot, Brussels. August 12, 2025 ICONS Ian Wilson: There Was a Discussion