Omniscience on Demand: AI and the Collapse of the Learning Process
In recent years we have been witnessing a profound transformation in the relationship between knowledge, the subject, and the notion of limit. Artificial intelligence has entered the field of learning as a dominant presence and as an already complete cognitive environment, one in which knowledge is
After Evidence: Trust, Images, and the End of Visual Certainty
On January 1, 2026, Adam Mosseri, head of Instagram, published a year-end reflection on the platform: a visual and textual essay examining how artificial intelligence is radically reshaping the way we interpret images and videos online. In his statement, he makes a clear assertion: the era in which
Ran Slavin, Ancient AI, at Hamivne, Tel Aviv
Ancient AI by Ran Slavin, curated by Sivan Sebbag Zelensky, at Hamivne, Tel Aviv, 23–29.12.25. What if the “cloud” was never really a cloud? What if every algorithm, every data stream we believe to be weightless, bore a mineral echo instead, red quartz glinting deep underground, lithium bleedi
Bogna Luiza Wisniewska, companion, at SIC, Helsinki
companion by Bogna Luiza Wisniewska, at SIC, Helsinki, 13/12/2025 – 25/01/2026. “I want to be as good a companion as marigolds are…” Is it the body beside us, the echo of a gesture, the branching shape of a root?Today, we’re speaking about companion by Bogna Luiza Wisniewska.As we moved th
Erris Huigens, Anti-Monuments at FORM, Wageningen / Amsterdam
Anti-Monuments by Erris Huigens, at FORM, Wageningen / Amsterdam, 5–30 January 2026. “They are not meant to be read, they are meant to be encountered.” We began in silence. Or rather, we were received by silence, the kind of dense quiet that does not precede speech, but presence. Before images
The Artist as Channel
Increasingly, in contemporary artistic practice, the focus is no longer on the individual artwork but on the flow that contains it. A continuous stream of images, thoughts, gestures, positions taken, silences, and returns. Artists do not simply produce works, they build channels, channels of constan
Charlotte Thrane, Everest Life at DISPLAY, Parma
Everest Life by Charlotte Thrane, curated by Ilaria Monti, at DISPLAY, Parma, 13.12.2025 – 25.01.2026. There are objects that stop being objects. They shed their function, flake off from daily gestures, and yet retain something. Tiny, stubborn remnants, like words caught on the tongue after a dr
SUCK MY CODE! at Exhibit Galerie, Vienna
SUCK MY CODE! by Anna Ehrenstein & House of Tupamaras, Anan Fries, Anja Lekavski & Rosanna Marie Pondorf, Christiane Peschek, Patrícia J. Reis, Sophie Thun, RA Walden, VNS Matrix, curated by Rosanna Marie Pondorf and Mareike Schwarz, at Exhibit Galerie, Vienna, 6.11.2025–8.2.2026. As we c
When AI Stops Assisting and Starts Defining Reality
Imagine asking an artificial intelligence system which candidate to hire, which content to show, or which path to follow. At first, it looks like nothing more than a tool that helps us decide faster. In reality, today AI is no longer used only to support human decisions. More and more often, it take
Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen
One Thing After Another (Drawings 2005–2025) by Sam Porritt, curated by Giovanni Carmine, at Kunst Halle Sankt Gallen, St.Gallen, 29/11/2025 – 15/02/2026. “What are we doing here? And why should we care?”The question opens the exhibition like a short, disarming breath. In the calibrated sile
