Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
Marina Abramovic / Ulay , "Here is a sphere of change, Change, change, Through change consume change.", 1985, Offset printed post card, text on front: ,,Here is a sphere of change, / Change, change, / Through change consume change." - new address printed verso, hand written date 19-1-85, addressed to Peter v. Beveren, postmarked Amsterdam, Netherlands 12-85-20 [12-20-85] November 11, 2025 DIALOGUES Fakewhale in Dialogue with Michael Lowe
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Kay Yoon, Shu Da, Karu Miyoshi, Gilly Ghim, «間 Interstice», 2025, Caption Seoul, Photography by Bokyoung Han, 1 November 9, 2025 DIALOGUES Fakewhale in Dialogue with Caption, Seoul
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
Marina Abramovic / Ulay , "Here is a sphere of change, Change, change, Through change consume change.", 1985, Offset printed post card, text on front: ,,Here is a sphere of change, / Change, change, / Through change consume change." - new address printed verso, hand written date 19-1-85, addressed to Peter v. Beveren, postmarked Amsterdam, Netherlands 12-85-20 [12-20-85] November 11, 2025 DIALOGUES Fakewhale in Dialogue with Michael Lowe
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Kay Yoon, Shu Da, Karu Miyoshi, Gilly Ghim, «間 Interstice», 2025, Caption Seoul, Photography by Bokyoung Han, 1 November 9, 2025 DIALOGUES Fakewhale in Dialogue with Caption, Seoul
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
오토파일럿 내보내기 Exporting Autopilot, digital video on LCD, 9×5.5×2.5cm, 2024 DIALOGUES Fakewhale in dialogue with Julie Insun Youn
Scrollbar Composition, 2000 website collection Stedelijk Museum Amsterdam December 18, 2023 DIALOGUES Jan Robert Leegte in Conversation with Fakewhale
Lan Party (AI visual), Donald Gjoka, 2024 April 1, 2025 DIALOGUES Donald Gjoka in Dialogue with Fakewhale: COEVAL Magazine, Creativity, and the New Underground
Marina Abramovic / Ulay , "Here is a sphere of change, Change, change, Through change consume change.", 1985, Offset printed post card, text on front: ,,Here is a sphere of change, / Change, change, / Through change consume change." - new address printed verso, hand written date 19-1-85, addressed to Peter v. Beveren, postmarked Amsterdam, Netherlands 12-85-20 [12-20-85] November 11, 2025 DIALOGUES Fakewhale in Dialogue with Michael Lowe
Kay Yoon, Shu Da, Karu Miyoshi, Gilly Ghim, «間 Interstice», 2025, Caption Seoul, Photography by Bokyoung Han, 1 November 9, 2025 DIALOGUES Fakewhale in Dialogue with Caption, Seoul
Uncharted Zone, video projection installation view, , GregJager at Studio Drang, curated by Ilaria Goglia, Rome 2025 / Ph: Eleonora Cerri Pecorella October 27, 2025 DIALOGUES Fakewhale in Dialogue with: Greg Jager
Suez Canal Republic, Treasury, 2023 October 23, 2025 DIALOGUES Fakewhale in dialogue with Suez Canal Republic
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
Installation view: 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb October 27, 2025 REVIEWS 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb
Armando Andrade Tudela, Lost Labour at FORM, Amsterdam October 24, 2025 REVIEWS Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund. November 10, 2025 REVIEWS Underneath the Paving Stone at Lunds konsthall, Lund
Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo. November 3, 2025 REVIEWS Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg. November 3, 2025 REVIEWS Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
Installation view: 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb October 27, 2025 REVIEWS 60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb
Armando Andrade Tudela, Lost Labour at FORM, Amsterdam October 24, 2025 REVIEWS Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Bengt Tibert, Video still from "straight lines" October 9, 2025 DIALOGUESGALLERY Bengt Tibert, BODIES OF WORK
‘Half Cheetah’ by James Bloom (2025) September 25, 2025 DIALOGUESGALLERY Fakewhale in dialogue with James Bloom
Ian Margo, d/wb project, installation view, 2025 September 22, 2025 DIALOGUESGALLERY Ian Margo: d/wb project Abstraction, Mediation, and the Spiral of Technoculture
Metronomes - 2025-05-25T204242.413 June 19, 2025 GALLERY Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture
Jan Robert Leegte, (image by Galya Feierman) May 27, 2025 GALLERY FAKEWHALE in conversation with Jan Robert Leegte
C2ASH (selected outputs), Jesse Draxler, Fakewhale Gallery x Verse, May 2025 May 5, 2025 GALLERY Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse
Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025). October 30, 2025 INSIGHTS The Illusion of Thinking: On the Comfort of Stereotypes
AI Image, Fakewhale. October 27, 2025 INSIGHTS The Art of Confusion: How Markets Transformed Exclusion into Value
Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights. October 24, 2025 INSIGHTS The Digital Frontier of a New Artistic Underground
The stainless-steel “Rabbit” created by Jeff Koons in 1986 was sold by Christie’s in New York for $91.1 million October 10, 2025 INSIGHTS The Collapse of the Contemporary Art Market: When Value Loses Its Narrative
October 3, 2025 INSIGHTS Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility
PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer September 15, 2025 INSIGHTS Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art
A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025. September 2, 2025 INSIGHTS From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art
Fakewhale Studio, Untitled, 2025, Digital image August 25, 2025 INSIGHTS When Nothing Weighs More Than Stone
https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/ August 15, 2025 INSIGHTS Post-Referential Space: A New Paradigm for Exhibition and Experience
https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg August 5, 2025 INSIGHTS Crafted for Your Attention: As Predictable as Art
Graph A (Line Chart): While human thought embraces failure as a structural path to complexity, artificial systems tend to simulate stability, collapsing precisely where true reasoning should begin. August 5, 2025 INSIGHTS “The Illusion of Thinking”: Learning to Fail
Lolo&Sosaku ©aleixplademunt. April 7, 2025 INSIGHTS MMMAD Festival 2025: “Abracadabra”: of Magic and Technology
Nina Canell, Energy Budget, 2017–24, Nina Canell “Future Mechanism Rag Plus Two Grams” at Simian, Copenhagen, 2024. Courtesy: the artist, Simian. Photo: GRAYSC August 2, 2024 INSIGHTS Nina Canell “Future Mechanism Rag Plus Two Grams” at Simian, Copenhagen
Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025). October 30, 2025 INSIGHTS The Illusion of Thinking: On the Comfort of Stereotypes
AI Image, Fakewhale. October 27, 2025 INSIGHTS The Art of Confusion: How Markets Transformed Exclusion into Value
Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights. October 24, 2025 INSIGHTS The Digital Frontier of a New Artistic Underground
The stainless-steel “Rabbit” created by Jeff Koons in 1986 was sold by Christie’s in New York for $91.1 million October 10, 2025 INSIGHTS The Collapse of the Contemporary Art Market: When Value Loses Its Narrative
October 3, 2025 INSIGHTS Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility
PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer September 15, 2025 INSIGHTS Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art
A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025. September 2, 2025 INSIGHTS From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art
Fakewhale Studio, Untitled, 2025, Digital image August 25, 2025 INSIGHTS When Nothing Weighs More Than Stone
https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/ August 15, 2025 INSIGHTS Post-Referential Space: A New Paradigm for Exhibition and Experience
https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg August 5, 2025 INSIGHTS Crafted for Your Attention: As Predictable as Art
Graph A (Line Chart): While human thought embraces failure as a structural path to complexity, artificial systems tend to simulate stability, collapsing precisely where true reasoning should begin. August 5, 2025 INSIGHTS “The Illusion of Thinking”: Learning to Fail
Tony Cragg Accurate Figure, 2013, Paris March 27, 2024 ICONS Tony Cragg: A Journey Through Form and Material
Installation view: Museum in Motion: A Collection for the 21st Century, Hamburger Bahnhof – Nationalgalerie der Gegenwart, Elmgreen & Dragset, Protruding Gallery, Powerless Structures, Fig. 223, 2024 © Nationalgalerie – Staatliche Museen zu ICONS Elmgreen & Dragset: Sculpting Narratives Between Irony, Space, and Social Critique
Laure Prouvost Above Front Tears Oui Float at the National Museum of Norway, © Photo: David Levene ICONS Laure Prouvost: An Odyssey Through the Concrete and the Illusory
Bill Viola – The Crossing, 1996, two-channel color video installation, four channels of sound, 10 min 57 sec, performer: Phil Esposito ICONS The Stillness That Burns: Inside the World of Bill Viola
Anish Kapoor’s Cloud Gate was unveiled in Chicago in 2006, Photo: DNAInfo ICONS Anish Kapoor: reflections on art and creativity
Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo October 28, 2025 AUTHORS The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi
Exhibition’s view, Offline Gallery, NYC, 2025 October 13, 2025 AUTHORS Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell
Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis September 26, 2025 AUTHORS Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli
Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke September 8, 2025 AUTHORS The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi
Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis September 26, 2025 AUTHORS Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli
YOSHIROTTEN’s solo show FUTURE NATURE II at Kirishima Open-Air Museum, Kagoshima (2024). Photograph by Yasuyuki Takaki. May 13, 2025 AUTHORS YOSHIROTTEN: Overflow and Motion in a Hyper-Optimized World
Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky. August 20, 2025 AUTHORS Curating Otherwise: Interdependence as a Tool to Practice
Silver Trail, Ayumu Nagamatsu & Chih-Yu Chen, 2025 @ NEORT++ July 27, 2025 AUTHORS Silver Trail: NEORT++ and VolumeDAO Play for Legacy, Not Hype
Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky. August 20, 2025 AUTHORS Curating Otherwise: Interdependence as a Tool to Practice
Morestalgia, a "modernized" nostalgia for the Internet age, a saturation of memories not from the past but from immersive web navigation. 1- Riccardo Benassi, 'Morestalgia', Fondazione ICA, Milan, 2023. March 26, 2025 AUTHORS Losing the Backup Fragments of a Fading Digital Memory
AI Nüshu (Women's scripts), 2023, Interactive installation March 5, 2025 AUTHORS Curator Spotlight #4: Yuqian Sun
Joan Jonas: Mirror Piece I & II (rehearsal), photographed June 24, 2024, held in conjunction with the exhibition Joan Jonas: Good Night Good Morning. The Museum of Modern Art, New York. Performers (left to right): Anna Adams Stark, Martita Abril (Pichu), Jin Ju Song- Begin, Kehari Hutchinson, Mickey Mahar, Joyce Edwards, Jennifer Kjos, Hristoula Harakas. Photo: Maria Baranova. Digital Image © 2024 The Museum of Modern Art, New York October 29, 2025 ICONS Joan Jonas: The Mirror Was the First Screen
Jason Dodge, exhibition view. Franco Noero, Turin (two locations). Photos by Sebastiano Pellion di Persano. Images courtesy of the artist and Franco Noero, Turin, 2018. September 16, 2025 ICONS Jason Dodge: From Minimal Gestures to Narrative Conditions, Where Objects Become Thresholds of Meaning
Urs Fischer – You, 2007, excavation, gallery space, 1:3 scale replica of main gallery space, dimensions variable, Gavin Brown’s Enterprise, New York August 29, 2025 ICONS The Sculptural Unmaking: Urs Fischer and the Poetics of Disintegration
Perfect. Exhibition view at Jan Mot, Brussels, 2020. Photograph by Philippe De Gobert. Courtesy of Jan Mot, Brussels. August 12, 2025 ICONS Ian Wilson: There Was a Discussion
