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Exhibition view: One Thing After Another (Drawings 2005–2025), Sam Porritt, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

December 18, 2025

Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen

Exhibition view: Isothermal Spiral, Ding Shiwei, B1OCK GALLERY, Hangzhou.

December 18, 2025

Ding Shiwei, Isothermal Spiral, at B1OCK GALLERY, Hangzhou

Exhibition view: Mother, Witch, Monster, Guide, Milagros Rojas, guadalajara90210, Guadalajara.

December 18, 2025

Milagros Rojas, Mother, Witch, Monster, Guide, at guadalajara90210, Guadalajara

AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

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Exhibition view: One Thing After Another (Drawings 2005–2025), Sam Porritt, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

December 18, 2025

Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen

Exhibition view: Isothermal Spiral, Ding Shiwei, B1OCK GALLERY, Hangzhou.

December 18, 2025

Ding Shiwei, Isothermal Spiral, at B1OCK GALLERY, Hangzhou

Exhibition view: Mother, Witch, Monster, Guide, Milagros Rojas, guadalajara90210, Guadalajara.

December 18, 2025

Milagros Rojas, Mother, Witch, Monster, Guide, at guadalajara90210, Guadalajara

AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

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Exhibition view: One Thing After Another (Drawings 2005–2025), Sam Porritt, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

December 18, 2025

Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen

Exhibition view: Isothermal Spiral, Ding Shiwei, B1OCK GALLERY, Hangzhou.

December 18, 2025

Ding Shiwei, Isothermal Spiral, at B1OCK GALLERY, Hangzhou

Exhibition view: Mother, Witch, Monster, Guide, Milagros Rojas, guadalajara90210, Guadalajara.

December 18, 2025

Milagros Rojas, Mother, Witch, Monster, Guide, at guadalajara90210, Guadalajara

AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

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DIALOGUES

Ganbrood-Cover

DIALOGUES JESSE DRAXLER

In conversation with Ganbrood

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Night Explorers - Dangiuz

Dangiuz’s Digital Dystopia: The Genesis of Antimatterworld

Alejandro Javaloyas — Neon Nostalgia of the Crypto Mindfuck Manifesto

DIALOGUES JESSE DRAXLER

In conversation with Alejandro Javaloyas

Deniz Kulaksızoğlu, askılık (broken angels waiting to wear their special piece that was bought in 10 monthly credit), epoxy, 4 mm bolt-nut, iron, 2023

Fakewhale in Conversation with Deniz Kulaksızoglu: Exploring Fragmented Bodies and Surreal Spaces

DIALOGUES JESSE DRAXLER

In conversation with Sabato

Sasha Stiles, Studio, Photo by Kris Bones

February 14, 2025

Sasha Stiles in Conversation with Fakewhale

MOCA 2023 FUNDRAISER

October 2, 2023

MOCA 2023 Fundraiser: In Conversation with Colborn

Uncharted Zone, video projection installation view, , GregJager at Studio Drang, curated by Ilaria Goglia, Rome 2025 / Ph: Eleonora Cerri Pecorella

October 27, 2025

Fakewhale in Dialogue with: Greg Jager

DIALOGUES DIEWITHTHEMOSTLIKES

In conversation with Coldie

DIALOGUES

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The screen is a muscle, Artissima 2025. Curated by Luca Lo Pinto. Gallerie d’Italia – Torino, 31 October – 2 November 2025. Photo: © Perottino-Piva-Castellano-Bergadano/Artissima.

December 2, 2025

Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli

SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

REVIEWS | Selected Exhibitions

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Exhibition view: One Thing After Another (Drawings 2005–2025), Sam Porritt, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

December 18, 2025

Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen

Exhibition view: Isothermal Spiral, Ding Shiwei, B1OCK GALLERY, Hangzhou.

December 18, 2025

Ding Shiwei, Isothermal Spiral, at B1OCK GALLERY, Hangzhou

Exhibition view: Mother, Witch, Monster, Guide, Milagros Rojas, guadalajara90210, Guadalajara.

December 18, 2025

Milagros Rojas, Mother, Witch, Monster, Guide, at guadalajara90210, Guadalajara

Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

Exhibition view: Wrong Earth (3025), Taliesin Gilkes-Bower, Goldsmiths, University of London, London.

December 7, 2025

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

Exhibition view: Leaving the house with an open fire, but briefly, Martins Kohout, curated by Ján Gajdušek, MeetFactory, Prague.

December 7, 2025

Martins Kohout, Leaving the house with an open fire, but briefly at MeetFactory, Prague

REVIEWS

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Exhibition view: One Thing After Another (Drawings 2005–2025), Sam Porritt, curated by Giovanni Carmine, Kunst Halle Sankt Gallen, St.Gallen.

December 18, 2025

Sam Porritt, One Thing After Another (Drawings 2005–2025), at Kunst Halle Sankt Gallen, St.Gallen

Exhibition view: Isothermal Spiral, Ding Shiwei, B1OCK GALLERY, Hangzhou.

December 18, 2025

Ding Shiwei, Isothermal Spiral, at B1OCK GALLERY, Hangzhou

Exhibition view: Mother, Witch, Monster, Guide, Milagros Rojas, guadalajara90210, Guadalajara.

December 18, 2025

Milagros Rojas, Mother, Witch, Monster, Guide, at guadalajara90210, Guadalajara

Exhibition view: Of Other Places, Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, curated by Hannah Eckstein, Galerie Stadt Sindelfingen, Sindelfingen. Courtesy of Galerie Stadt Sindelfingen.

December 15, 2025

Mike Bourscheid, Giulia Cenci, Alex Da Corte, Stine Deja, Flaka Haliti, Monika Michalko, Tobias Spichtig, Of Other Places at Galerie Stadt Sindelfingen, Sindelfingen

Exhibition view: Wrong Earth (3025), Taliesin Gilkes-Bower, Goldsmiths, University of London, London.

December 7, 2025

Taliesin Gilkes-Bower, Wrong Earth (3025) at Goldsmiths, University of London, London

Exhibition view: Leaving the house with an open fire, but briefly, Martins Kohout, curated by Ján Gajdušek, MeetFactory, Prague.

December 7, 2025

Martins Kohout, Leaving the house with an open fire, but briefly at MeetFactory, Prague

GALLERY

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Bengt Tibert, Video still from "straight lines"

October 9, 2025

DIALOGUES GALLERY

Bengt Tibert, BODIES OF WORK

‘Half Cheetah’ by James Bloom (2025)

September 25, 2025

DIALOGUES GALLERY

Fakewhale in dialogue with James Bloom

Ian Margo, d/wb project, installation view, 2025

September 22, 2025

DIALOGUES GALLERY

Ian Margo: d/wb project Abstraction, Mediation, and the Spiral of Technoculture

Metronomes - 2025-05-25T204242.413

Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture

Jan Robert Leegte, (image by Galya Feierman)

FAKEWHALE in conversation with Jan Robert Leegte

C2ASH (selected outputs), Jesse Draxler, Fakewhale Gallery x Verse, May 2025

Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse

Insights

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AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer

September 15, 2025

Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art

A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025.

September 2, 2025

From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art

Fakewhale Studio, Untitled, 2025, Digital image

August 25, 2025

When Nothing Weighs More Than Stone

https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/

August 15, 2025

Post-Referential Space: A New Paradigm for Exhibition and Experience

Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art

AUTHORS INSIGHTS

Curator Spotlight #5: Cao Shu

Maxim Tur, "WATCH ME FUCK IT UP", Komplot, Brussels, 2024

February 27, 2025

What is LOWTECH?

Exhibition view: "Washing Louise, Jeff and Peter" at Lavanderia LAVAPIU, Teramo, 2024.

September 4, 2024

Jonathan Monk’s Spin Cycle in ‘Washing Louise, Jeff and Peter’

esra eslen fakewhale log

Esra Eslen: The Creative Force Behind Intricate, Vibrant Microcosms

Insights

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AI-generated image created by Fakewhale Studio, OUTPUT y 80

December 17, 2025

Born Inside the Tool: When Intelligence Stops Arriving and Starts Forming Us

AI-generated image created by Fakewhale.

December 11, 2025

What Remains Unsaid: A Relational Approach to Contemporary Art

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer

September 15, 2025

Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art

A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025.

September 2, 2025

From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art

Fakewhale Studio, Untitled, 2025, Digital image

August 25, 2025

When Nothing Weighs More Than Stone

https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/

August 15, 2025

Post-Referential Space: A New Paradigm for Exhibition and Experience

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ICONS

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AUTHORS

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Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

AUTHORS

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Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art

AUTHORS INSIGHTS

Curator Spotlight #5: Cao Shu

Franco e Eva Mattes, Human-in-the-loop, Nassauischer Kunstverein

CTRL+Z: From 1910s to 2010s, and Beyond. A Brief History of LOWTECH

The curators Wade Guyton and Beatrix Ruf with the Collector Michael Ringier (from left to right). Photo: Susanne Diesner

Wade Guyton and Beatrix Ruf in Conversation with Matteo Giovanelli Following the opening of Michael Ringier’s Collection at the Langen Foundation, Düsseldorf

Installation view “blood thinner, low-dose aspirin, best painkillers for kids” at The Address Gallery, Brescia, 2024. Photo by Alberto Favara. Courtesy The Address Gallery, Brescia.

February 4, 2025

Vladislav Markov, ’blood thinner, low-dose aspirin, best painkillers for kids’

Silver Trail, Ayumu Nagamatsu & Chih-Yu Chen, 2025 @ NEORT++

Silver Trail: NEORT++ and VolumeDAO Play for Legacy, Not Hype

But Can It Run Doom, 2025, Janne Schimmel, Between Modder and Mud, Photo Credit : Adriaan Hauwaerts

Tech That Won’t Die, No Matter How Hard Capitalism Tries

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky.

August 20, 2025

Curating Otherwise: Interdependence as a Tool to Practice

January 29, 2025

Towards a New Critical Perspective: Fakewhale Presents “Authors’ Insights”

Morestalgia, a "modernized" nostalgia for the Internet age, a saturation of memories not from the past but from immersive web navigation. 1- Riccardo Benassi, 'Morestalgia', Fondazione ICA, Milan, 2023.

Losing the Backup Fragments of a Fading Digital Memory

AUTHORS

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FAKEWHALE STUDIO

February 19, 2025

Fakewhale STUDIO

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