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December 1, 2025

Not Meanings but Intentions – The Work Before Sense

Exhibition view: Weaving Back to Common Grounds, Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, curated by otc collective, ACUD Galerie, Berlin.

November 26, 2025

Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, Weaving Back to Common Grounds at ACUD Galerie, Berlin.

Exhibition view: When I take a hint, I take it pretty hard, Ryan Gander, Emily Cooper Gallery, London.

November 26, 2025

Ryan Gander, When I take a hint, I take it pretty hard at Emily Cooper Gallery, London

Installation view: Skygolpe, CTRL_ABSENCE, solo show at Fellowship, London. Photo courtesy of the artist and Fellowship, Ph: Reece Straw

November 19, 2025

CTRL_ABSENCE, Skygolpe at Fellowship, London

Latest Posts

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SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

Exhibition view: Weaving Back to Common Grounds, Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, curated by otc collective, ACUD Galerie, Berlin.

November 26, 2025

Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, Weaving Back to Common Grounds at ACUD Galerie, Berlin.

Exhibition view: When I take a hint, I take it pretty hard, Ryan Gander, Emily Cooper Gallery, London.

November 26, 2025

Ryan Gander, When I take a hint, I take it pretty hard at Emily Cooper Gallery, London

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

Latest Posts

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SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

Exhibition view: Weaving Back to Common Grounds, Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, curated by otc collective, ACUD Galerie, Berlin.

November 26, 2025

Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, Weaving Back to Common Grounds at ACUD Galerie, Berlin.

Exhibition view: When I take a hint, I take it pretty hard, Ryan Gander, Emily Cooper Gallery, London.

November 26, 2025

Ryan Gander, When I take a hint, I take it pretty hard at Emily Cooper Gallery, London

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

EXPLORE ↓

DIALOGUES

Exhibition view:Jacopo Benassi, Salvati Salvàti, 2024 Francesca Minini, Milan, Ph. Andrea Rossetti

Fakewhale in Dialogue with Jacopo Benassi: The Visceral Tension of an Uncompromising Vision

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TheCourt_ Esther Miquel _02 - Alejandro Javaloyas copia

ALEJANDRO JAVALOYAS DIALOGUES

11 QUESTIONS – Esther Miquel

Courtesy of Solos.gallery and verse.works

Botto at SOLOS: Algorithmic Evolution and the Future of Machine Art

Installation View: Overlooked Horizons. Ewa and Jacek Doroszenko at Pragovka Gallery, Prague, 2023.

In Dialogue with Ewa and Jacek Doroszenko

Scrollbar Composition, 2000 website collection Stedelijk Museum Amsterdam

Jan Robert Leegte in Conversation with Fakewhale

DIALOGUES JESSE DRAXLER

In conversation with Sabato

Marlon Nicolaisen, Contraption, 2024, at Spoiler, Resin (PLA), Motor, LED (Photo Jasper Schulte)

October 8, 2024

Fakewhale in dialogue with Marlon Nicolaisen

Harm van den Dorpel, Struggle for Pleasure installation view, presented by Verse x SOLOS, January 2024

December 3, 2024

Curating Tomorrow: Verse’s Vision for the Future of Contemporary Art

Thomas Liu Le Lann “The first cut is the deepest“ 2025 © Jakob Collection. Photo: Jiawei Zou

Fakewhale in Dialogue with the Jakob Collection: Rethinking Patronage and the Anti-Hero

DIALOGUES

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SAKURA STAGE SHIBUYA ( crédit NONOTAK Noemi Schipfer & Takami Nakamoto )

December 1, 2025

Fakewhale in Dialogue with NONOTAK Studio

Jesse Draxler, screenshots from the long-format video of the drive that will be featured at the event.

November 24, 2025

Machine of Loving Grace: The Intimate Aesthetics of Draxler’s Journey

Wonderland | 0xB550005C939DA65Bf3510d47Ef43212Af59E1E72 | 13.8KB | April 2024

November 24, 2025

Sovereign Art Pieces

:mentalKLINIK MICA, 2025 (PROFILE SERIES) SOFTCORE RADICAL, BACKROOM BABY, SELF-BANNED, AUTO-GLAM, POLITELY PARANOID, LOW-EFFORT ICON, HYPER EMPATH, SHAMELESS

November 14, 2025

Fakewhale in Dialogue with :mentalKLINIK

REVIEWS | Selected Exhibitions

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Exhibition view: Weaving Back to Common Grounds, Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, curated by otc collective, ACUD Galerie, Berlin.

November 26, 2025

Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, Weaving Back to Common Grounds at ACUD Galerie, Berlin.

Exhibition view: When I take a hint, I take it pretty hard, Ryan Gander, Emily Cooper Gallery, London.

November 26, 2025

Ryan Gander, When I take a hint, I take it pretty hard at Emily Cooper Gallery, London

Installation view: Skygolpe, CTRL_ABSENCE, solo show at Fellowship, London. Photo courtesy of the artist and Fellowship, Ph: Reece Straw

November 19, 2025

CTRL_ABSENCE, Skygolpe at Fellowship, London

Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund.

November 10, 2025

Underneath the Paving Stone at Lunds konsthall, Lund

Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo.

November 3, 2025

Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo

Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg.

November 3, 2025

Jason Hirata, Vergeltung, at Kaiserwache, Freiburg

REVIEWS

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Exhibition view: Weaving Back to Common Grounds, Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, curated by otc collective, ACUD Galerie, Berlin.

November 26, 2025

Alexander Klaubert, Francis Kussatz, Julia Lübbecke, Rahel grote Lambers, Weaving Back to Common Grounds at ACUD Galerie, Berlin.

Exhibition view: When I take a hint, I take it pretty hard, Ryan Gander, Emily Cooper Gallery, London.

November 26, 2025

Ryan Gander, When I take a hint, I take it pretty hard at Emily Cooper Gallery, London

Installation view: Skygolpe, CTRL_ABSENCE, solo show at Fellowship, London. Photo courtesy of the artist and Fellowship, Ph: Reece Straw

November 19, 2025

CTRL_ABSENCE, Skygolpe at Fellowship, London

Exhibition view: Underneath the Paving Stone, Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, Carla Zaccagnini, curated by Karin Bähler Lavér, Lunds konsthall, Lund.

November 10, 2025

Underneath the Paving Stone at Lunds konsthall, Lund

Exhibition view: RAUHFASER, Lilian Kreutzberger, curated by Benno Tempel, Kroller Muller Museum, Otterlo.

November 3, 2025

Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo

Exhibition view: Vergeltung, Jason Hirata, curated by Ilja Zaharov, Kaiserwache, Freiburg.

November 3, 2025

Jason Hirata, Vergeltung, at Kaiserwache, Freiburg

GALLERY

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Bengt Tibert, Video still from "straight lines"

October 9, 2025

DIALOGUES GALLERY

Bengt Tibert, BODIES OF WORK

‘Half Cheetah’ by James Bloom (2025)

September 25, 2025

DIALOGUES GALLERY

Fakewhale in dialogue with James Bloom

Ian Margo, d/wb project, installation view, 2025

September 22, 2025

DIALOGUES GALLERY

Ian Margo: d/wb project Abstraction, Mediation, and the Spiral of Technoculture

Metronomes - 2025-05-25T204242.413

Andreas Rau, Symphony for n Metronomes: A shared time, a distributed gesture

Jan Robert Leegte, (image by Galya Feierman)

FAKEWHALE in conversation with Jan Robert Leegte

C2ASH (selected outputs), Jesse Draxler, Fakewhale Gallery x Verse, May 2025

Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse

Insights

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AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer

September 15, 2025

Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art

A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025.

September 2, 2025

From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art

Fakewhale Studio, Untitled, 2025, Digital image

August 25, 2025

When Nothing Weighs More Than Stone

https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/

August 15, 2025

Post-Referential Space: A New Paradigm for Exhibition and Experience

https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg

Crafted for Your Attention: As Predictable as Art

Graph A (Line Chart): While human thought embraces failure as a structural path to complexity, artificial systems tend to simulate stability, collapsing precisely where true reasoning should begin.

“The Illusion of Thinking”: Learning to Fail

November 20, 2023

CULTUREHACKER INSIGHTS

What I Learned by Staging a Pandemic at Sundance

Zhejiang Art Museum, Hangzhou, The Grand Canal as Epic on Earth Commissioned by Zhejiang Art Museum, 2022

January 23, 2025

Curator Spotlight #3: Chen Baoyang

Installation view, Rexy Tseng, Mouthful of Dirty Copper, Magenta Plains, New York, NY, 2024.

February 7, 2025

Rexy Tseng, Mouthful of Dirty Copper, Magenta Plains, New York

Celebrating Paper, WUF, 2025

Print as Witness: Fakewhale at WUF Basel 2025: Celebrating Paper

Insights

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AI-generated image created by Fakewhale.

December 1, 2025

Not Meanings but Intentions – The Work Before Sense

November 4, 2025

The Economy of Absence: Scarcity and Value in Contemporary Art

Graph A–B: As recognition increases, systems reward predictability over complexity, simulating depth through repetition while originality decays under exposure. Visual simulation by Fakewhale (2025).

October 30, 2025

The Illusion of Thinking: On the Comfort of Stereotypes

AI Image, Fakewhale.

October 27, 2025

The Art of Confusion: How Markets Transformed Exclusion into Value

Abstract metallic sculpture centered in a professional photo studio, illuminated by soft studio lights.

October 24, 2025

The Digital Frontier of a New Artistic Underground

October 3, 2025

Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility

PNY 128GB Turbo Attaché 3 USB 3.0 Flash Drive 5-Pack – Grey, P-FD128X5TBOP-MP, 100MB/s, Light-Weight Durable - Data Storage and Transfer

September 15, 2025

Bytes, Data, Backups, Uploads, Reviews, Photographs: The Role of Documentation and Preservation in Contemporary Art

A snapshot of some comments from our Instagram Insights posts, framed by Fakewhale Studio – 2025.

September 2, 2025

From Relational Aesthetics to Aesthetic Relations: On the Value of Interaction in Contemporary Art

Fakewhale Studio, Untitled, 2025, Digital image

August 25, 2025

When Nothing Weighs More Than Stone

https://deepmind.google/discover/blog/genie-3-a-new-frontier-for-world-models/

August 15, 2025

Post-Referential Space: A New Paradigm for Exhibition and Experience

https://www.youtube.com/watch?app=desktop&v=uG89UDKCFmg

Crafted for Your Attention: As Predictable as Art

Graph A (Line Chart): While human thought embraces failure as a structural path to complexity, artificial systems tend to simulate stability, collapsing precisely where true reasoning should begin.

“The Illusion of Thinking”: Learning to Fail

EXPLORE ↓

ICONS

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AUTHORS

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Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

Exhibition’s view, Offline Gallery, NYC, 2025

October 13, 2025

Ghosts, Holograms, and AI: Emi Kusano’s EGO in the Shell

Installation view Sandra Mujinga – Skin to Skin, Stedelijk Museum Amsterdam, 2025. Photo: Peter Tijhuis

September 26, 2025

Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

AUTHORS

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Morestalgia, a "modernized" nostalgia for the Internet age, a saturation of memories not from the past but from immersive web navigation. 1- Riccardo Benassi, 'Morestalgia', Fondazione ICA, Milan, 2023.

Losing the Backup Fragments of a Fading Digital Memory

Installation view, 13th Berlin Biennale, KW Institute for Contemporary Art, 2025; image: Eberle & Eisfeld. From front to back: Anawana Haloba, Looking for Mukamusaba – An Experimental Opera, 2024/25. © Anawana Haloba; Sammlung Hartwig Art Foundation; Margherita Moscardini, The Stairway, 2025. © Margherita Moscardini; Gian Marco Casini, Livorno; Armin Linke, Negotiation Tables, 2025. © Armin Linke

September 8, 2025

The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi

Rehearsal for Maria Hassabi’s "PLASTIC" (2015), The Museum of Modern Art, October 30, 2015. Photograph © 2015 The Museum of Modern Art, New York. Photo: Julieta Cervantes

Programmed Bodies: Contemporary Performance Between Aesthetics and Technological Embodiment

Cao Shu | Corner of The Park - Prologue | 10’16” | 4-channel 3D render moving image installation | 2018 | Image source, OCAT Shenzhen exhibition Fiction Art

AUTHORS INSIGHTS

Curator Spotlight #5: Cao Shu

Minimum Collective, An Accumulation of Care, 2025, courtesy of Bare Minimum Collective, commissioned by Migros Museum für Gegenwartskunst. Photo: Studio Stucky.

August 20, 2025

Curating Otherwise: Interdependence as a Tool to Practice

Silver Trail, Ayumu Nagamatsu & Chih-Yu Chen, 2025 @ NEORT++

Silver Trail: NEORT++ and VolumeDAO Play for Legacy, Not Hype

Rehearsal for Maria Hassabi’s "PLASTIC" (2015), The Museum of Modern Art, October 30, 2015. Photograph © 2015 The Museum of Modern Art, New York. Photo: Julieta Cervantes

Programmed Bodies: Contemporary Performance Between Aesthetics and Technological Embodiment

Lu Yang, DOKU The Flow, 2024, HD Video, 50min 15 sec

AUTHORS DIALOGUES

Gods, Games, and Ghosts: Giuseppe Moscatello and Linda Shen In Dialogue with Lu Yang

Post Disaster, Unfinished Barricade: A Space for Borderline Hesitations, 2024, Commissioned by Malta Biennale 2024, Courtesy of the artist, Photo by Julian Vassallo

October 28, 2025

The Counterpower of Piracy: Malta, the Mediterranean, and the Politics of the Sea by Sofia Baldi Pighi

YOSHIROTTEN’s solo show FUTURE NATURE II at Kirishima Open-Air Museum, Kagoshima (2024). Photograph by Yasuyuki Takaki.

YOSHIROTTEN: Overflow and Motion in a Hyper-Optimized World

AUTHORS

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FAKEWHALE STUDIO

February 19, 2025

Fakewhale STUDIO

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