Occidenterie by Marek Wolfryd, at General Expenses, Mexico City, 03/02/2025-22/03/2025. Exhibition Text: We are all familiar with chinoiserie: those artifacts, especially popular in decorative arts, on which the West poured all of their thirst for Eastern exotism, imitating and reinterpreting Chines

Dissolution and Persistence of Form Daniel Turner’s work exists in a space where materiality is both presence and absence, where objects are not simply created but transformed, reduced, or even erased. His sculptural practice does not rely on traditional notions of form but instead explores how ma

We at Fakewhale followed the buzz around Anne Imhof’s much-anticipated return to New York, where her new major U.S. production, DOOM: House of Hope, took over the Park Avenue Armory. The German artist, who won the Golden Lion at the 2017 Venice Biennale with Faust, is no stranger to controversy (t

Fakewhale had the pleasure of speaking with Jacopo Benassi, a multifaceted artist who moves fluidly between photography, performance, publishing, and contemporary art, constantly challenging the boundaries between these disciplines. His work is a radical act: from his exclusive use of flash, which g

Post-Post-Industrial by Thomas McLucas and William McLucas, curated by the artists, at 17-18 Lower Dock Walk, London, 21/06/2024 – 30/06/2024. Exhibition Text: Once the largest gasworks in the world, covering over 500 acres of land, Beckton played a major role in the development of London. Thr

This Is Not For You by Joschua Yesni Arnaut, with collaborator Severine Henriette Meier (Per Yngve Ohlin), curated by Max Pauer, at 1822-Forum, Frankfurt am Main, Germany, 16.01.2024 – 30.03.2024. Exhibition Text: Memory can either be characterized as a deliberate attempt to recall the past or

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.