In my white-cube bedroom, I notice how cold and impersonal such a space can get. Books are few and far between in my environment, partly because I am in a temporary residence and away from my home city. But even then, I reflect upon how galleries and non-profit spaces place art pieces and means of [

We don’t know who first said, “Objects don’t die; they transform.” It almost sounds like a poetic version of the law of conservation of mass. But standing before Michael E. Smith’s exhibition at Crèvecœur Gallery in Paris, this phrase takes on an unexpectedly tangible meaning, giving ris

Formas Aparte by Alejandro Leonhardt, Valerie Krause, Dora Budor, Nina Beier, Grant Mooney, Nora Turato, Álvaro Urbano, Kate Mosher Hall, Matt Browning, and Wolfgang Tillmans, curated by Franklin Melendez, at GATO Gallery, Lima, 12.12.2024–21.02.2025. Exhibition text:Over time, the city grows upo

A Cubicle, Terminal by Morgane Billuart, Meltem Rukiye Calisir, Xin Huang, Martin Rovan, Paul Seipel, Melanie Sien Min Lyn, Sam Stewart, Twins Corporated, Lourenço Soares, Zein Majali, Zhan Shu, and Lil Clearpill, curated by Helena McFadzean, at Schwindel LLC, Vienna, 14.11.2024–24.11.2024. Exhib

Andrin Winteler has masterfully combined photography, digital processes, and installation art to challenge the boundaries of perception and the authenticity of representation. His work delves into the interplay between physical objects and their digital counterparts, exploring themes like mobility,

“As I watch ‘Mouth Wash and Razor Blades’, I feel as though I’m spiralling through a hallucinatory trip, reminiscent of the chaos of my tube journey to the venue. I begin to wonder whether my drink was spiked. A bare stage, harshly lit by exposed spotlights. An announcement   ‘Pickpo

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.