Giovanni Termini‘s art is a continuous dialogue with space, matter, and the tensions between balance and fragility. His work transforms the construction site into a space for aesthetic and conceptual reflection, where emptiness is never absence but possibility. In an art world increasingly dri

A few months ago, my computer was stolen. With no backup. In an instant, I lost photos, writings, videos, and the archives of the last and first thirty years of my life. The external backup I had was faulty and irrecoverable. That was the end. After a mild nervous breakdown, I followed the stages th

A Base For A Crane by Maija Fox and Valo Vairio at Galleria Sculptor, Helsinki, 28/02/2025–23/03/2025. Exhibition Text:A Base For A Crane: A home of materials, nets, machines, spirits, and workers; a community of connectors nestled together. From liquid to fixture, from grass to sky, from lifting

 We have been following the journey of O Fluxo with great interest. As an online platform, it has distinguished itself through its ability to capture and showcase the most experimental trends in contemporary art, design, and visual culture. With a keen curatorial approach and a deep sensitivity to

Webtology: Prisms by Geoffrey Pugen, curated by Michael Klein, at MKG127, Toronto, 15/02/2025–15/03/2025. Exhibition Text:Webtology: Prisms explores speculative futures through digital collage, integrating sourced imagery, 3D modeling, and AI-generated textures. Pugen begins by extracting and mani

BLINDHÆD by Justin Urbach, curated by Marisa Zeising, at Galerie Stadt Sindelfingen, Sindelfingen, 08/03/2025–25/05/2025. Exhibition Text:Galerie Stadt Sindelfingen is pleased to present BLINDHÆD, the first institutional solo exhibition by Justin Urbach (*1995 in Munich). BLINDHÆD allows us to

Banks Violette is an American artist whose sculptures and installations mine the aesthetics of black metal, punk, and subcultural extremity to interrogate violence, erasure, and existential collapse. Born in Ithaca, New York, his trajectory—from personal struggles including addiction, to his statu

Occidenterie by Marek Wolfryd, at General Expenses, Mexico City, 03/02/2025-22/03/2025. Exhibition Text: We are all familiar with chinoiserie: those artifacts, especially popular in decorative arts, on which the West poured all of their thirst for Eastern exotism, imitating and reinterpreting Chines

Dissolution and Persistence of Form Daniel Turner’s work exists in a space where materiality is both presence and absence, where objects are not simply created but transformed, reduced, or even erased. His sculptural practice does not rely on traditional notions of form but instead explores how ma

FW LOG is a curated media platform investigating the junction point between technology and art. It provides in-depth insights through the Fakewhale ecosystem, featuring the latest industry news, comprehensive curation, interviews, show spotlights and trends shaping tomorrow’s art market.

Explore the synergy between digital culture and the future of contemporary art.