Fakewhale in Dialogue with Aaron Huey
Aaron Huey’s artistic practice cannot be pinned down to a single era, medium, or terrain, geographic or virtual. From high-risk field photography to AI-driven visual experiments, from collaborative campaigns with Amplifier.org to poetic reinterpretations of the climate crisis, Huey navigates throu
Océane Bruel & Dylan Ray Arnold at Lämpimästi: Swallowed Rooms.
There’s a peculiar sensation that arises only in certain moments: when you enter a room that doesn’t belong to you, but feels eerily familiar. A spoon left askew, light catching on a glossy surface, the muffled pulse of a pipe behind the wall. Georges Perec wrote that to live is to move from one
Fakewhale In Dialogue with Dominic Kießling
In an era dominated by augmented reality, artificial intelligence, and immersive media, German artist Dominic Kießling reminds us that sometimes all it takes to evoke wonder is a hairdryer, a plastic bag, and a bit of air. His kinetic installations, both poetic and elemental, reveal the hidden powe
FW Spotlight: Top Submissions of April
This month, we have selected three exhibitions, one in Frankfurt, one in Riga, and one in Greenville, that together form a compelling journey through contemporary art. These shows lead us into the quiet folds of sleep, the fragmented mirrors of memory, and the breathing textures of living ecosystems
The Language of Substitution: Fakewhale in Conversation with Francesco De Prezzo
– “Dear M, good paintings go to galleries, but bad paintings end up everywhere.” With this provocation, Francesco De Prezzo opens the preface to his latest artist’s book, an entry point that encapsulates the complex paradoxes underpinning his practice. For years, we have followed
Programmed Bodies: Contemporary Performance Between Aesthetics and Technological Embodiment
If one tries to access the website www.liminal.contact today, what appears on the blank page of our display is an error message. In my case, for example, it reads: “Safari can’t find the server,” followed by the standard browser language: “Safari can’t open the page ‘https://www.liminal.
What Remains of the Gesture: Fables, Algorithms, and the Melancholy of the Mechanical. Ryan Gander at Basament, Roma
“We are what we repeatedly do,” Aristotle once said. But in a time when repetition is dictated more by algorithms than habits, what exactly are we becoming?” As we descend into Basement Roma, tucked beneath the streets of Rome, the mood quickly shifts from the ancient grandeur of the city abov
Graffiti. From the Spray Paintings & Underground to the Museion
To understand what LOWTECH Art tendency is and what are we facing in art galleries and online platform in these decades, it’s important to take a step back into the art history, rewind the film, and try to comprehend the process that led us to this specific moment in contemporary art, where techno
Art After the Click: From Presence to Post-Production
Unseen Art: The Birth of Mediation Art, in its most mythological conception, was born to be seen. And yet, for over a century now, what we consume, more frequently and more widely, is no longer the artwork itself, but its image. Photography, introduced in the 19th century as a documentary tool, soon
Living Things at Tiger Strikes Asteroid – Greenville, Greenville
“Living Things” by Hannah Chalew, Michael Evans, Manuel Alejandro Rodríguez-Delgado, and Kosmologym, curated by Alex Schechter, at Tiger Strikes Asteroid – Greenville, Greenville, 04/04/2025 – 05/04/2025. Exhibition Text:This exhibition brings together the work of Hannah Cha
