Luis Maria Sulzmann, Untitled, at Ping Pong, Copenhagen
“Untitled” by Luis Maria Sulzmann, at Ping Pong, Copenhagen, 02/10/2025–10/10/2025. What happens when our gaze drops to the height of a rat? When architecture ceases to be our privileged domain and instead becomes an animal labyrinth, narrow, porous, constraining? We asked ourselves th
Till Bödeker, Tilt, at Coelner Zimmer, Düsseldorf
Tilt by Till Bödeker, at Coelner Zimmer, Düsseldorf, 19/09/2025 – 19/10/2025. When the ground shifts beneath our feet, it’s rarely due to an earthquake. More often, it’s our gaze that falters, tilting like a camera forcing the horizon line, like a mind teetering between the right move and
Nicolás Rupcich, TRL at ZiMMT, Leipzig
“TRL” by Nicolás Rupcich, at ZiMMT, Leipzig, 18/09/2025 – 28/09/2025. What remains of landscape when it ceases to be a place and becomes a dataset? As we entered the spaces of ZiMMT, we found ourselves wondering whether immersion, that much-lauded mantra of contemporary art, might in
Samuel Henne, untitled (note to self) at ad/ad – Project Space, Hannover
untitled (note to self) by Samuel Henne, curated by ad/ad – Project Space, at ad/ad – Project Space, Hannover, 06/09/2025 – 21/10/2025. Who speaks, who listens? A fragmented phrase drifts before our eyes, half monologue, half question, and we find ourselves wondering: is this “note to se
LSD, at Kürfurstenstrasse 151, Berlin
LSD, curated by Luca Loli, with Amrita Dhillon, Bailey Keogh, Valentin Frisch, Merlin Luczynski, Shinoh Nam, Pietro Sanguineti, Mona Schulzek, Marco Siciliano, Ál Varo Tavares D’Guilherme, Caroline Wall, at Kürfurstenstrasse 151, Berlin, 10/09/2025 – 27/09/2025. “Eros is a wound that refuses
Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli
On September 11th, the Stedelijk Museum (Amsterdam, NL) opened Skin to Skin, the new solo show by Sandra Mujinga, a portal to a unique parallel world. Conceived as a void, the exhibition room presents itself as a green space, translating the concept of the digital green screen into physical reality.
Everything Looks Like Art, But Nothing Feels Like Art: A conversation with Ilse Kind on visibility, platforms, and the ghosts of artistic intent
There are moments when a single episode captures, with almost brutal clarity, the contradictions we live with. For artist Ilse Kind, this moment came on Instagram, a platform she had long resisted. Kind built her practice around anthropomorphizing technologies, questioning the way algorithms influen
Fakewhale in dialogue with Alex Hartley
In his most recent body of work, Alex Hartley appears to undertake an operation that is as physical as it is visionary: peeling back the surface layer of the present to connect with latent energies and layered narratives, geological, cosmic, and cultural, that move through uncertain, looping, and ne
KEN OKIISHI · JOHANNES PORSCH · TANJA WIDMANN: Derivatives Affaires at Schleuse, Vienna
KEN OKIISHI · JOHANNES PORSCH · TANJA WIDMANN: Derivatives Affaires at Schleuse, Vienna 05/09/2025–27/09/2025. Every now and then, we ask ourselves, what does “production” really mean today? Not in abstract terms, but right there, faced with a sheet of paper, a sliver of metal, a printed ima
Paula Gogola & Natália Sýkorová at Medium Gallery, Bratislava
Paula Gogola & Natália Sýkorová, Begone Estrone, Medium Gallery, Bratislava, July 23 – August 31, 2025, curated by Zuzana Jakalová, exhibition design by Adam Rýznar, graphic design by Prokhor Maserov, soundscape by Johannes Tröstler. -n the bathroom, there is no lying. Not to the flesh,
