Ancient AI by Ran Slavin, curated by Sivan Sebbag Zelensky, at Hamivne, Tel Aviv, 23–29.12.25. What if the “cloud” was never really a cloud? What if every algorithm, every data stream we believe to be weightless, bore a mineral echo instead, red quartz glinting deep underground, lithium bleedi

Anti-Monuments by Erris Huigens, at FORM, Wageningen / Amsterdam, 5–30 January 2026. “They are not meant to be read, they are meant to be encountered.” We began in silence. Or rather, we were received by silence, the kind of dense quiet that does not precede speech, but presence. Before images

SUCK MY CODE! by Anna Ehrenstein & House of Tupamaras, Anan Fries, Anja Lekavski & Rosanna Marie Pondorf, Christiane Peschek, Patrícia J. Reis, Sophie Thun, RA Walden, VNS Matrix, curated by Rosanna Marie Pondorf and Mareike Schwarz, at Exhibit Galerie, Vienna, 6.11.2025–8.2.2026. As we c

One Thing After Another (Drawings 2005–2025) by Sam Porritt, curated by Giovanni Carmine, at Kunst Halle Sankt Gallen, St.Gallen, 29/11/2025 – 15/02/2026. “What are we doing here? And why should we care?”The question opens the exhibition like a short, disarming breath. In the calibrated sile

Mother, Witch, Monster, Guide by Milagros Rojas, at guadalajara90210, Guadalajara, 27/09/2025 – 20/12/2025. If I were to stare at my hands upon entering the exhibition space, I’d see a spiral too, the same shape that once terrified Blaise Pascal. A form that tightens and expands at once, that ge

Wrong Earth (3025) by Taliesin Gilkes-Bower, at Goldsmiths, University of London, London, 17/07/2025–22/07/2025. We’re in the year 3025, perhaps, or in a time-dislocated scenario where a lone body moves through debris and leftover devices, trying to decipher a message left hanging in the air. In

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.