“Every factory seems to promise a form of coherence. HSUBAND stages that promise as a condition under inspection: parts, protocols, bodies, words. The space appears frictionless, an environment where coupling is always theoretically achievable, yet the terms of that coupling remain unsettled.

What remains of God when the word goes dark? We asked ourselves this as we stepped into San Carlo Church, welcomed by the cool breath of stone and the faint scent of worn plaster, like walking into an ancient memory. We must admit: the walls, chipped and solemn, seemed to be holding their breath. Th

The first thing we noticed upon entering was a hand. Or rather: a metal outline of its profile, suspended in the corner of the main room. Not an evocative shape, but a precise sign. It’s an appropriate starting point for reading unforeseen, the exhibition that brings together Gianni Caravaggio and

Yiming’s work consistently navigates the blurred boundaries between the organic and the synthetic, the conscious and the constructed, the human and the machine. Her hybrid sculptures and low-tech installations dwell in a liminal space, one that questions not only the role of technology in shaping

A curious observer and unconventional collector, Lukas Jakob has turned his young age into a strength, building a collection that goes beyond simply accumulating works. His approach explores the fragilities, contradictions, and urgencies of our present moment. The Lukas Jakob Collection stands out f

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.