Six N. Five: A Unique Fusion of Architecture, Nature & Design

Meditative, Utopian & Surreal Worlds

As a result of his insatiable curiosity and desire to innovate, Pini is continuously evolving his creative style: from his early love of still life photography, to his later exploration of architecture, space, landscape, and physical and digital objects.

His inspirations are eclectic, ranging from surrealist masters like Salvador Dalí and René Magritte to the likes of Claude Monet and Edward Hopper, who demonstrated mastery over color and light. Yet, his most potent inspiration comes from his personal experiences and observations of the world, where concerns like the relativity of time, the role of stress, human excesses, and their coexistence inform his work, exposing our realities and raising critical questions about them at the same time. The moments spent running, swimming, and unplugging, especially among nature also inspire his creations, as these activities clear his mind and stimulate fresh ideas allowing for them to flow unrestrictedly throughout the creative process.

But more than anything, following his own path, listening to his intuition, and pursuing his desires have always been of paramount importance, maintaining a curious nature, driven to explore and possibly create what he envisions as the next trend, rather than simply conforming to existing ones.

Ultimately, Six N. Five’s creative approach is centered around CGI, which combines a diverse array of elements and mediums; the majority of the studio’s masterpieces use CGI as a tool for exploring imaginary spaces and animate stories, challenging traditional storytelling methods, including “The Rebels: Lunch Boxes” for instance, that fuses architecture and design into a living, breathing entity in a riveting digital narrative.

It is this dexterity in blurring boundaries between the real and the surreal that forms the core of Six N. Five’s ethos, where a carefully curated blend of landscapes and objects creates a portal into a world beyond the ordinary, unfolding as an open invitation to the viewer to step into these surreal, utopian worlds.

This is exemplified in Pini’s “Universe Edge” – an architectural dream brought to life through meticulous renderings, otherworldly light, imaginative compositions, and an avant-garde approach. By reshaping familiar landscapes into something unfamiliar, viewers are thus challenged to re-evaluate their perception of space.

Another remarkable piece, “Pistachio” continues this exploration by further blurring the lines between nature and architecture. Here, the color green is not just a hue, but a medium to instill serenity; a tranquil depiction of coexistence that makes one ponder the harmonious union between the natural and built environment.