Fakewhale in dialogue with Suez Canal Republic
‘Treasury’ by Suez Canal Republic A remote financial node as an institutional prototype for civic speculation Within Fakewhale’s ongoing research into practices that recalibrate the relation between digital art and contemporary art, we have been focusing on projects that enact complexity rather than merely describe it. We look for works that operate as living systems, […]
Fakewhale in conversation with KiefferWoodtli
There’s something profoundly tactile, though entirely invisible,in the installations of KiefferWoodtli. Their work doesn’t just ask to be observed; it moves through you. Blending ecology, sound, and sensory perception, the Swiss duo builds environments where the relationship between humans and nature isn’t just a theme, but a living, reactive material. In Arboreal Severance, presented within […]
Fakewhale in conversation with Alexander Endrullat
From the very beginning, Alexander Endrullat’s work caught our attention for its ability to deconstruct the language of technological objects, transforming them into sensitive surfaces, narrative tools, and at times, ghostly visual traces. Spanning from printing with obsolete laptops to pinhole photography sent as postcards, their practice questions our assumptions around function, identity, memory, and […]
