Sarah Neumann, Tom König, Suzie Callisz, Maria Margolina, Jakob Floess, and Maxim Tur, “Cryptogramme,” at Komplot, Brussels.
“Cryptogramme” by Sarah Neumann, Tom König, Suzie Callisz, Maria Margolina, Jakob Floess, and Maxim Tur, curated by Jakob Floess and Maria Margolina, at Komplot, Brussels, 07/11/2024 – 05/12/2024. Exhibition Text: Cryptogramme, derived from the Greek root “κρυπτός,” mea
Lewis Henderson, “No One Is Bored, Everything Is Boring,” at Galleri Mejan, Stockholm.
“No One Is Bored, Everything Is Boring” by Lewis Henderson, at Galleri Mejan, Stockholm, 25/10/2024 – 02/11/2024. Exhibition Text: I remember a time before the commodification of design of the portable telephone. Now every phone looks the same; it’s become a completely ubiquitous
Beatrice Vorster, Szilvia Bolla, Sabrina Ratté, Evangelia Dimitrakopoulou, Amélie Mckee, and Melle Nieling, “LOG 3: Interceptor,” at Plicnik Space Initiative, London.
“LOG 3: Interceptor” by Beatrice Vorster, Szilvia Bolla, Sabrina Ratté, Evangelia Dimitrakopoulou, Amélie Mckee, and Melle Nieling, curated by Amélie Mckee and Melle Nieling, at Plicnik Space Initiative, London, 08/11/2024 – 21/12/2024. Exhibition Text: The following is a romant
Josh C Wright, “A Handful of Dust,” at dArts, London.
“A Handful of Dust” by Josh C Wright, curated by Olga Romanova, at dArts, London, 21/11/2024 – 12/12/2024. Exhibition Text: “And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show yo
Liao Xiaozhou, Lou Yezi, Yang Yifan, Outpost at Gene Gallery, Shanghai
Outpost by Liao Xiaozhou, Lou Yezi, and Yang Yifan, curated by the artists, at Gene Gallery, Shanghai, 07/12/2024–18/01/2025. Exhibition text: Adulthood places us in an era vastly different from the past: one characterized by cultural diversity, informational accessibility, and material abundance.
Living Machines: Geumhyung Jeong’s Dance of Humanity and Technology at ICA
Entering Geumhyung Jeong’s Under Construction at the ICA in London is an experience that provokes an immediate sense of anticipation and unease. The industrial gallery space, with its white walls and bare concrete floors, serves as the stage for an intricate dialogue between humanity and techn
William Anastasi: From Blind Drawings to Trompe-l’œil Photography
The Origins William Anastasi was born in 1933 in Philadelphia, a city experiencing significant cultural and artistic activity at the time. From a young age, Anastasi showed an interest in art, an inclination encouraged by his mother. However, his artistic education did not follow a traditional path.
Curator Spotlight #2: Wang Changcun – Navigating Virtual Structures Through Sound and Code
We are pleased to present a new chapter in our Curator Spotlight series, continuing our journey into the intersection of digital artistic experimentation and the intricate cultural dynamics of the contemporary Chinese art scene. Through this format, which combines an interview with thematic insights
David Schutter, Neighbors, at Magazzino, Rome
David Schutter’s exhibition at Magazzino, Rome, invites viewers on a layered and introspective journey, where painting becomes a medium for interrogating memory, history, and perception. The works, inspired by John Constable’s The Admiral’s House in Hampstead (The Grove), immediately signal a
Fakewhale Gallery presents ART MARKET DAY: X-Mas Edition on Objkt
On Wednesday, December 18th at 4 PM CET / 10 AM ET, we’re excited to present the second ART MARKET DAY with a special X-Mas Edition. In early 2024, we introduced ART MARKET as an ongoing, on-chain exhibition meant to put conversation at the forefront. By bringing together both established figures
