There are places where images are fixed, and others where they dissolve. Our gaze, caught between the solidity of matter and the fragility of memory, is constantly challenged by spatial illusions, crumbling archives, and realities that duplicate themselves in the digital realm. This month, three exh

i’ve lost every photo that i took since 2012 by Zuzana Baková, Nina Pacherová, Iulia Bucureșteanu, and Noah Ismael Wyss, curated by Zuzana Baková, at Sébeillon, Lausanne, 13.12.2024 – 15.12.2024. r͟/͟A͟r͟c͟h͟i͟v͟e͟I͟n͟s͟t͟a͟ ͟b͟_͟m͟u͟s͟i͟n͟g͟_͟l͟I have heard the

Diplomacia by Diogo Pinto at Belo Campo – Galeria Francisco Fino, Lisbon, 24.01.2025 – 07.03.2025. The existence of a backstage (background) presupposes a centerstage (front), something presented in the foreground that requires no in-depth knowledge of secret movements or plans taking place

unloadingoverdrive by François Bellabas at Contretype, Bruxelles, 16.01.2025 – 23.03.2025. Artificial Intelligence: An Artistic Practice at the Crossroads of Worlds Artist working between Paris and Los Angeles, François Bellabas harnesses digital technologies and artificial intelligence to i

Careful What You Wish For by Johan F. Karlsson & Dimitris Tampakis, curated by Dinos Chatzirafailidis, at DISPLAY, Parma, 08.02.2025 – 15.03.2025. The exhibition Careful What You Wish For builds on an intricate interplay between vulnerability and identity, highlighting how fear and the fra

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Explore the synergy between digital culture and the future of contemporary art.