Aaron Huey’s artistic practice cannot be pinned down to a single era, medium, or terrain, geographic or virtual. From high-risk field photography to AI-driven visual experiments, from collaborative campaigns with Amplifier.org to poetic reinterpretations of the climate crisis, Huey navigates throu

Trau dich grossartig zu sein by Lorenz Wanker, curated collaboratively by the artist and the venue owner, at Galerie OK-KunZT, Klagenfurt, 27/03/2025–31/08/2025. Exhibition text:With Trau dich grossartig zu sein (Dare to be great), Lorenz Wanker creates a space full of tension – between where we

Fractured Continuum by Sara Christova, Ning An, Li Yanzheng, Xu Han, and Yang Yu, curated by Cheng Xi, at Sound Art Museum, Beijing, 09/03/2025–29/04/2025. Exhibition text:In an era marked by technological acceleration, ecological crises, and cultural conflicts, we are living within a “fract

ZZZ by Gabriele Ciulli and Henry Galano, curated by Rochelle Fry, at Five Years Gallery, London, 05/04/2025–15/04/2025. Exhibition text:Friedrich Engels ventured forth in 1844 to detail the living and working conditions of the English working class, he started by standing on a ship venturing up th

– “Dear M, good paintings go to galleries, but bad paintings end up everywhere.” With this provocation, Francesco De Prezzo opens the preface to his latest artist’s book, an entry point that encapsulates the complex paradoxes underpinning his practice. For years, we have followed

If one tries to access the website www.liminal.contact today, what appears on the blank page of our display is an error message. In my case, for example, it reads: “Safari can’t find the server,” followed by the standard browser language: “Safari can’t open the page ‘https://www.liminal.

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