Raphael Pohl & Theodor Nymark, Who’s in charge here? Art of a New Generation at ECK Museum of Art, Brunico
There’s a silence that precedes language. It’s the same hush that greets you at the entrance of the Eck Museum of Art: not unsettling, but preparatory. On the first floor of this space, formerly known as the Stadtmuseum Bruneck, a collaboration unfolds that feels less like a conventional exhibit
Invisible Structures: Dan Graham and the Shapes of Critical Thinking
Dan Graham never followed a conventional artistic path. He didn’t attend art school, nor did he receive formal training in the traditional sense. And yet, he became one of the most influential artists and thinkers of the late twentieth century. His journey began in 1960s New York, a time when art
Collecting the Digital: the Gesture, the Container, the Era
Collecting art today can no longer be understood simply as owning an object. Not in an age when the artwork itself has become fluid, dematerialized, and inseparable from the digital environment in which it is created.We live in a time when the shared digital image holds unprecedented cultural weight
Thinking in Images: André Malraux and the Museum Without Walls
The Curatorial Gesture as Artwork The photograph of André Malraux, surrounded by a constellation of images laid across the floor, does not depict a moment of preparation or research, it enacts a gesture of creation. What we witness is not an editorial pause but an authorial act. Malraux’s posture
Gods, Games, and Ghosts: Giuseppe Moscatello and Linda Shen In Dialogue with Lu Yang
In today’s art scene, technology has become increasingly central, with many artists, curators, and institutions paying close attention to new technological approaches. However, only a few artists engage with these media deeply and authentically. Among them is Lu Yang, one of contemporary art’
Chris Burden: The Edge Where Art Meets Risk
Some artists work within the frame. Others break it. Chris Burden made it dangerous to even stand near it. In a time when art flirted with theory and dematerialization, Burden introduced something else entirely: consequence. His work didn’t ask to be interpreted, it forced you to respond. First
Fakewhale in Dialogue with FORM Space: A New Curatorial Syntax for Generative Visuality
In today’s hyper-documented landscape of contemporary art, where photography and video often risk flattening or “cooling down” the experience of the work, a radical curatorial project has emerged that reconfigures this relationship entirely. In their projects, documentation is not trea
Fakewhale in Conversation with Martin Dörr: Sleepwalking Systems
We have been closely following Martin Dörr’s interdisciplinary practice, which weaves together installation, media art, and systemic thinking into complex, original constellations. His work, often engaging with non-human agents and speculative infrastructures, challenges traditional narratives by
Kerem Ozan Bayraktar, Check Valve at SANATORIUM, Istanbul
Check Valve by Kerem Ozan Bayraktar, at SANATORIUM, Istanbul, 23 May – 12 July 2025. Exhibition text: SANATORIUM presents Kerem Ozan Bayraktar’s solo exhibition Check Valve as the inaugural show of its new venue in Karaköy. The exhibition will be on view from May 23 to July 12, 2025. Works span
Sanna Helena Berger, Absolut at Shahin Zarinbal, Berlin
Absolut by Sanna Helena Berger, at Shahin Zarinbal, Berlin, 4 May – 14 June 2025. Absolut is a new series of works through which Berger presents antithetical artistic positions to her standard practice where pure white, symbolising the institutional, is contrasted with lived-in hues and shades of