Post-Post-Industrial by Thomas McLucas and William McLucas, curated by the artists, at 17-18 Lower Dock Walk, London, 21/06/2024 – 30/06/2024. Exhibition Text: Once the largest gasworks in the world, covering over 500 acres of land, Beckton played a major role in the development of London. Thr

This Is Not For You by Joschua Yesni Arnaut, with collaborator Severine Henriette Meier (Per Yngve Ohlin), curated by Max Pauer, at 1822-Forum, Frankfurt am Main, Germany, 16.01.2024 – 30.03.2024. Exhibition Text: Memory can either be characterized as a deliberate attempt to recall the past or

David von Bahr’s painting is a dynamic fusion of instinct and control, where raw gestures meet structured frameworks. Working on a large scale, he creates immersive pieces that engage the viewer physically, echoing modernist traditions while remaining deeply contemporary. We at Fakewhale spoke wit

The Neoliberal Urge to Curate a Friendsgroup by Sarah Albrecht, Oliver Bleckmann, Manuel Cornelius, Sophia Gatzkan, Jill Kiddon, Luka Naujoks, and Johannes Thiel, curated by Johannes Thiel and Luka Naujoks, at ACUD Galerie, Berlin, 28/02/2025 – 23/03/2025. Exhibition Text: The exhibition The N

Painting Beyond the Canvas Katharina Grosse is not a painter in the traditional sense. Her work challenges the very definition of painting, breaking free from the limitations of the canvas and extending onto walls, floors, objects, and even landscapes. Through her signature use of industrial spray g

Fabian Lehmann’s work exists at the intersection of materiality and memory, where digital and analog processes collide in a continuous dialogue. His practice explores the fragility of digital media, the historical weight of classical forms, and the shifting perception of permanence in an era defin

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.