Zuzana Baková, Nina Pacherová, Iulia Bucureșteanu, Noah Ismael Wyss, i’ve lost every photo that i took since 2012 at Sébeillon, Lausanne
i’ve lost every photo that i took since 2012 by Zuzana Baková, Nina Pacherová, Iulia Bucureșteanu, and Noah Ismael Wyss, curated by Zuzana Baková, at Sébeillon, Lausanne, 13.12.2024 – 15.12.2024. r͟/͟A͟r͟c͟h͟i͟v͟e͟I͟n͟s͟t͟a͟ ͟b͟_͟m͟u͟s͟i͟n͟g͟_͟l͟I have heard the
Diogo Pinto, Diplomacia at Belo Campo – Galeria Francisco Fino, Lisbon
Diplomacia by Diogo Pinto at Belo Campo – Galeria Francisco Fino, Lisbon, 24.01.2025 – 07.03.2025. The existence of a backstage (background) presupposes a centerstage (front), something presented in the foreground that requires no in-depth knowledge of secret movements or plans taking place
François Bellabas, unloadingoverdrive at Contretype, Brussels
unloadingoverdrive by François Bellabas at Contretype, Bruxelles, 16.01.2025 – 23.03.2025. Artificial Intelligence: An Artistic Practice at the Crossroads of Worlds Artist working between Paris and Los Angeles, François Bellabas harnesses digital technologies and artificial intelligence to i
Johan F. Karlsson & Dimitris Tampakis, Careful What You Wish For at DISPLAY, Parma
Careful What You Wish For by Johan F. Karlsson & Dimitris Tampakis, curated by Dinos Chatzirafailidis, at DISPLAY, Parma, 08.02.2025 – 15.03.2025. The exhibition Careful What You Wish For builds on an intricate interplay between vulnerability and identity, highlighting how fear and the fra
Linus Rauch, There, Here at Galerie im Körnerpark, Berlin
There, Here by Linus Rauch, curated by Clara von Schwerin, at Galerie im Körnerpark, Berlin, 18.11.2024 – 28.02.2025. The intervention There, Here takes up the round arches of the neo-baroque architecture at Körnerpark and creates a dialogue between material, space and illusion. Inside each
Therese Bülow, Swing Pattern Gone at Matteo Cantarella, Copenhagen
Swing Pattern Gone by Therese Bülow at Matteo Cantarella, Copenhagen, 14.02.2025 – 29.03.2025. ‘The skin in itself is a poor uniform. Beautiful and porous. Prone to the cold. We wrapped an extra layer around the children, their bodies are the strongest and the easiest to wound. We gave
Meta-Mythical Optimisation” by Chino Moya: An Apocalypse of Routine in Monastic Robes
“Utopia is a necessary dream. But also an inevitable nightmare.” We walk into Chino Moya’s exhibition with this thought in mind, perhaps a distortion of some dystopian author’s words, or maybe just our own cynical synthesis. Because every time we are presented with a vision of the future, es
Niklas Roy in conversation with Fakewhale
Niklas Roy’s work turns technology into playful, interactive experiences that blend art, engineering, and science. With a background in 3D animation and visual effects, he reinterprets obsolete inventions, repurposes everyday objects, and invites audiences to engage with technology in unexpected w
Zombie Curating in the Infrathin of the Now. Beyond the ‘Curatorial’
In my white-cube bedroom, I notice how cold and impersonal such a space can get. Books are few and far between in my environment, partly because I am in a temporary residence and away from my home city. But even then, I reflect upon how galleries and non-profit spaces place art pieces and means of [
Irati Inoriza, Aflorar Hundida at Centro Párraga, Murcia
Aflorar Hundida by Irati Inoriza at Centro Párraga, Murcia, 06.02.2025 – 20.03.2025. Inoriza’s installations and performances are immersive experiences that ask us to reimagine the body not as a solitary entity but as a vessel of connectivity, fluidity, and becoming. She pushes viewers to c
