Luis Maria Sulzmann, Untitled, at Ping Pong, Copenhagen
“Untitled” by Luis Maria Sulzmann, at Ping Pong, Copenhagen, 02/10/2025–10/10/2025. What happens when our gaze drops to the height of a rat? When architecture ceases to be our privileged domain and instead becomes an animal labyrinth, narrow, porous, constraining? We asked ourselves th
Cinema After Cinema, The Last Film We Will Ever Make: Where creation becomes simulation and authorship evolves into new forms of possibility
Cinema has always been a paradox, suspended between industry and intimacy. It is a machinery of colossal scale, yet capable of delivering the smallest tremor of human vulnerability. What we now confront, however, is not simply another technological shift within its history, sound, color, digital edi
Till Bödeker, Tilt, at Coelner Zimmer, Düsseldorf
Tilt by Till Bödeker, at Coelner Zimmer, Düsseldorf, 19/09/2025 – 19/10/2025. When the ground shifts beneath our feet, it’s rarely due to an earthquake. More often, it’s our gaze that falters, tilting like a camera forcing the horizon line, like a mind teetering between the right move and
Nicolás Rupcich, TRL at ZiMMT, Leipzig
“TRL” by Nicolás Rupcich, at ZiMMT, Leipzig, 18/09/2025 – 28/09/2025. What remains of landscape when it ceases to be a place and becomes a dataset? As we entered the spaces of ZiMMT, we found ourselves wondering whether immersion, that much-lauded mantra of contemporary art, might in
Samuel Henne, untitled (note to self) at ad/ad – Project Space, Hannover
untitled (note to self) by Samuel Henne, curated by ad/ad – Project Space, at ad/ad – Project Space, Hannover, 06/09/2025 – 21/10/2025. Who speaks, who listens? A fragmented phrase drifts before our eyes, half monologue, half question, and we find ourselves wondering: is this “note to se
Fakewhale in dialogue with Valentino Catricalà
We’ve followed Valentino Catricalà’s curatorial work for years, drawn to his ability to navigate the evolving landscape of technological art with both theoretical rigor and critical insight. His practice strikes a rare balance between historical research and contemporary innovation, moving flui
LSD, at Kürfurstenstrasse 151, Berlin
LSD, curated by Luca Loli, with Amrita Dhillon, Bailey Keogh, Valentin Frisch, Merlin Luczynski, Shinoh Nam, Pietro Sanguineti, Mona Schulzek, Marco Siciliano, Ál Varo Tavares D’Guilherme, Caroline Wall, at Kürfurstenstrasse 151, Berlin, 10/09/2025 – 27/09/2025. “Eros is a wound that refuses
Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli
On September 11th, the Stedelijk Museum (Amsterdam, NL) opened Skin to Skin, the new solo show by Sandra Mujinga, a portal to a unique parallel world. Conceived as a void, the exhibition room presents itself as a green space, translating the concept of the digital green screen into physical reality.
Fakewhale in dialogue with James Bloom
In his latest project, Half Cheetah, James Bloom tackles a theme that is as technical as it is existential: what happens when the algorithms that drive progress are broken down? Through the use of Reinforcement Learning systems and 3D scans of human bodies, Bloom makes a critical reflection on struc
Fakewhale in Dialogue with Levi van Gelder
At Fakewhale, we’ve long been fascinated by artistic practices that challenge dominant narratives and rewrite established histories. Levi van Gelder’s ongoing project around Ötzi, reimagined as the undead, post-historical drag persona Ötza, is a brilliant and disruptive example of such work. T
