2 Ophiolite Peaks: Emilija Škarnulytė, Ancient Mountain Cults, and a Contemporary Cosmology, By Sofia Baldi PighibySofia Baldi Pighi
2 Ophiolite Peaks: Emilija Škarnulytė, Ancient Mountain Cults, and a Contemporary Cosmology, By Sofia Baldi PighibySofia Baldi Pighi
December 27, 2024Michael Webster, “Sonic Fictions,” at Cecilia Coker Bell Gallery at Coker University, Hartsville.byfakewhale
December 26, 2024Marek Wolfryd, “The Great Logic of Contents that Bind the World into Existence or ‘Season’s Greetings!'” at Swivel Gallery, New York City.byfakewhale
December 26, 2024Nestor Siré and Steffen Köhn, “CTRL+ALT+REPAIR,” at Moesgaard Museum, Aarhus.byfakewhale
December 26, 2024Sarah Neumann, Tom König, Suzie Callisz, Maria Margolina, Jakob Floess, and Maxim Tur, “Cryptogramme,” at Komplot, Brussels.byfakewhale
December 25, 2024Lewis Henderson, “No One Is Bored, Everything Is Boring,” at Galleri Mejan, Stockholm.byfakewhale
December 25, 2024Beatrice Vorster, Szilvia Bolla, Sabrina Ratté, Evangelia Dimitrakopoulou, Amélie Mckee, and Melle Nieling, “LOG 3: Interceptor,” at Plicnik Space Initiative, London.byfakewhale
December 24, 2024Living Machines: Geumhyung Jeong’s Dance of Humanity and Technology at ICAbyfakewhale
December 20, 2024Curator Spotlight #2: Wang Changcun – Navigating Virtual Structures Through Sound and Codebyfakewhale
