Jason Dodge: From Minimal Gestures to Narrative Conditions, Where Objects Become Thresholds of Meaning
We were leafing through the catalogue of an exhibition we had seen years ago at MACRO in Rome when Jason Dodge’s name began to resonate again from the pages, like a familiar call. Then we recalled that precise sensation: entering the space and not encountering a single work to contemplate, but rat
Fakewhale in dialogue with Alex Hartley
In his most recent body of work, Alex Hartley appears to undertake an operation that is as physical as it is visionary: peeling back the surface layer of the present to connect with latent energies and layered narratives, geological, cosmic, and cultural, that move through uncertain, looping, and ne
KEN OKIISHI · JOHANNES PORSCH · TANJA WIDMANN: Derivatives Affaires at Schleuse, Vienna
KEN OKIISHI · JOHANNES PORSCH · TANJA WIDMANN: Derivatives Affaires at Schleuse, Vienna 05/09/2025–27/09/2025. Every now and then, we ask ourselves, what does “production” really mean today? Not in abstract terms, but right there, faced with a sheet of paper, a sliver of metal, a printed ima
Paula Gogola & Natália Sýkorová at Medium Gallery, Bratislava
Paula Gogola & Natália Sýkorová, Begone Estrone, Medium Gallery, Bratislava, July 23 – August 31, 2025, curated by Zuzana Jakalová, exhibition design by Adam Rýznar, graphic design by Prokhor Maserov, soundscape by Johannes Tröstler. -n the bathroom, there is no lying. Not to the flesh,
Stephanie LaCava: Nymph – Anatomy of a Carefully Kept Wound
-There had to be a word for that, when something makes you uneasy because it’s familiar and correct, and everything else is not.- That word is Nymph. It starts with a premonition. A subtle vertigo, like catching a childhood scent in an unfamiliar alley, or glimpsing someone in a dream who knows yo
The Power of Cute: Review of the 13th Berlin Biennale by Sofia Baldi Pighi
From rhetoric to whisper, the 13th Berlin Biennale adopts a deliberate posture of political engagement. It looks sideways, renounces slogans and the monumentality of frontal denunciation, and instead prefers a critical discourse whispered in the ear. This edition investigates fugitivity, understood
BENASSI LIBERO! Aesthetic of Friction at Palazzo Ducale, Genova
“Today I feel free. I’ve freed myself from a certain kind of photography, but without bitterness. Maybe I no longer need to define myself through any one medium. Maybe just free. Yes, free.” This statement, made by Jacopo Benassi at the close of a recent interview, echoes throughout ev
Fakewhale in dialogue with S. Mercure
In S. Mercure’s work, the exhibition space is never a passive container, it becomes a sensitive surface, a listening body, an active agent of transformation. His pieces do not simply inhabit space; they absorb its invisible residues, dust, humidity, shadows, vibrations, translating them into gestu
Her Selected Works: Pusher, London
Gritli Faulhaber, Théa Giglio, Juliette Lena Hager, Georgina Hill, Adriana Lara, Marietta Mavrokordatou, Ryder Morey-Weale, Romane Prunières, Elliot Roberts, Hanna Rochereau, Andreas Schmid, Daniel Zeballos, Her Selected Works, 12 July – 6 September 2025, Pusher, London, UK There’s something h
RJ Messineo: 4:00 Universe” a Morán Morán, Los Angeles
RJ Messineo, 4:00 Universe, 14 March – 30 May 2020, Morán Morán, Los Angeles, USA Every day, at four in the afternoon, something fractures. It’s a suspended hour, almost capricious: too late for full daylight, too early for nightfall. That’s when the light bends, orange, pink, and the world
