What is LOWTECH?
Fakewhale emerges as a critical response to this transitional moment, where technology not only takes on an increasingly central role but asserts itself with a pervasive, almost intrusive presence, particularly within the realm of art. This technological infiltration is riddled with ambiguities: on
Botto at SOLOS: Algorithmic Evolution and the Future of Machine Art
Presented by Verse’s SOLOS, Algorithmic Evolution showcases the latest chapter in Botto’s journey as a decentralized autonomous artist. Opened on Tuesday, February 18th, from 6:30 PM to 9 PM in Fitzrovia, London, the exhibition unveils Botto’s transition from text-to-image generation to self-d
Jean-Baptiste Durand in conversation with Fakewhale
Jean-Baptiste Durand moves fluidly between design, ceramics, and scenography, merging industrial and artisanal techniques with conceptual freedom. His work resists categorization, drawing from diverse influences, from motorsports aesthetics to wabi-sabi philosophy. As he prepares for upcoming exhibi
Zuzana Baková, Nina Pacherová, Iulia Bucureșteanu, Noah Ismael Wyss, i’ve lost every photo that i took since 2012 at Sébeillon, Lausanne
i’ve lost every photo that i took since 2012 by Zuzana Baková, Nina Pacherová, Iulia Bucureșteanu, and Noah Ismael Wyss, curated by Zuzana Baková, at Sébeillon, Lausanne, 13.12.2024 – 15.12.2024. r͟/͟A͟r͟c͟h͟i͟v͟e͟I͟n͟s͟t͟a͟ ͟b͟_͟m͟u͟s͟i͟n͟g͟_͟l͟I have heard the
Diogo Pinto, Diplomacia at Belo Campo – Galeria Francisco Fino, Lisbon
Diplomacia by Diogo Pinto at Belo Campo – Galeria Francisco Fino, Lisbon, 24.01.2025 – 07.03.2025. The existence of a backstage (background) presupposes a centerstage (front), something presented in the foreground that requires no in-depth knowledge of secret movements or plans taking place
François Bellabas, unloadingoverdrive at Contretype, Brussels
unloadingoverdrive by François Bellabas at Contretype, Bruxelles, 16.01.2025 – 23.03.2025. Artificial Intelligence: An Artistic Practice at the Crossroads of Worlds Artist working between Paris and Los Angeles, François Bellabas harnesses digital technologies and artificial intelligence to i
Johan F. Karlsson & Dimitris Tampakis, Careful What You Wish For at DISPLAY, Parma
Careful What You Wish For by Johan F. Karlsson & Dimitris Tampakis, curated by Dinos Chatzirafailidis, at DISPLAY, Parma, 08.02.2025 – 15.03.2025. The exhibition Careful What You Wish For builds on an intricate interplay between vulnerability and identity, highlighting how fear and the fra
Linus Rauch, There, Here at Galerie im Körnerpark, Berlin
There, Here by Linus Rauch, curated by Clara von Schwerin, at Galerie im Körnerpark, Berlin, 18.11.2024 – 28.02.2025. The intervention There, Here takes up the round arches of the neo-baroque architecture at Körnerpark and creates a dialogue between material, space and illusion. Inside each
Therese Bülow, Swing Pattern Gone at Matteo Cantarella, Copenhagen
Swing Pattern Gone by Therese Bülow at Matteo Cantarella, Copenhagen, 14.02.2025 – 29.03.2025. ‘The skin in itself is a poor uniform. Beautiful and porous. Prone to the cold. We wrapped an extra layer around the children, their bodies are the strongest and the easiest to wound. We gave
Meta-Mythical Optimisation” by Chino Moya: An Apocalypse of Routine in Monastic Robes
“Utopia is a necessary dream. But also an inevitable nightmare.” We walk into Chino Moya’s exhibition with this thought in mind, perhaps a distortion of some dystopian author’s words, or maybe just our own cynical synthesis. Because every time we are presented with a vision of the future, es
