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THE NEW OPIUM: Language Models, Familiarity, and the Sedation of Critical Distance

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Trending Now
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THE NEW OPIUM: Language Models, Familiarity, and the Sedation of Critical Distance

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Fakewhale in Dialogue with AMIANGELIKA & 1100

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As the veneer of democracy starts to fade: at Galerie Derouillon, the Subtle Noise of Control

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INSIGHTS

Critical fragments mapping the changing landscape of contemporary art.

June 7, 2025

Monica Bonvicini at Capitain Petzel: It is Night Outside

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May 30, 2025

Nico Vascellari: “Pastorale” at Palazzo Reale, Milan

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May 17, 2025

“Rushes” at Fluentum, Berlin: video art that breathes through the ruins of the real

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May 16, 2025

Visual Capital: Designing for the Feed, Aesthetics, Algorithms, and the Creation of Works Made to Be Seen

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May 13, 2025

Curator Spotlight #5: Cao Shu

byGiuseppe Moscatello
May 10, 2025

Venice Architecture Biennale 2025: The City as a Lab, Water as a Manifesto

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May 8, 2025

June Crespo – SOLAR: Galería Ehrhardt Flórez

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May 5, 2025

Fakewhale Presents C2ASH by Jesse Draxler on Verse

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May 4, 2025

Océane Bruel & Dylan Ray Arnold at Lämpimästi: Swallowed Rooms.

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April 25, 2025

Thinking in Images: André Malraux and the Museum Without Walls

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April 24, 2025

What Remains of the Gesture: Fables, Algorithms, and the Melancholy of the Mechanical. Ryan Gander at Basament, Roma

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April 21, 2025

Observing and Being Observed: The Unstable Aesthetics of Einschub

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