This Is Not For You by Joschua Yesni Arnaut, with collaborator Severine Henriette Meier (Per Yngve Ohlin), curated by Max Pauer, at 1822-Forum, Frankfurt am Main, Germany, 16.01.2024 – 30.03.2024. Exhibition Text: Memory can either be characterized as a deliberate attempt to recall the past or

David von Bahr’s painting is a dynamic fusion of instinct and control, where raw gestures meet structured frameworks. Working on a large scale, he creates immersive pieces that engage the viewer physically, echoing modernist traditions while remaining deeply contemporary. We at Fakewhale spoke wit

Painting Beyond the Canvas Katharina Grosse is not a painter in the traditional sense. Her work challenges the very definition of painting, breaking free from the limitations of the canvas and extending onto walls, floors, objects, and even landscapes. Through her signature use of industrial spray g

Fabian Lehmann’s work exists at the intersection of materiality and memory, where digital and analog processes collide in a continuous dialogue. His practice explores the fragility of digital media, the historical weight of classical forms, and the shifting perception of permanence in an era defin

On March 4th, 2025, Fakewhale presents “The Mousetrap”, a new Fakewhale Gallery release by Iñigo Bilbao on Verse. An experiment in recognition and erasure, “The Mousetrap” by Iñigo Bilbao pulls apart the familiar to expose something raw and unpredictable. Using an iconic character as bait,

There are places where images are fixed, and others where they dissolve. Our gaze, caught between the solidity of matter and the fragility of memory, is constantly challenged by spatial illusions, crumbling archives, and realities that duplicate themselves in the digital realm. This month, three exh

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Explore the synergy between digital culture and the future of contemporary art.