On March 4th, 2025, Fakewhale presents “The Mousetrap”, a new Fakewhale Gallery release by Iñigo Bilbao on Verse. An experiment in recognition and erasure, “The Mousetrap” by Iñigo Bilbao pulls apart the familiar to expose something raw and unpredictable. Using an iconic character as bait,

There are places where images are fixed, and others where they dissolve. Our gaze, caught between the solidity of matter and the fragility of memory, is constantly challenged by spatial illusions, crumbling archives, and realities that duplicate themselves in the digital realm. This month, three exh

Diplomacia by Diogo Pinto at Belo Campo – Galeria Francisco Fino, Lisbon, 24.01.2025 – 07.03.2025. The existence of a backstage (background) presupposes a centerstage (front), something presented in the foreground that requires no in-depth knowledge of secret movements or plans taking place

unloadingoverdrive by François Bellabas at Contretype, Bruxelles, 16.01.2025 – 23.03.2025. Artificial Intelligence: An Artistic Practice at the Crossroads of Worlds Artist working between Paris and Los Angeles, François Bellabas harnesses digital technologies and artificial intelligence to i

“Utopia is a necessary dream. But also an inevitable nightmare.” We walk into Chino Moya’s exhibition with this thought in mind, perhaps a distortion of some dystopian author’s words, or maybe just our own cynical synthesis. Because every time we are presented with a vision of the future, es

[Curating is everywhere, but not as we have known it: for some time it has been an undead, a zombie, in which the established language, thinking, meanings and values of curating now stand as an obstacle to grasping the potential condition and possibilities of action. Trying to overcome the notion of

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