DISTANT, ENDLESS HUM by Milan Vagač and Natália Sýkorová, curated by Michal Stolárik, at VUNU Bratislava, Bratislava, 23/04–24/05/2025. Exhibition text:An omnipresent static bustle stretches through a fluid world where desires take root in synthetic bowels. We find ourselves in a space where

WILD WATCH by Ingeborg Tysse, curated by Tatiana Lozano, at Norwegian Sculptors Society, Oslo, 24/04/2025–22/06/2025. Exhibition text:Outside, birds are chirping, and spring appears to have arrived. The migratory birds have returned from overwintering in another world—but in the wrong place and

A Narrow Strip Along a Steep Edge by Angel, Charlie Robert, Dean Ansell, Jessica Dorizac, Max Athans, Miguel Aquilizan, Ziyi Wei, Yanru Pan, curated by Holly Eddington, at Fort Lytton, Brisbane, 10/05/2025–18/05/2025. Exhibition text:Exhibition text (author Holly Eddington): Fort Lytton is a parad

Japanese artist YOSHIROTTEN operates at the intersection of fine art, design, digital media, and immersive installation, a practice that persistently unsettles the conventions of so-called “clean” technocapitalist aesthetics. Instead of polishing images into minimalism (often associated with ste

In this fourth chapter of our Curator Spotlight series, we continue our journey through the evolving landscape of Chinese digital and new media art. This time, we turn our attention to Cao Shu, a multidisciplinary artist whose practice spans writing, photography, 3D digital moving image, mixed-media

The Computer in the Empty Room There are moments in the trajectory of certain artists that feel like extended silences, not absences, but suspensions. As though the work itself were waiting to be thought before it could be made. Wade Guyton emerged in the American art system at the turn of the mille

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