In the landscape of contemporary art, the role of the curator has undergone a profound transformation in recent decades, becoming increasingly hybrid, complex, and influential. Giovanni Carmine is a key figure in this evolution: from his early beginnings in the Swiss independent scene to his directo

There’s a silence that precedes language. It’s the same hush that greets you at the entrance of the Eck Museum of Art: not unsettling, but preparatory. On the first floor of this space, formerly known as the Stadtmuseum Bruneck, a collaboration unfolds that feels less like a conventional exhibit

Collecting art today can no longer be understood simply as owning an object. Not in an age when the artwork itself has become fluid, dematerialized, and inseparable from the digital environment in which it is created.We live in a time when the shared digital image holds unprecedented cultural weight

The Curatorial Gesture as Artwork The photograph of André Malraux, surrounded by a constellation of images laid across the floor, does not depict a moment of preparation or research, it enacts a gesture of creation. What we witness is not an editorial pause but an authorial act. Malraux’s posture

In today’s hyper-documented landscape of contemporary art, where photography and video often risk flattening or “cooling down” the experience of the work, a radical curatorial project has emerged that reconfigures this relationship entirely. In their projects, documentation is not trea

We have been closely following Martin Dörr’s interdisciplinary practice, which weaves together installation, media art, and systemic thinking into complex, original constellations. His work, often engaging with non-human agents and speculative infrastructures, challenges traditional narratives by

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.