Qubibi: Transcending Boundaries Through Abstract Notions
Qubibi is a Japanese artist and designer who uses painting, and digital compositions to create abstract, colorful patterns that are inspired by his own experiences throughout his life.
Qubibi ‘s Artistic Evolution: A Reflection of Life’s Flux
In the world of digital artistry, Qubibi ‘s footprint is as distinctive as it is thought-provoking.
Born out of a unique life journey that spans from a troubled childhood to a mature exploration of art and design, Qubibi ‘s works offer a colorful exploration of abstract patterns and unconventional themes.
Born and raised in Japan, Qubibi ‘s experiences have etched themselves into his work, becoming a cornerstone for his creations. His early life was marked by chaos and unpredictability, from changing family circumstances to sudden career shifts.
This ongoing flux of existence manifests itself in his art, where the constant state of in-between is explored and celebrated.
Qubibi ‘s Art: A Confluence of Gaming, Chance, and Design
In the realm of digital art, Qubibi ‘s name, a playful adaptation of the Japanese words for ‘neck‘ and ‘beauty,’ perfectly encapsulates his artistic philosophy. His creations dwell in the space between artist and audience, between creation and perception, and between the tangible and the abstract. This philosophy is deeply rooted in his past as an interactive web designer, where he was fascinated by the unpredictable interactions between users and his designs.
It wasn’t his original intention to become an artist, nor was it a deliberate decision to become a designer. Qubibi ‘s artistic journey was shaped by his experiences and interests, including a love for video games and an attraction towards the solitary relationship of a gamer with the screen. This led him to create immersive realms that exist apart from everything else in the world, artworks that absorb viewers rather than radiating outwards.
Qubibi ‘s work in generative art, a key aspect of his artistic practice, is characterized by an intriguing blend of deliberate design and serendipitous discovery. Starting from basic elements like borders on Photoshop, he allows his designs to evolve in unexpected directions, often resulting in patterns and forms reminiscent of natural phenomena. This process, in many ways, mirrors his overall approach to art – one that doesn’t impose a rigid vision but instead welcomes the unexpected, the spontaneous. It’s in this interplay between design and chance, between intention and accident, that Qubibi ‘s art truly comes to life.
Qubibi ‘s deep-seated affection for video games, particularly those with challenging difficulty levels, has also significantly influenced his work. This fondness has led him to create immersive realms within his art that absorb the viewer into a universe apart from the world they know. His art, much like these video games, is not merely observed but experienced.
One such creation is the interactive generative artwork, “Magical Door (2022)”. A seemingly simple concept of a door opening and closing morphs into a potent symbol of the rhythms of life and the boundaries between different spaces. Here, Qubibi ‘s keen observation of mundane activities becomes a canvas for deeper, universal narratives.
A Convergence of Generative Art, Sound, and Fluid Creativity
Qubibi ‘s approach to generative art is more an exercise in serendipity than a meticulous crafting process. Turing patterns, reminiscent of fish scales, emerge from his coding explorations, creating a sense of natural morphogenesis. Works like hello world (2010/2017), mimizu (みみず earthworm), and wiwizn (the reverse of mimizu) explore these patterns further, invoking a sense of primordial origins.
Sound is another vital element in Qubibi’s creations. The artist starts his workflow with sound, which he believes is not just integral but critical to the broader definition of art. The rhythms he exposes himself to during the creation process often dictate the rhythm of his art.
Qubibi’s creative process is not one of striving towards a predetermined goal or intention. Instead, it is a process of creation through negation, fertile elimination, and tracing the path of construction. His works are a testament to their own creation. It is this process that Qubibi believes defines his art.
In the spectrum of digital artistry, Qubibi’s creations illuminate a unique intersection of personal experience, abstract ideation, and interactive expression. They invite the viewer to step beyond the boundaries of conventional interpretation and engage in a dialogue with the ever-evolving world of his art.
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Founded in 2021, Fakewhale advocates the digital art market's evolution. Viewing NFT technology as a container for art, and leveraging the expansive scope of digital culture, Fakewhale strives to shape a new ecosystem in which art and technology become the starting point, rather than the final destination.
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