Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Lost Labour, Armando Andrade Tudela at FORM, Amsterdam, 24.09.25–24.10.25. Lost Labour grows out of the remains and omissions of my practice. Some of these works have already taken shape, shown in Spain, Italy, and Peru. Others were left hanging, ideas noted down, sketches half-formed, projects th
Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Lost Labour, Armando Andrade Tudela at FORM, Amsterdam, 24.09.25–24.10.25. Lost Labour grows out of the remains and omissions of my practice. Some of these works have already taken shape, shown in Spain, Italy, and Peru. Others were left hanging, ideas noted down, sketches half-formed, projects th
Life in Frames: The Wounded and Luminous World of Nan Goldin
There is something profoundly alive, and at the same time irreparably wounded, in Nan Goldin’s world. Entering the exhibition This Will Not End Well, presented at Pirelli HangarBicocca in Milan, means crossing a threshold where personal memory becomes a universal language and the image turns into
Tiffany Sia: Phantasmatic Screens at Mudam Luxembourg, behind the veils of perception
“Remembering is never an innocent act. It is rewriting the past with hands steeped in the present.”That’s what we told ourselves as we stepped into the rooms of Phantasmatic Screens, where a diffused white light fell on a rippled curtain, quivering like skin under a shiver. We wondered: is it
Ran Slavin, Radiances [2.0] at Ostrale Biennale, Dresden
Radiances [2.0] by Ran Slavin, curated by Drorit Gur Arie, at Ostrale Biennale, Dresden, 7th of June – 5th of October 2025. What if machines have started dreaming of us? What happens when their silence fills with echoes of our language, absorbed, imitated, reinvented by an intelligence that isn’
Bianca Hlywa, Morag Keil, Margherita Raso, The Invisible Hand at Gianni Manhattan, Vienna
The Invisible Hand by Bianca Hlywa, Morag Keil, and Margherita Raso, curated by Bianca Stoppani, at Gianni Manhattan, Vienna, September 8 – October 4, 2025. When we speak of invisible hands, the mind leaps toward economics and its arcane machinery. But pause for a moment, and something subtler, mo
Cemile Sahin, «BB – BORN TO BLOOM», at Kunst Halle Sankt Gallen, St.Gallen
«BB – BORN TO BLOOM» by Cemile Sahin, curated by Giovanni Carmine, at Kunst Halle Sankt Gallen, St.Gallen, 06/09/2025–16/11/2025. What strategies does nature offer when war encroaches on every horizon? Can a flower become a monument, a camouflage, a myth? Entering Cemile Sahin’s first solo e
Myungchan Kim, Dahoon Nam, Ahyeon Ryu, Min Shin, Hán Yohan, Tactics for an Era, at K&L Museum, Seoul
Myungchan Kim, Dahoon Nam, Ahyeon Ryu, Min Shin, Hán Yohan, Tactics for an Era, at K&L Museum, Seoul What strategies are left to those who inhabit an era that already feels occupied, saturated, coded into its own machinery?How can we remain present, active, tactical, not just witnesses, in a ti
Luis Maria Sulzmann, Untitled, at Ping Pong, Copenhagen
“Untitled” by Luis Maria Sulzmann, at Ping Pong, Copenhagen, 02/10/2025–10/10/2025. What happens when our gaze drops to the height of a rat? When architecture ceases to be our privileged domain and instead becomes an animal labyrinth, narrow, porous, constraining? We asked ourselves th
Till Bödeker, Tilt, at Coelner Zimmer, Düsseldorf
Tilt by Till Bödeker, at Coelner Zimmer, Düsseldorf, 19/09/2025 – 19/10/2025. When the ground shifts beneath our feet, it’s rarely due to an earthquake. More often, it’s our gaze that falters, tilting like a camera forcing the horizon line, like a mind teetering between the right move and
