MAYA DEREN – STANO FILKO: Truth Has, In Reality, Never Been Ours
Truth Has, In Reality, Never Been Ours. Like a warning or a refusal, this title lodged itself in my thoughts as we stepped into the Kunstmuseum Bochum for the exhibition running from April 26 to September 21, 2025. What does it mean, today, to say that truth is not ours? Which truth are we talking [
Tanja Widmann & Johannes Porsch: Cell Project Space, London
“-1, plus One” – Beneath and Beyond the Sign of Authorship Not every door opens to let you in. Sometimes it’s a reflective membrane, bouncing back a distorted echo of what you thought you’d left behind. As you cross the threshold into “-1, plus One,” Tanja Widmann’s first solo sh
Tarik Kiswanson: The Relief – War Memory, Music, and the Fragility of Transmission
The Relief by Tarik Kiswanson at Sfeir-Semler Gallery, Hamburg, May 8 – August 30, 2025. There is a moment, even before stepping through the threshold, when the mind fills with a silence that is not the absence of sound, but a dense anticipation, almost a vibration. The light of Hamburg, filtered
Fakewhale Studio: INTERLACED OBJECTS
INTERLACED OBJECTS, Fakewhale Studio, 07.08, 07.09.2025, NEW YORK (SERVERS) What remains of an artwork if not its reflection? And what happens when even that reflection is a mirage, fabricated by a machine? We’d love to say we were there, but this time that’s not possible. INTERLACED OBJECTS
Softimage, On the Threshold of the Visible and the Simulated
Perspective by Softimage (Katja Breder, Viola Del Monte, Hannes Hochmuth, Lara Jordan, Luka Keresman, Fruzsina Kiss, Christopher Krause, Anton Kruse, Gabriela Lesmes López, Leo Schilz, Delphine Wigger, William Ye), curated by Volo Bevza, at Cank, Berlin, 27–29 June 2025. Stepping into Softimage
TICK TACK Presents Allen-Golder Carpenter’s Sojourn: On Memory, Erasure, and the Politics of Remembrance
At TICK TACK in Antwerp, Allen-Golder Carpenter presents Sojourn (25 July – 6 September 2025), their first solo exhibition in Belgium, a deeply layered, multi-form exploration of memory, monumentality, and historical accountability. Drawing upon the philosophical and aesthetic lexicon of the Japan
Softimag, On the Threshold of the Visible and the Simulated
Perspective by Softimage (Katja Breder, Viola Del Monte, Hannes Hochmuth, Lara Jordan, Luka Keresman, Fruzsina Kiss, Christopher Krause, Anton Kruse, Gabriela Lesmes López, Leo Schilz, Delphine Wigger, William Ye), curated by Volo Bevza, at Cank, Berlin, 27–29 June 2025. Stepping into Softimage
MinOhrichar, Kahee Jeong, Dead Spot at Caption Seoul, Seoul
Dead Spotby MinOhrichar and Kahee Jeong, curated by Hyein Kim and Keunchan Yoo, at Caption Seoul, Seoul, 12/07/2025 – 10/08/2025. There’s an artificial coolness that stings like ice. Stepping into the exhibition Dead Spot feels like entering a spiritual freezer, a space where the crisp air is so
Georg Dahled, Sofiia Yesakova, Vanitous Spectre at Nymphenburg Palace, Iron House, Munich
Vanitous Spectre by Georg Dahled and Sofiia Yesakova at Nymphenburg Palace, Iron House, Munich, 12/07/2025–03/08/2025. Some spaces seem to have forgotten they are buildings. Stepping into the Iron House at Nymphenburg feels like entering an echo: the glass absorbs and multiplies, the iron remember
HSUBAND at Plicnik: Coupling Systems and Industrial Poetics
“Every factory seems to promise a form of coherence. HSUBAND stages that promise as a condition under inspection: parts, protocols, bodies, words. The space appears frictionless, an environment where coupling is always theoretically achievable, yet the terms of that coupling remain unsettled.
