At TICK TACK in Antwerp, Allen-Golder Carpenter presents Sojourn (25 July – 6 September 2025), their first solo exhibition in Belgium, a deeply layered, multi-form exploration of memory, monumentality, and historical accountability. Drawing upon the philosophical and aesthetic lexicon of the Japan

Dead Spotby MinOhrichar and Kahee Jeong, curated by Hyein Kim and Keunchan Yoo, at Caption Seoul, Seoul, 12/07/2025 – 10/08/2025. There’s an artificial coolness that stings like ice. Stepping into the exhibition Dead Spot feels like entering a spiritual freezer, a space where the crisp air is so

Vanitous Spectre by Georg Dahled and Sofiia Yesakova at Nymphenburg Palace, Iron House, Munich, 12/07/2025–03/08/2025. Some spaces seem to have forgotten they are buildings. Stepping into the Iron House at Nymphenburg feels like entering an echo: the glass absorbs and multiplies, the iron remember

“Every factory seems to promise a form of coherence. HSUBAND stages that promise as a condition under inspection: parts, protocols, bodies, words. The space appears frictionless, an environment where coupling is always theoretically achievable, yet the terms of that coupling remain unsettled.

What remains of God when the word goes dark? We asked ourselves this as we stepped into San Carlo Church, welcomed by the cool breath of stone and the faint scent of worn plaster, like walking into an ancient memory. We must admit: the walls, chipped and solemn, seemed to be holding their breath. Th

The first thing we noticed upon entering was a hand. Or rather: a metal outline of its profile, suspended in the corner of the main room. Not an evocative shape, but a precise sign. It’s an appropriate starting point for reading unforeseen, the exhibition that brings together Gianni Caravaggio and

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