Leaving the house with an open fire, but briefly by Martins Kohout, curated by Ján Gajdušek, at MeetFactory, Prague, 30/10/2025–11/01/2026. There’s something deeply restless about leaving the house with a fire still burning inside, we’ve all felt the hesitation, that flicker of doubt at the

Christa Joo Hyun D’Angelo, Mads Hyldgaard Nielsen, Sally von Rosen, Pain of Pleasure at Tempesta gallery, Milan. Pleasure is never innocent. It arrives charged, volatile, already shadowed by its inversion. One feels this immediately, even before stepping into Pain of Pleasure, not a contradiction,

Weaving Back to Common Grounds by Alexander Klaubert, Francis Kussatz, Julia Lübbecke, and Rahel grote Lambers, curated by otc collective, at ACUD Galerie, Berlin, 07/11/2025–07/12/2025. Where does common ground begin? Beneath the soles of our feet, or in the flicker of a shared glance? Stepping

CTRL_ABSENCE is Skygolpe’s new solo exhibition, presented in the Fellowship gallery spaces in London from 20 to 26 November 2025. The project consists of 21 unique video works and four Baryta paper prints (70×50 cm), arranged along a path that connects two levels of the exhibition space. The show

Underneath the Paving Stone by Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, and Carla Zaccagnini, curated by Karin Bähler Lavér, at Lunds konsthall, Lund, 20 September 2025 – 18 January 2026. We enter through fissures. Not metaphorical ones, real

RAUHFASER by Lilian Kreutzberger, curated by Benno Tempel, at Kroller Muller Museum, Otterlo, 1 September 2025 – 1 March 2026. Should we have crossed the threshold of the Kröller-Müller Museum as if stepping into a space more mental than physical? Leaving behind the weight of the everyday, we as

60th Zagreb Salon: Choreography for the Finish Line by Andrej Beštak and Anja Leko, Valentina Butumović, Maja Milutin Čule and Katy Pyle, Kristian Kožul, Petra Mrša, Tea Stražičić, Silvio Vujičić, Mario Mu, Luka Mahmuljin Udovičić and Lea Vidaković, curated by KUĆĆA (Jurica Mlinarec,

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.