Underneath the Paving Stone at Lunds konsthall, Lund
Underneath the Paving Stone by Lygia Clark, Anders Hergum, Valérie Jouve, Yuko Mohri, Kasra Seyed Alikhani, Anne Tallentire, and Carla Zaccagnini, curated by Karin Bähler Lavér, at Lunds konsthall, Lund, 20 September 2025 – 18 January 2026. We enter through fissures. Not metaphorical ones, real
Lilian Kreutzberger, RAUHFASER at Kroller Muller Museum, Otterlo
RAUHFASER by Lilian Kreutzberger, curated by Benno Tempel, at Kroller Muller Museum, Otterlo, 1 September 2025 – 1 March 2026. Should we have crossed the threshold of the Kröller-Müller Museum as if stepping into a space more mental than physical? Leaving behind the weight of the everyday, we as
Jason Hirata, Vergeltung, at Kaiserwache, Freiburg
Vergeltung by Jason Hirata, curated by Ilja Zaharov, at Kaiserwache, Freiburg, 22/10/2025 – 30/11/2025. What does it mean to receive something simply for being present?Not for applauding, understanding, purchasing, or even attentively observing, but merely for showing up. Entering Vergeltung by Ja
60th Zagreb Salon: Choreography for the Finish Line at Oktogon (National Museum of Modern Art), Zagreb
60th Zagreb Salon: Choreography for the Finish Line by Andrej Beštak and Anja Leko, Valentina Butumović, Maja Milutin Čule and Katy Pyle, Kristian Kožul, Petra Mrša, Tea Stražičić, Silvio Vujičić, Mario Mu, Luka Mahmuljin Udovičić and Lea Vidaković, curated by KUĆĆA (Jurica Mlinarec,
The Thinking Game: On the Cognitive Origins of Play
The Cognitive Origin Of Play What happens when play, seemingly a light and purposeless activity, is observed as a way of knowing the world?In a museum, a place devoted to preservation and reflection, play may reveal itself not as a simple childhood pastime, but as a universal principle of knowledge
Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Lost Labour, Armando Andrade Tudela at FORM, Amsterdam, 24.09.25–24.10.25. Lost Labour grows out of the remains and omissions of my practice. Some of these works have already taken shape, shown in Spain, Italy, and Peru. Others were left hanging, ideas noted down, sketches half-formed, projects th
Armando Andrade Tudela, Lost Labour at FORM, Amsterdam
Lost Labour, Armando Andrade Tudela at FORM, Amsterdam, 24.09.25–24.10.25. Lost Labour grows out of the remains and omissions of my practice. Some of these works have already taken shape, shown in Spain, Italy, and Peru. Others were left hanging, ideas noted down, sketches half-formed, projects th
Life in Frames: The Wounded and Luminous World of Nan Goldin
There is something profoundly alive, and at the same time irreparably wounded, in Nan Goldin’s world. Entering the exhibition This Will Not End Well, presented at Pirelli HangarBicocca in Milan, means crossing a threshold where personal memory becomes a universal language and the image turns into
Tiffany Sia: Phantasmatic Screens at Mudam Luxembourg, behind the veils of perception
“Remembering is never an innocent act. It is rewriting the past with hands steeped in the present.”That’s what we told ourselves as we stepped into the rooms of Phantasmatic Screens, where a diffused white light fell on a rippled curtain, quivering like skin under a shiver. We wondered: is it
Ran Slavin, Radiances [2.0] at Ostrale Biennale, Dresden
Radiances [2.0] by Ran Slavin, curated by Drorit Gur Arie, at Ostrale Biennale, Dresden, 7th of June – 5th of October 2025. What if machines have started dreaming of us? What happens when their silence fills with echoes of our language, absorbed, imitated, reinvented by an intelligence that isn’
