Fakewhale Gallery Presents C2ASH by Jesse Draxler on Verse
On May 8th, Fakewhale presents C2ASH by Jesse Draxler on Verse. C2ASH marks Jesse Draxler’s return to Verse with Fakewhale through a continuation that expands the rupture initiated with CRASH. More than a sequel, C2ASH defines a system. It evolves from the foundational tension of controlled fragme
Painting After the Machine: Wade Guyton and the Aesthetics of Reproduction, Error, and Withdrawal
The Computer in the Empty Room There are moments in the trajectory of certain artists that feel like extended silences, not absences, but suspensions. As though the work itself were waiting to be thought before it could be made. Wade Guyton emerged in the American art system at the turn of the mille
Fakewhale in Dialogue with Aaron Huey
Aaron Huey’s artistic practice cannot be pinned down to a single era, medium, or terrain, geographic or virtual. From high-risk field photography to AI-driven visual experiments, from collaborative campaigns with Amplifier.org to poetic reinterpretations of the climate crisis, Huey navigates throu
Lorenz Wanker, Trau dich grossartig zu sein at Galerie OK-KunZT, Klagenfurt
Trau dich grossartig zu sein by Lorenz Wanker, curated collaboratively by the artist and the venue owner, at Galerie OK-KunZT, Klagenfurt, 27/03/2025–31/08/2025. Exhibition text:With Trau dich grossartig zu sein (Dare to be great), Lorenz Wanker creates a space full of tension – between where we
Sara Christova, Ning An, Li Yanzheng, Xu Han, Yang Yu, Fractured Continuum at Sound Art Museum, Beijing
Fractured Continuum by Sara Christova, Ning An, Li Yanzheng, Xu Han, and Yang Yu, curated by Cheng Xi, at Sound Art Museum, Beijing, 09/03/2025–29/04/2025. Exhibition text:In an era marked by technological acceleration, ecological crises, and cultural conflicts, we are living within a “fract
Gabriele Ciulli, Henry Galano, ZZZ at Five Years Gallery, London
ZZZ by Gabriele Ciulli and Henry Galano, curated by Rochelle Fry, at Five Years Gallery, London, 05/04/2025–15/04/2025. Exhibition text:Friedrich Engels ventured forth in 1844 to detail the living and working conditions of the English working class, he started by standing on a ship venturing up th
Océane Bruel & Dylan Ray Arnold at Lämpimästi: Swallowed Rooms.
There’s a peculiar sensation that arises only in certain moments: when you enter a room that doesn’t belong to you, but feels eerily familiar. A spoon left askew, light catching on a glossy surface, the muffled pulse of a pipe behind the wall. Georges Perec wrote that to live is to move from one
