EJTECH (Judit Eszter Kárpáti, Esteban de la Torre, Tamás Melkovics), Age of String, at Horizont Gallery, Budapest
“Age of String” by EJTECH (Judit Eszter Kárpáti, Esteban de la Torre, Tamás Melkovics), at Horizont Gallery, Budapest, 17/04/2024 – 22/05/2024. The blades have survived the millennia, but the strings have rotten away. Stone hammers and bronze arrowheads patiently await to be exc
Mario Santamaría, When the walls stop crying, at Nave Sierra, Madrid
“When the walls stop crying” by Mario Santamaría, curated by Aida Salán and Guillermo Esteban, at Nave Sierra, Madrid, 09/05/2024 – 09/06/2024. An avatar inside a metaverse, the Voxels – Ethereum Virtual World, has been located thirteen and a half billion light years from t
Dawn is now once again, at GPS – Greenfield Project Space, London
Dawn is now once again by Šimon Chovan, Estefanía B Flores, Janina Frye, Lidija Kononenko, Maya Masuda, Giorgio van Meerwijk, Louise Oates, Francesco Pacelli, Emma Papworth, Bo Sun, Valentino Vannini, Yasmin Vardi, curated by Louise Oates, Emma Papworth, Yasmin Vardi, at GPS – Greenfield Pro
Hannah Rose Stewart, Apotheke at Sandy Brown Gallery, Berlin
“Apotheke” by Hannah Rose Stewart at Sandy Brown Gallery, Berlin, 20.04.2024 – 18.05.2024. SANDY BROWN is pleased to present “Apotheke” by Hannah Rose Stewart. This is the artist’s first solo exhibition at the gallery. — Telegram Industrial Complex Before informatio
Ran Slavin, Paradise Now (Vol2) at MUZA Eretz Israel Museum, Tel Aviv
“Paradise Now (Vol2)” by Ran Slavin, curated by Raz Samira, at MUZA Eretz Israel Museum, Te Aviv, 30/03/24 – 15/06/24. Ran Slavin Paradise Now (Vol2) 2024 30.3.24 – 15.6.24 Curator: Raz Samira Ran Slavin’s Paradise Now (Vol 2) is a site-specific video and sound installation in the
Mina Mohseni, A Mass Sporting Event, Mono, Lisbon
A Mass Sporting Event by Mina Mohseni, at mono, Lisbon, 01/04/2024-30/04/2024. “This concept was inspired by personal experiences I lived while exercising in a private sport club. I have consistently being using sports as a symbol in my works to avoid censorship, selecting it as a metaphor for
Seongeun Lee, Naumachia at Caption, Seoul
“Naumachia” by Seongeun Lee, curated by Bronwyn Bailey-Charteris, at Caption Seoul, Seoul, date 03/15/2024-04/13/2024. The exhibition title Naumachia, referring to large-scale mock sea battles in ancient Roman theatres, initially confronts the issue of water and cities. Here, water serve
Hanbyeol Mun, How to eat blueberry pie, Burg Giebichenstein University of Art and Design Halle
“How to eat blueberry pie” by Hanbyeol Mun at Burg Giebichenstein University of Art and Design Halle, Halle an der Saale, 23/04/2024-24/04/2024. This is Hanbyeol Mun’s graduation project. This project consists of an installation, a series of paintings, and a novel, and will be cont
Denys Zhdanov, No Memory at art+art Galerie, Paris
“No Memory” by Denys Zhdanov, curated by Pierre Ponant, at art+art Galerie, Paris, 11/04/2024 – 26/04/2024. No Memory. Deepfake archive of recycled memories. This exhibition produced by art+art gallery and curated by Pierre Ponant is part of a series titled “Firsts Without Ex
Simona Andrioletti, Text me when you get home <3 at DG Kunstraum, Munich
“Text me when you get home <3” by Simona Andrioletti, curated by Benita Meißner, at DG Kunstraum, Munich, 22/02/2024. Text me when you get home <3 is a sentence we feel the need to write to our loved ones when they come home after a night out. Text me when you get home <3 is [&
