Fakewhale in Dialogue with :mentalKLINIK
:mentalKLINIK’s practice unfolds like a prismatic, elusive entity, merging glamour with unease, surface gloss with hidden political strategies. A conceptual disco ball that refracts the codes of contemporary life, transforming installations, objects, and environments into fields of emotional tensi
Fakewhale in Dialogue with Michael Lowe
In our conversation with Michael Lowe, a collector whose passion for 1960s and ’70s conceptual and minimalist art has shaped one of the most distinctive archives of its kind, we explored the intersections between memory, material, and meaning.From his first encounter with Duchamp’s Boîte-en-val
Fakewhale in Dialogue with Caption, Seoul
The contemporary Korean art scene is undergoing a profound transformation, and Caption Seoul has emerged as one of its most distinctive, fluid, and radically hybrid spaces. Born from a simple need for experimentation, it has evolved into a platform that bridges emerging artistic practices, design, a
Everything Looks Like Art, But Nothing Feels Like Art: A conversation with Ilse Kind on visibility, platforms, and the ghosts of artistic intent
There are moments when a single episode captures, with almost brutal clarity, the contradictions we live with. For artist Ilse Kind, this moment came on Instagram, a platform she had long resisted. Kind built her practice around anthropomorphizing technologies, questioning the way algorithms influen
Fakewhale in dialogue with Alex Hartley
In his most recent body of work, Alex Hartley appears to undertake an operation that is as physical as it is visionary: peeling back the surface layer of the present to connect with latent energies and layered narratives, geological, cosmic, and cultural, that move through uncertain, looping, and ne
Fakewhale in dialogue with S. Mercure
In S. Mercure’s work, the exhibition space is never a passive container, it becomes a sensitive surface, a listening body, an active agent of transformation. His pieces do not simply inhabit space; they absorb its invisible residues, dust, humidity, shadows, vibrations, translating them into gestu
Fakewhale in dialogue with Paula Ferrés
We have been closely following the research of Paula Ferrés, whose project Volumetric Representation of Performative Spaces investigates how image-based and scanning technologies transform performative environments from ephemeral, embodied experiences into permanent digital residues. Her work chall
