“3 summers” by Tarik Kiswanson, Fatima Moallim, Lisa Tan at Lunds konsthall
Tarik Kiswanson, Fatima Moallim, Lisa Tan, 3 Somrar / 3 Summers, 7 June – 31 August 2025, Lunds konsthall, Lund, Sweden, curated by Åsa Nacking, Laura Goldschmidt, Paula Luduşan Gibe What remains of a summer once the echo of previous seasons fades into the present? The title 3 summers carries th
“The Gatherers” at MoMA PS1: Where the Superfluous Stares Back
“The Gatherers”, 24 April – 6 October 2025, MoMA PS1 (Long Island City, New York, USA), curated by Ruba Katrib What remains when nothing is truly needed anymore? The question lingers around us as soon as we reach the third floor of MoMA PS1, wandering through the austere hallways of the fo
Lovett/Codagnone “I Only Want You to Love Me” PAC / Milano
Lovett/Codagnone, I Only Want You to Love Me, 4 July – 14 September 2025, PAC Padiglione d’Arte Contemporanea, Milan, Italy, curated by Diego Sileo “Love is a minefield: you walk in dancing, hoping not to blow up.”That was the thought that struck us as we stepped into the PAC that afterno
Alexandra Bircken: Soma Sema Soma at Kunsthaus Biel
Alexandra Bircken, Soma Sema Soma, 8 June – 31 August 2025, Kunsthaus Biel / Centre d’art Bienne, Biel/Bienne, Switzerland, curated by Paul Bernard and Selma Meuli There’s a fragile line between what binds us and what separates us. It’s made of skin, but also of cables, seams, and fractures.
Yvo Cho at Neue Alte Brücke, Frankfurt: A Gesture, a Ghost: Copper, Rice, and Shame in the Empty Room
Walking toward Neue Alte Brücke on a softly dusty German afternoon, we found ourselves thinking about how silence can wound more deeply than a raised voice. What shape does shame take? Is it a sound? A smell? Perhaps a texture? That question echoed quietly as we crossed the threshold of Yvo Cho’s
MAYA DEREN – STANO FILKO: Truth Has, In Reality, Never Been Ours
Truth Has, In Reality, Never Been Ours. Like a warning or a refusal, this title lodged itself in my thoughts as we stepped into the Kunstmuseum Bochum for the exhibition running from April 26 to September 21, 2025. What does it mean, today, to say that truth is not ours? Which truth are we talking [
Tanja Widmann & Johannes Porsch: Cell Project Space, London
“-1, plus One” – Beneath and Beyond the Sign of Authorship Not every door opens to let you in. Sometimes it’s a reflective membrane, bouncing back a distorted echo of what you thought you’d left behind. As you cross the threshold into “-1, plus One,” Tanja Widmann’s first solo sh
Tarik Kiswanson: The Relief – War Memory, Music, and the Fragility of Transmission
The Relief by Tarik Kiswanson at Sfeir-Semler Gallery, Hamburg, May 8 – August 30, 2025. There is a moment, even before stepping through the threshold, when the mind fills with a silence that is not the absence of sound, but a dense anticipation, almost a vibration. The light of Hamburg, filtered
Fakewhale Studio: INTERLACED OBJECTS
INTERLACED OBJECTS, Fakewhale Studio, 07.08, 07.09.2025, NEW YORK (SERVERS) What remains of an artwork if not its reflection? And what happens when even that reflection is a mirage, fabricated by a machine? We’d love to say we were there, but this time that’s not possible. INTERLACED OBJECTS
Softimage, On the Threshold of the Visible and the Simulated
Perspective by Softimage (Katja Breder, Viola Del Monte, Hannes Hochmuth, Lara Jordan, Luka Keresman, Fruzsina Kiss, Christopher Krause, Anton Kruse, Gabriela Lesmes López, Leo Schilz, Delphine Wigger, William Ye), curated by Volo Bevza, at Cank, Berlin, 27–29 June 2025. Stepping into Softimage
