“Today I feel free. I’ve freed myself from a certain kind of photography, but without bitterness. Maybe I no longer need to define myself through any one medium. Maybe just free. Yes, free.” This statement, made by Jacopo Benassi at the close of a recent interview, echoes throughout ev

Gritli Faulhaber, Théa Giglio, Juliette Lena Hager, Georgina Hill, Adriana Lara, Marietta Mavrokordatou, Ryder Morey-Weale, Romane Prunières, Elliot Roberts, Hanna Rochereau, Andreas Schmid, Daniel Zeballos, Her Selected Works, 12 July – 6 September 2025, Pusher, London, UK There’s something h

Tarik Kiswanson, Fatima Moallim, Lisa Tan, 3 Somrar / 3 Summers, 7 June – 31 August 2025, Lunds konsthall, Lund, Sweden, curated by Åsa Nacking, Laura Goldschmidt, Paula Luduşan Gibe What remains of a summer once the echo of previous seasons fades into the present? The title 3 summers carries th

“The Gatherers”, 24 April – 6 October 2025, MoMA PS1 (Long Island City, New York, USA), curated by Ruba Katrib  What remains when nothing is truly needed anymore? The question lingers around us as soon as we reach the third floor of MoMA PS1, wandering through the austere hallways of the fo

Lovett/Codagnone, I Only Want You to Love Me, 4 July – 14 September 2025, PAC Padiglione d’Arte Contemporanea, Milan, Italy, curated by Diego Sileo   “Love is a minefield: you walk in dancing, hoping not to blow up.”That was the thought that struck us as we stepped into the PAC that afterno

Alexandra Bircken, Soma Sema Soma, 8 June – 31 August 2025, Kunsthaus Biel / Centre d’art Bienne, Biel/Bienne, Switzerland, curated by Paul Bernard and Selma Meuli There’s a fragile line between what binds us and what separates us. It’s made of skin, but also of cables, seams, and fractures.

Walking toward Neue Alte Brücke on a softly dusty German afternoon, we found ourselves thinking about how silence can wound more deeply than a raised voice. What shape does shame take? Is it a sound? A smell? Perhaps a texture? That question echoed quietly as we crossed the threshold of Yvo Cho’s

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.