The Invisible Hand by Bianca Hlywa, Morag Keil, and Margherita Raso, curated by Bianca Stoppani, at Gianni Manhattan, Vienna, September 8 – October 4, 2025. When we speak of invisible hands, the mind leaps toward economics and its arcane machinery. But pause for a moment, and something subtler, mo

«BB – BORN TO BLOOM» by Cemile Sahin, curated by Giovanni Carmine, at Kunst Halle Sankt Gallen, St.Gallen, 06/09/2025–16/11/2025. What strategies does nature offer when war encroaches on every horizon? Can a flower become a monument, a camouflage, a myth? Entering Cemile Sahin’s first solo e

Myungchan Kim, Dahoon Nam, Ahyeon Ryu, Min Shin, Hán Yohan, Tactics for an Era, at K&L Museum, Seoul What strategies are left to those who inhabit an era that already feels occupied, saturated, coded into its own machinery?How can we remain present, active, tactical, not just witnesses, in a ti

untitled (note to self) by Samuel Henne, curated by ad/ad – Project Space, at ad/ad – Project Space, Hannover, 06/09/2025 – 21/10/2025. Who speaks, who listens? A fragmented phrase drifts before our eyes, half monologue, half question, and we find ourselves wondering: is this “note to se

KEN OKIISHI · JOHANNES PORSCH · TANJA WIDMANN: Derivatives Affaires at Schleuse, Vienna 05/09/2025–27/09/2025. Every now and then, we ask ourselves, what does “production” really mean today? Not in abstract terms, but right there, faced with a sheet of paper, a sliver of metal, a printed ima

Paula Gogola & Natália Sýkorová, Begone Estrone, Medium Gallery, Bratislava, July 23 – August 31, 2025, curated by Zuzana Jakalová, exhibition design by Adam Rýznar, graphic design by Prokhor Maserov, soundscape by Johannes Tröstler. -n the bathroom, there is no lying. Not to the flesh,

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.