Some images arrive with the clarity of a completed gesture; others crash into view like accidents. They hesitate, stutter, get dirty. They don’t reveal themselves; they happen. ZERO IN, the exhibition at the Maria Leuff Foundation that brings together Rita Ackermann’s painting with Harmony Korin

“Utopia is a necessary dream. But also an inevitable nightmare.” We walk into Chino Moya’s exhibition with this thought in mind, perhaps a distortion of some dystopian author’s words, or maybe just our own cynical synthesis. Because every time we are presented with a vision of the future, es

[Curating is everywhere, but not as we have known it: for some time it has been an undead, a zombie, in which the established language, thinking, meanings and values of curating now stand as an obstacle to grasping the potential condition and possibilities of action. Trying to overcome the notion of

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