On September 11th, the Stedelijk Museum (Amsterdam, NL) opened Skin to Skin, the new solo show by Sandra Mujinga, a portal to a unique parallel world. Conceived as a void, the exhibition room presents itself as a green space, translating the concept of the digital green screen into physical reality.

When the old is dying and the new delays, a counter-movement rises in the infrathin of the now. Outside the prestige ecosystems of museums, biennials, and the increasing artist-run spaces, the figure of the independent curator moves on unsteady grounds marked by precarity given by the ongoing lack o

If one tries to access the website www.liminal.contact today, what appears on the blank page of our display is an error message. In my case, for example, it reads: “Safari can’t find the server,” followed by the standard browser language: “Safari can’t open the page ‘https://www.liminal.

To understand what LOWTECH Art tendency is and what are we facing in art galleries and online platform in these decades, it’s important to take a step back into the art history, rewind the film, and try to comprehend the process that led us to this specific moment in contemporary art, where techno

A few months ago, my computer was stolen. With no backup. In an instant, I lost photos, writings, videos, and the archives of the last and first thirty years of my life. The external backup I had was faulty and irrecoverable. That was the end. After a mild nervous breakdown, I followed the stages th

In my white-cube bedroom, I notice how cold and impersonal such a space can get. Books are few and far between in my environment, partly because I am in a temporary residence and away from my home city. But even then, I reflect upon how galleries and non-profit spaces place art pieces and means of [

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.