“Aeroplastics” by Ju Young Kim, at Academy of Fine Arts in Munich, Munich, 8/02 – 13/03/2024. In Ju Young Kim s artistic practice, robust high-tech aircraft components merge with Art Nouveau elements made of glass, ceramics and metal, creating novel, symbolically recoded objects an

“Stove by a Whale” by Seongeun Lee, Steven He, curated by Jia Yue He, at Staffordshire St Gallery, London, 18/04/2024-05/05/2024. We’re interested in areas where tides change, and the ground isn’t firm”. While architecture grounded in rational thinking is built on solid land, this

“Bygone Innocence” by Göksu Kunak, curated by Léon Kruijswijk, at Pilevneli Gallery, Istanbul, March 6 – April 6, 2024. With Bygone Innocence the multidisciplinary artist Göksu Kunak (b. 1985) presents a new body of work that departs from the 1996 Susurluk car accident. The cras

“Lavinia” by Sydney Acosta, Sula Bermúdez-Silverman, Ann Craven, Chioma Ebinama, Hanna Hur, Paulina Peavy, Paul Thek, at Hannah Hoffman Gallery, Los Angeles, March 30 – May 4, 2024. “We are all contingent. Resentment is foolish and ungenerous, and even anger is inadequate. I am

“Never Odd or Even” by Kate Mosher Hall, at Hannah Hoffman Gallery, Los Angeles, February 17 – March 23, 2024. The medium we make when are bodies are shaking There are five archetypes of pillow-talk. There is the confessor, the philosopher, the playful one, a silent-exhausted, and a si

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