“Text me when you get home <3” by Simona Andrioletti, curated by Benita Meißner, at DG Kunstraum, Munich, 22/02/2024. Text me when you get home <3 is a sentence we feel the need to write to our loved ones when they come home after a night out. Text me when you get home <3 is [&

“I have 4% left but feel free to freestyle on the chat and I come back when I have my charger by Antoine Félix Bürcher, Ricardo Meli, curated by Maria Bill, Antonia Hersche, Regula Weber, at Nano Raum für Kunst, Zürich, 04-19.04.2024. The starting point and work material for their installa

“Running Up That Hill” by Szilvia Bolla, curated by Barnabás Zemlényi-Kovács, at Glassyard Gallery, Budapest, 22/03/2024-24/05/2024. The art of Szilvia Bolla, which has started with abstract anti-photographs reacting against the depressive overconsumption of pictures, now arrived at a

“Aeroplastics” by Ju Young Kim, at Academy of Fine Arts in Munich, Munich, 8/02 – 13/03/2024. In Ju Young Kim s artistic practice, robust high-tech aircraft components merge with Art Nouveau elements made of glass, ceramics and metal, creating novel, symbolically recoded objects an

“Stove by a Whale” by Seongeun Lee, Steven He, curated by Jia Yue He, at Staffordshire St Gallery, London, 18/04/2024-05/05/2024. We’re interested in areas where tides change, and the ground isn’t firm”. While architecture grounded in rational thinking is built on solid land, this

“Bygone Innocence” by Göksu Kunak, curated by Léon Kruijswijk, at Pilevneli Gallery, Istanbul, March 6 – April 6, 2024. With Bygone Innocence the multidisciplinary artist Göksu Kunak (b. 1985) presents a new body of work that departs from the 1996 Susurluk car accident. The cras

“Lavinia” by Sydney Acosta, Sula Bermúdez-Silverman, Ann Craven, Chioma Ebinama, Hanna Hur, Paulina Peavy, Paul Thek, at Hannah Hoffman Gallery, Los Angeles, March 30 – May 4, 2024. “We are all contingent. Resentment is foolish and ungenerous, and even anger is inadequate. I am

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