Wolfgang Tillmans at the BPI – Centre Pompidou, Paris
Wolfgang Tillmans, Nothing could have prepared us – Everything could have prepared us, 13 June – 22 September 2025, Bibliothèque publique d’information (BPI), Centre Pompidou, Paris, France Some places feel less like they’ve been lived in and more like they’ve been dreamed backwards,
“3 summers” by Tarik Kiswanson, Fatima Moallim, Lisa Tan at Lunds konsthall
Tarik Kiswanson, Fatima Moallim, Lisa Tan, 3 Somrar / 3 Summers, 7 June – 31 August 2025, Lunds konsthall, Lund, Sweden, curated by Åsa Nacking, Laura Goldschmidt, Paula Luduşan Gibe What remains of a summer once the echo of previous seasons fades into the present? The title 3 summers carries th
“The Gatherers” at MoMA PS1: Where the Superfluous Stares Back
“The Gatherers”, 24 April – 6 October 2025, MoMA PS1 (Long Island City, New York, USA), curated by Ruba Katrib What remains when nothing is truly needed anymore? The question lingers around us as soon as we reach the third floor of MoMA PS1, wandering through the austere hallways of the fo
The Sculptural Unmaking: Urs Fischer and the Poetics of Disintegration
We’ve often found ourselves wondering what happens to large-scale installations once they’re dismantled. Not the portable kind, nor those conceived to be recreated elsewhere, but the massive, site-specific, time-bound constructions that seem impossible to preserve. When the exhibition ends, wher
Lovett/Codagnone “I Only Want You to Love Me” PAC / Milano
Lovett/Codagnone, I Only Want You to Love Me, 4 July – 14 September 2025, PAC Padiglione d’Arte Contemporanea, Milan, Italy, curated by Diego Sileo “Love is a minefield: you walk in dancing, hoping not to blow up.”That was the thought that struck us as we stepped into the PAC that afterno
When Nothing Weighs More Than Stone
There is something irredeemably inert in the object. We touch it, move it, measure it. Yet the very act of handling it marks its domestication. Sculpture, perhaps more than any other medium, bears the risk of consensus: it appears stable, complete, assertive. And for this reason, it has always been
Alexandra Bircken: Soma Sema Soma at Kunsthaus Biel
Alexandra Bircken, Soma Sema Soma, 8 June – 31 August 2025, Kunsthaus Biel / Centre d’art Bienne, Biel/Bienne, Switzerland, curated by Paul Bernard and Selma Meuli There’s a fragile line between what binds us and what separates us. It’s made of skin, but also of cables, seams, and fractures.
Curating Otherwise: Interdependence as a Tool to Practice
When the old is dying and the new delays, a counter-movement rises in the infrathin of the now. Outside the prestige ecosystems of museums, biennials, and the increasing artist-run spaces, the figure of the independent curator moves on unsteady grounds marked by precarity given by the ongoing lack o
Yvo Cho at Neue Alte Brücke, Frankfurt: A Gesture, a Ghost: Copper, Rice, and Shame in the Empty Room
Walking toward Neue Alte Brücke on a softly dusty German afternoon, we found ourselves thinking about how silence can wound more deeply than a raised voice. What shape does shame take? Is it a sound? A smell? Perhaps a texture? That question echoed quietly as we crossed the threshold of Yvo Cho’s
MAYA DEREN – STANO FILKO: Truth Has, In Reality, Never Been Ours
Truth Has, In Reality, Never Been Ours. Like a warning or a refusal, this title lodged itself in my thoughts as we stepped into the Kunstmuseum Bochum for the exhibition running from April 26 to September 21, 2025. What does it mean, today, to say that truth is not ours? Which truth are we talking [
