Invisible Structures: Dan Graham and the Shapes of Critical Thinking
Dan Graham never followed a conventional artistic path. He didn’t attend art school, nor did he receive formal training in the traditional sense. And yet, he became one of the most influential artists and thinkers of the late twentieth century. His journey began in 1960s New York, a time when art
Collecting the Digital: the Gesture, the Container, the Era
Collecting art today can no longer be understood simply as owning an object. Not in an age when the artwork itself has become fluid, dematerialized, and inseparable from the digital environment in which it is created.We live in a time when the shared digital image holds unprecedented cultural weight
Thinking in Images: André Malraux and the Museum Without Walls
The Curatorial Gesture as Artwork The photograph of André Malraux, surrounded by a constellation of images laid across the floor, does not depict a moment of preparation or research, it enacts a gesture of creation. What we witness is not an editorial pause but an authorial act. Malraux’s posture
