We don’t know who first said, “Objects don’t die; they transform.” It almost sounds like a poetic version of the law of conservation of mass. But standing before Michael E. Smith’s exhibition at Crèvecœur Gallery in Paris, this phrase takes on an unexpectedly tangible meaning, giving ris

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.