Gianni Caravaggio & Johannes Wald, “unforeseen” at Galerie Stadt, Sindelfingen
The first thing we noticed upon entering was a hand. Or rather: a metal outline of its profile, suspended in the corner of the main room. Not an evocative shape, but a precise sign. It’s an appropriate starting point for reading unforeseen, the exhibition that brings together Gianni Caravaggio and
Raphael Pohl & Theodor Nymark, Who’s in charge here? Art of a New Generation at ECK Museum of Art, Brunico
There’s a silence that precedes language. It’s the same hush that greets you at the entrance of the Eck Museum of Art: not unsettling, but preparatory. On the first floor of this space, formerly known as the Stadtmuseum Bruneck, a collaboration unfolds that feels less like a conventional exhibit
Collecting the Digital: the Gesture, the Container, the Era
Collecting art today can no longer be understood simply as owning an object. Not in an age when the artwork itself has become fluid, dematerialized, and inseparable from the digital environment in which it is created.We live in a time when the shared digital image holds unprecedented cultural weight
Thinking in Images: André Malraux and the Museum Without Walls
The Curatorial Gesture as Artwork The photograph of André Malraux, surrounded by a constellation of images laid across the floor, does not depict a moment of preparation or research, it enacts a gesture of creation. What we witness is not an editorial pause but an authorial act. Malraux’s posture
Zhankun Dai, Crashing Exercises at Vanguard Gallery, Shanghai
Crashing Exercises by Zhankun Dai, at Vanguard Gallery, Shanghai, 29 May – 26 July 2025. You don’t walk into Crashing Exercises, you breach it. A fractured fuselage leans like a wounded threshold at the gallery’s entrance, and already the air feels charged with a hush that is anything but peac
Every system contains within itself the seeds of its own transcendence
As digital infrastructures increasingly shape not only our environments but also the architectures of subjectivity itself, Console Spirituality, curated by Vienna Kim and Benoît Palop (LAN Party) for Feral File, emerges as a precise, almost liturgical inquiry into the threshold where gaming logic,
Inside Art Basel 2025: New Sections, Old Tensions, and Evolving Visions
In an art fair landscape that is increasingly crowded and marked by growing pressures, from rising costs and fluctuating sales to the proliferation of alternative events, Art Basel responds with an innovative format: Premiere, a new section designed to welcome small and mid-sized galleries with a fr
The Saturation of Vision: Apathy in the Age of Scrolling
It’s no longer a matter of visibility. The images are already here. Everywhere. At every moment.We don’t need to seek them out, they find us. They pass through us, slip into the gaps of our attention, strike the retina, overlap, are forgotten. Art, video art, design, politics, advertising, pain,
Print as Witness: Fakewhale at WUF Basel 2025: Celebrating Paper
Fakewhale is pleased to participate as official presenting partner of WUF Basel 2025: Celebrating Paper, an event entirely dedicated to publishing in the fields of contemporary art and photography. This special occasion will take place June 17–18, 2025, at the WUF Lounge & Studio, located on t
Monica Bonvicini at Capitain Petzel: It is Night Outside
There’s a moment, just as you cross the gallery’s threshold, when the darkness implied by the title slips in, not as a lack of light, but as an existential condition. “It is Night Outside”: a phrase that doesn’t merely describe but warns. What is this night? A historical moment? A mental s
