Fakewhale in dialogue with Julie Insun Youn
Julie Insun Youn worked in traditional painting for over a decade and, since 2015, has shifted to “post-painting” and multidisciplinary digital experiments. Primarily based on stripes, her geometric graphics are abstract and evoke a transient mood. Through repetition, rearrangement, and
Still Making Art Volume Seven, Curated by Aaron McLaughlin at Arti et Amicitiae, Amsterdam
Still Making Art Volume Seven at Arti et Amicitiae, Amsterdam, curated by Aaron McLaughlin, is a multifaceted exhibition that invites viewers to engage with the intricate and ever-evolving terrain of the artists’ work and their practices, which primarily focus on object/sculpture arranged with
Baxter and Fakewhale Studio: Synergy between Digital Art and Design in the 2024 Mood Book
The collaboration between Baxter and Fakewhale Studio represents a perfect balance of design, digital art, and technological innovation, culminating in the release of the 2024 Mood Book, a limited-edition catalog. This project goes beyond a simple catalog, presenting itself as a complex work of art
Fakewhale in dialogue with Norma Jeane
Recently, we engaged in an ongoing dialogue with Norma Jeane and found ourselves captivated by the intricate relationship between identity, art, and the process of deconstruction and reconstruction that permeates her work. After several months of conversation, we have distilled and published some ke
Lawrence Weiner: Elevating Conceptual Art to New Heights with TRACCE / TRACES and the Language of the Sky
Lawrence Weiner, one of the most iconic figures in conceptual art, always maintained a clear and radical vision of the role of the artist and the nature of art. “All I do is make things and present them. Art presents a reality. Art doesn’t present a metaphor. The conversation with society is
Fakewhale in dialogue with Marlon Nicolaisen
Marlon Nicolaisen‘s practice focuses on a wide range of themes that span the digital and natural, exploring perception, physicality, and the boundary between object and subject. His works, which utilize technologies like 3D printing, laser cutting, and CNC milling, pose questions about compl
Unveiling Identities: The Cinematic Reimagination of Brice Dellsperger
Entering the “Jalousies” exhibition by Brice Dellsperger at the Dortmunder Kunstverein, one is immediately immersed in a vibrant exploration of the boundaries of cinema, both in terms of form and genre. The title “Jalousies,” with its French double meaning of “blinds
Fakewhale in dialogue with Georg Eckmayr
We’ve been following Georg Eckmayr’s work for some time, fascinated by his ability to intertwine the physical and digital worlds, exploring the contradictions and ambivalences that arise from this interaction. Through his multimedia installations and research, Eckmayr not only challenges
K.R.M. Mooney, reserves at Midway Contemporary Art, Minneapolis
Upon entering K.R.M. Mooney’s reserves exhibition, the viewer is immediately enveloped in an atmosphere of understated intensity. The gallery’s industrial minimalism, characterized by its raw concrete, exposed beams, and subtle lighting, echoes the materiality of the works themselves, se
The Future Perfect: Ben Edmunds’ Chromatic Adventure
Upon entering Ben Edmunds‘ exhibition titled “The Future Perfect” at the L21 Gallery in Barcelona, we were immediately struck by the fusion of chromatic abstraction and sports equipment. This exhibition, which runs from June 27 to September 13, 2024, invites visitors to reflect on
