Occidenterie by Marek Wolfryd, at General Expenses, Mexico City, 03/02/2025-22/03/2025. Exhibition Text: We are all familiar with chinoiserie: those artifacts, especially popular in decorative arts, on which the West poured all of their thirst for Eastern exotism, imitating and reinterpreting Chines

This Is Not For You by Joschua Yesni Arnaut, with collaborator Severine Henriette Meier (Per Yngve Ohlin), curated by Max Pauer, at 1822-Forum, Frankfurt am Main, Germany, 16.01.2024 – 30.03.2024. Exhibition Text: Memory can either be characterized as a deliberate attempt to recall the past or

The Neoliberal Urge to Curate a Friendsgroup by Sarah Albrecht, Oliver Bleckmann, Manuel Cornelius, Sophia Gatzkan, Jill Kiddon, Luka Naujoks, and Johannes Thiel, curated by Johannes Thiel and Luka Naujoks, at ACUD Galerie, Berlin, 28/02/2025 – 23/03/2025. Exhibition Text: The exhibition The N

There are places where images are fixed, and others where they dissolve. Our gaze, caught between the solidity of matter and the fragility of memory, is constantly challenged by spatial illusions, crumbling archives, and realities that duplicate themselves in the digital realm. This month, three exh

i’ve lost every photo that i took since 2012 by Zuzana Baková, Nina Pacherová, Iulia Bucureșteanu, and Noah Ismael Wyss, curated by Zuzana Baková, at Sébeillon, Lausanne, 13.12.2024 – 15.12.2024. r͟/͟A͟r͟c͟h͟i͟v͟e͟I͟n͟s͟t͟a͟ ͟b͟_͟m͟u͟s͟i͟n͟g͟_͟l͟I have heard the

Diplomacia by Diogo Pinto at Belo Campo – Galeria Francisco Fino, Lisbon, 24.01.2025 – 07.03.2025. The existence of a backstage (background) presupposes a centerstage (front), something presented in the foreground that requires no in-depth knowledge of secret movements or plans taking place

unloadingoverdrive by François Bellabas at Contretype, Bruxelles, 16.01.2025 – 23.03.2025. Artificial Intelligence: An Artistic Practice at the Crossroads of Worlds Artist working between Paris and Los Angeles, François Bellabas harnesses digital technologies and artificial intelligence to i

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