Fakewhale Meets Domenico Romeo: On Modularity, Meaning, and Multiform Practice
We’ve been closely following the work of Domenico Romeo with great interest. As an artist, designer, and art director, he has spent years moving fluidly across visual art, fashion, sculpture, and symbolic writing, developing a personal language that is both ever-evolving and deeply coherent. His m
FAKEWHALE in conversation with Jan Robert Leegte
On the occasion of the upcoming exclusive Fakewhale-curated release Walled Garden, launching June 5 2025 at 6:00 PM CEST / 12:00 PM EDT, Fakewhale sat down with Dutch artist Jan Robert Leegte to discuss the conceptual framework behind a project that brings the NFT medium into an unexpected, highly c
Nestor Siré, PC Gamer [CubaCreativa] at Rijksakademie van Beeldende Kunsten, Amsterdam
PC Gamer [CubaCreativa] by Nestor Siré, curated by Yainet Rodríguez, at Rijksakademie van Beeldende Kunsten, Amsterdam, 21/05/2025 – 25/05/2025. 7. Exhibition text:PC Gamer As part of the project CubaCreativa [since 2014] CubaCreativa interrogates the production of technological knowledge under
Maybe Kudzu Covering My Body: Camouflage in the South at Tiger Strikes Asteroid, Greenville, SC
“Maybe Kudzu Covering My Body: Camouflage in the South” by Borealis, Jacob Riddle, Katie Hargrave & Meredith Laura Lynn, Max Trumpower, Mo Costello, Nathaniel Hendrickson, Raymond Thompson, and Utē Petit, curated by Megan Bickel, at Tiger Strikes Asteroid, Greenville, SC, 09/05/2025
The Spectacle of the Void: Art Without an Object
In the most extreme forms of conceptual art, the artistic gesture tends to vanish, dissolving into the thought that generates it. The “invisible artwork” emerges as both paradox and provocation, a declaration of war. It offers no object, no image, no body to contemplate, only an idea that endure
FAKEWHALE in conversation with Riccardo Benassi
In this conversation with Riccardo Benassi, Fakewhale explores the deep weave between language, technology, and existence that characterizes his work. From the poetic ruminations of Daily Dense Dance Desiderio to the unsettling emotional landscapes of Morestalgia, Benassi reflects on how art, archit
Operator in Conversation with Fakewhale
Today, few artistic collaborations stand out as distinctly as Operator, the dynamic duo of Ania Catherine and Dejha Ti. Since their inception in 2016, they’ve been at the forefront of blending immersive art with cutting-edge technology, creating experiences that challenge traditional perceptio
“Rushes” at Fluentum, Berlin: video art that breathes through the ruins of the real
What’s left of lived experience when it’s constantly filtered, fragmented, and reframed through screens? Perhaps only an echo, a digital residue flickering between apps, feeds, and lenses, or something more elusive: a faint yet persistent awareness that everything we do, no matter how mundane or
Visual Capital: Designing for the Feed, Aesthetics, Algorithms, and the Creation of Works Made to Be Seen
Visual Value as the Dominant Currency An image is no longer simply looked at, it’s evaluated. In a split second, the eye decides whether to linger or scroll past. Artworks are no longer contemplative objects; they are visual interfaces designed to strike, assert themselves, and embed into the fl
Alexandre Bavard, Arthur Hoffmann, V.O.I.D. at Galerie Au Roi, Paris
V.O.I.D. by Alexandre Bavard and Arthur Hoffmann, curated by a-topos’, at Galerie Au Roi, Paris, 30/04/2025–10/05/2025. Exhibition text:From the very entrance, a sensation of immersion takes hold. The gaze sharpens, footsteps slow, ab- sorbed by a plastic dispositif that functions as a coher