We at Fakewhale followed the buzz around Anne Imhof’s much-anticipated return to New York, where her new major U.S. production, DOOM: House of Hope, took over the Park Avenue Armory. The German artist, who won the Golden Lion at the 2017 Venice Biennale with Faust, is no stranger to controversy (t

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.