Post-Post-Industrial by Thomas McLucas and William McLucas, curated by the artists, at 17-18 Lower Dock Walk, London, 21/06/2024 – 30/06/2024. Exhibition Text: Once the largest gasworks in the world, covering over 500 acres of land, Beckton played a major role in the development of London. Thr

This Is Not For You by Joschua Yesni Arnaut, with collaborator Severine Henriette Meier (Per Yngve Ohlin), curated by Max Pauer, at 1822-Forum, Frankfurt am Main, Germany, 16.01.2024 – 30.03.2024. Exhibition Text: Memory can either be characterized as a deliberate attempt to recall the past or

Diplomacia by Diogo Pinto at Belo Campo – Galeria Francisco Fino, Lisbon, 24.01.2025 – 07.03.2025. The existence of a backstage (background) presupposes a centerstage (front), something presented in the foreground that requires no in-depth knowledge of secret movements or plans taking place

unloadingoverdrive by François Bellabas at Contretype, Bruxelles, 16.01.2025 – 23.03.2025. Artificial Intelligence: An Artistic Practice at the Crossroads of Worlds Artist working between Paris and Los Angeles, François Bellabas harnesses digital technologies and artificial intelligence to i

Careful What You Wish For by Johan F. Karlsson & Dimitris Tampakis, curated by Dinos Chatzirafailidis, at DISPLAY, Parma, 08.02.2025 – 15.03.2025. The exhibition Careful What You Wish For builds on an intricate interplay between vulnerability and identity, highlighting how fear and the fra

Fakewhale Log is the media layer of Fakewhale. It explores how new technologies are reshaping artistic practices and cultural narratives, combining curated insights, critical reviews, and direct dialogue with leading voices.