Art After the Click: From Presence to Post-Production
Unseen Art: The Birth of Mediation Art, in its most mythological conception, was born to be seen. And yet, for over a century now, what we consume, more frequently and more widely, is no longer the artwork itself, but its image. Photography, introduced in the 19th century as a documentary tool, soon
Living Things at Tiger Strikes Asteroid – Greenville, Greenville
“Living Things” by Hannah Chalew, Michael Evans, Manuel Alejandro Rodríguez-Delgado, and Kosmologym, curated by Alex Schechter, at Tiger Strikes Asteroid – Greenville, Greenville, 04/04/2025 – 05/04/2025. Exhibition Text:This exhibition brings together the work of Hannah Cha
Jędrzej Bieńko, Kinga Dobosz, Agata Popik, Amelia Woroszył, Stress Hygiene at Przeciąg Gallery, Warsaw
Stress Hygiene by Jędrzej Bieńko, Kinga Dobosz, Agata Popik, Amelia Woroszył, curated by Katarzyna Piskorz, at Przeciąg Gallery, Warsaw, 11/04/2025 – 16/05/2025. Exhibition Text:It started innocently enough. Daily life was training our nerves, and we were running on fumes, of energy and ps
Observing and Being Observed: The Unstable Aesthetics of Einschub
In an era where perception is constantly mediated by screens, reflections, and recordings, Jasper Marsalis invites us to recognize the fragility of our position as observers. In Einschub, every gaze is doubled, every gesture multiplied, every presence rendered an unstable surface. We are no longer m
Livia Ribichini, Prospects at Art Rotterdam, Ahoy, Rotterdam
“Prospects” by Livia Ribichini, curated by Johan Gustavsson & Louise Bjeldbak Henriksen, at Art Rotterdam, Ahoy, Rotterdam, 28/03/2024–30/03/2024. Exhibition Text:Brightly coloured wigs endlessly sweeping the floor as if they were mops. On the surface, Livia Ribichini’s (1994) in
Luis Maria Sulzmann, A trap well laid at G10, Darmstadt
“A trap well laid” by Luis Maria Sulzmann, curated by Carolina Madde, at G10, Darmstadt, 11.04.2025–23.05.2025. Exhibition Text:The exhibition A Trap Well Laid by Luis Maria Sulzmann brings together various objects used in beekeeping businesses. These are tools and equipment for honey
In Dialogue with Fakewhale: Aaron McLaughlin on Challenging Systems and Shaping New Relations
Aaron McLaughlin is an artist and curator whose practice systematically challenges established structures, critically examining institutional and cultural mechanisms through works that span sculpture, performance, installation, and socially engaged practices. His work stands out for its ability to t
Nick D’Alessandro, Sprocket at LVL3, Chicago
Sprocket by Nick D’Alessandro, curated by Liam Owings and Luca Lotrugio, at LVL3, Chicago, 03/08/25 – 04/27/25. An object seeks its purpose, its place in its conceived existence. This purpose is a performance, an act, hopefully versatile and flexible, hopefully not meaningless. An unclea
Martin Dörr, Body without Narrator at saasfee*pavillon, Frankfurt am Main
“Body without Narrator” by Martin Dörr at saasfee*pavillon, Frankfurt am Main, 27/02/2025 – 30/03/2025. “People fall asleep into the lap of the earth, giving themselves over to the immeasurable force that they have spent the whole day trying to master.” [1] Sleep is an
Liturgies of Black: Thierry De Cordier and the Discipline of Absence
The Discipline of Nothingness There are exhibitions that present artworks, and there are those that present thresholds. NADA, the monographic project by Belgian artist Thierry De Cordier at Fondazione Prada’s Cisterna in Milan, belongs entirely to the latter. It does not offer paintings to admire,
