Luca Lo Pinto, The Screen is a Muscle. In conversation with Matteo Giovanelli
During Artissima, in collaboration with the fair, Gallerie d’Italia opened The Screen is a Muscle, an exhibition curated by Luca Lo Pinto, who brought his transversal approach into the space, conceiving the group show as a choreography with short videos by Bruce Conner, Low Jack & Invernomuto,
Sandra Mujinga, Skin to Skin at Stedelijk Museum, an Interview by Matteo Giovanelli
On September 11th, the Stedelijk Museum (Amsterdam, NL) opened Skin to Skin, the new solo show by Sandra Mujinga, a portal to a unique parallel world. Conceived as a void, the exhibition room presents itself as a green space, translating the concept of the digital green screen into physical reality.
Wade Guyton and Beatrix Ruf in Conversation with Matteo Giovanelli Following the opening of Michael Ringier’s Collection at the Langen Foundation, Düsseldorf
On April 13th, The Langen Foundation (Düsseldorf, GER) opened an extraordinary exhibition celebrating the thirtieth anniversary of the Swiss Ringier Collection. The show unfolds within Tadao Andō’s iconic minimalist structure, showcasing around 500 works from Michael Ringier’s personal collect
Graffiti. From the Spray Paintings & Underground to the Museion
To understand what LOWTECH Art tendency is and what are we facing in art galleries and online platform in these decades, it’s important to take a step back into the art history, rewind the film, and try to comprehend the process that led us to this specific moment in contemporary art, where techno
CTRL+Z: From 1910s to 2010s, and Beyond. A Brief History of LOWTECH
To understand what LOWTECH Art tendency is and what are we facing in art galleries and online platform in these decades, it’s important to take a step back into the art history, rewind the film, and try to comprehend the process that led us to this specific moment in contemporary art, where techno
Vladislav Markov, ’blood thinner, low-dose aspirin, best painkillers for kids’
It’s Friday night, November 15, I’m entering The Address Gallery building, a stunning space in a private courtyard in Brescia’s historical city centre. Through the passage between the street and the gallery, I can just hear the chaos of the opening, multiple voices and sounds from the audience
